Album Details
Title: Seventeen Seconds Artist: The Cure Release Date: 5/1980 Re-Released On: 9/15/2008 Label: Elektra Entertainment, Polydor, Um3, Fiction, Elektra/ WEA, Universal Distribution Duration: 35:34 Album Type(s): lyrics/libretto UPCs: 075596078429, 081227334925, 4988005507006, 4988005514387, 0042282535429, 042282535429, 0600753095164, 600753030424, 602498218327 Genre: Rock Styles: Goth Rock, Post-Punk, Alternative/Indie Rock Moods: Angst-Ridden, Atmospheric, Cathartic, Stately, Bittersweet, Brooding, Insular, Nocturnal, Ominous, Reflective, Tense/Anxious, Wintry, Earnest, Eerie, Ethereal, Hypnotic, Stylish, Amiable/Good-Natured, Passionate, Sparse, Aggressive, Druggy, Energetic, Fun, Quirky, Searching, Bleak, Detached, Gloomy, Melancholy, Playful, Sad, Somber, Wistful Total Copies: 0 Members Wishing: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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A Reflection
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Play for Today
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Secrets
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In Your House
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Three
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The Final Sound
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A Forest
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M
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At Night
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Seventeen Seconds
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Polydor | 5309516 | | 2008 | CD | Universal Distribution | 93421 | | 2008 | CD | Universal Distribution | 93478 | | 2006 | CD | Elektra/ WEA | 73349 | | 2005 | CD | Um3 | 9821832 | | 2001 | CD | Fiction | 8253542 | | 1988 | CD | Elektra Entertainment | 60784 |
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Album Review
It's hard to believe that the Cure could release an album even more sparse than Three Imaginary Boys, but here's the proof. The lineup change that saw funkstery bassist Michael Dempsey squeezed out in favor of the more specific playing of (eventually the longest serving member outside Robert Smith) Simon Gallup, and the addition of keyboardist Mathieu Hartley resulted in the band becoming more rigid in sound, and more disciplined in attitude. While it is not the study in loss that Faith would become, or the descent into madness of Pornography, it is a perfect precursor to those collections. In a sense, Seventeen Seconds is the beginning of a trilogy of sorts, the emptiness that leads to the questioning and eventual madness of the subsequent work. Mostly forgotten outside of the unforgettable single "A Forest," Seventeen Seconds is an even, subtle work that grows on the listener over time. Sure, the Cure did better work, but for a new lineup and a newfound sense of independence, Robert Smith already shows that he knows what he's doing. From short instrumental pieces to robotic pop, Seventeen Seconds is where the Cure shed all the outside input and became their own band. ~ Chris True, All Music Guide
Credits
| Name | Credits | | Andrew Douglas | Photography | | Andrew Warwick | Assistant Engineer | | Bill Airey Smith | Cover Art | | Bill Smith | Artwork | | Bob King | Photography | | Bunny Lake | Photography | | Chihiro Nozaki | Art Coordinator | | Chris Blair | Digital Remastering | | Chris Parry | Assistant Producer | | Daryl Bamonte | Project Coordinator | | Denis O'Regan | Photography | | Ebet Roberts | Photography | | Joe Black | Project Coordinator | | John Taw | Photography | | Julien Potter | Reissue Design | | Laurence Tolhurst | Assistant Producer, Drums | | Mathieu Hartley | Keyboards, Assistant Producer | | Michael Hedges | Producer | | Mike Dutton | Engineer | | Mike Hedges | Producer, Engineer | | Minoru Harada | Product Manager | | Nigel Green | Assistant Engineer | | Robert "Big Bert" Smith | Guitar, Executive Producer, Producer, Violin, Photography, Vocals | | Robert J. Smith | Vocals, Producer, Guitar | | Robert Smith | Guitar, Producer, Violin, Vocals | | Shinjiro Kawashima | Art Research | | Simon Gallup | Photography, Guitar (Bass), Assistant Producer, Bass | | The Cure | Artwork, Cover Art |
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