Everlast - Eat at Whitey's

Everlast - Eat at Whitey's
1




Album Details

Title: Eat at Whitey's
Artist: Everlast
Release Date: 10/17/2000
Label: Tommy Boy
Album Type(s): Explicit lyrics sticker, lyrics/libretto
UPCs: 016998141120, 016998142820
Genre: Rap
Styles: Alternative Rap, Rap-Rock
Moods: Ambitious, Brooding, Cynical/Sarcastic, Difficult, Earthy, Energetic, Freewheeling, Indulgent, Melancholy, Organic, Plaintive, Searching, Somber, Street-Smart, Yearning, Aggressive, Bravado, Confrontational, Dramatic, Earnest, Rollicking, Swaggering, Tense/Anxious, Uncompromising
Total Copies: 5
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Whitey
  2. Black Jesus
  3. I Can't Move
  4. Black Coffee
  5. Babylon Feeling
  6. Deadly Assassins
  7. Children's Story
  8. Love for Real
  9. One and the Same
  10. We're All Gonna Die
  11. Mercy on My Soul
  12. One, Two
  13. Graves to Dig

Additional Releases

YearTypeLabelCatalog #
2000CDTommy Boy1411

Other Editions

Similar CDs

Album Review

Nobody ever would have guessed that the leader of House of Pain would come back after a bout of obscurity and a serious heart attack to reinvent himself as a hip-hop troubadour, rasping out bluesy folk-rock to a steady-rolling beat. The fact that Everlast had the vision to change his tune was surprising enough, but the fact that it worked and found a wide audience was stunning. When it came time to deliver Eat at Whitey's, the follow-up to Whitey Ford Sings the Blues, in 2000, Everlast was smart enough to expand on a good thing, turning out a sequel that built on the folk-rap-rock that rejuvenated his career, while adding slight new twists. The problem is, the new twists, particularly in the guise of cameos from rockers like Carlos Santana and Warren Haynes, don't work particularly well. Also, whenever he veers toward straight rap, such as on the B-Real duet "Deadly Assassins," the music falls a little flat -- just like it did on the predecessor. Still, these not-quite successful moments don't detract from an album that delivers on the promise of Whitey Ford. Whenever Everlast lays back and spins stories and tall tales on his own, his blend of folk, rock, blues, rap, and pop culture clicks. It can be a little silly -- his rhymes are occasionally goofy, his growl a little too raspy -- but at its best, it's evocative, catchy, and ingratiating. If he can't sustain the quality of the first three songs throughout the record, at least it connects several more times, enough to make Eat at Whitey's satisfying for listeners that want a little more of "What It's Like." ~ Stephen Thomas Erlewine, All Music Guide

Credits

NameCredits
Abdel WahabSitar
Andrea LibermanStylist
Andy VanDetteEditing
Ben BoccardoBass
Bob KhalilVocals
Brendan LynchVocals, Vocals
C-LoVocals
Carlos SantanaGuitar
Cee-LoVocals
Chris ThomasBass, Vocals, Bass, Vocals
Christian LantryPhotography
Dante RossInstrumentation, Executive Producer, Producer
David CampbellString Arrangements
Dorian HolleyVocals
EverlastExecutive Producer, Vocals, Guitar, Programming, Guitar (Steel), Producer
Farid Schater IIBass
Fredwreck NassarProducer
Howie WeinbergMastering
Jack DaleyBass
Jamey StaubMixing
Jason TuminelloAssistant Engineer
Jay NicholasAssistant Engineer
Jim GilstrapVocals
John BighamBand
John GambleInstrumentation, Producer, Engineer
Keith CianciaBand, Keyboards, Bass
Kevin DorseyVocals
Merry ClaytonVocals
Miles Om TackettCello
N'Dea DavenportVocals
Noah Callahan-BeverProduction Coordination
Noah EvansAssistant Engineer
Phillip IngramVocals
RahzelHuman Bassline, Human Beatbox, Effects
Stimulated DummiesProducer, Programming, Mixing
The AlchemistProducer
Victor RiceBass
Warren HaynesSlide Guitar