Album Details
Title: The Top Artist: The Cure Release Date: 1984 Re-Released On: 9/15/2008 Label: Sire, Polydor, WEA, Universal Distribution, Elektra Entertainment Duration: 40:48 Album Type(s): lyrics/libretto UPCs: 042282113627, 081227475123, 4988005514417, 0042282113627, 0600753095133, 075992508612, 075992508643, 602498400135, 738476882621 Genre: Rock Styles: Alternative Pop/Rock, Goth Rock, Post-Punk, Alternative/Indie Rock, College Rock Moods: Angst-Ridden, Atmospheric, Cathartic, Stately, Bittersweet, Brooding, Insular, Nocturnal, Ominous, Reflective, Tense/Anxious, Wintry, Earnest, Eerie, Ethereal, Hypnotic, Stylish, Amiable/Good-Natured, Passionate, Sparse, Aggressive, Druggy, Energetic, Fun, Quirky, Searching, Bleak, Detached, Gloomy, Melancholy, Playful, Sad, Somber, Wistful Total Copies: 0 Members Wishing: 3 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Shake Dog Shake
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Bird Mad Girl
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Wailing Wall
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Give Me It
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Dressing Up
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The Caterpillar
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Piggy in the Mirror
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The Empty World
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Bananafishbones
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The Top
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Polydor | 5309513 | | 2008 | CD | Universal Distribution | 93481 | | 2006 | CD | Polydor | 9840013 | | 2006 | CD | Elektra Entertainment | 74751 | | 1995 | CD | WEA | 8211362 | | 1983 | CD | Sire | 2-25086 |
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Album Review
Recorded in the midst of Robert Smith's tenuous tenure with Siouxsie and the Banshees, The Top is arguably the most hedonistic record the Cure ever produced. Essentially Smith and Lol Tolhurst working with studio musicians (this being the period when the Cure's lineup was never assured), it's an album obviously recorded under stress, drink, and drugs. More wildly experimental musically than anything before it, it laid the foundations for the Cure's pattern of unpigeonholable albums that were to erase their reputation built by Pornography and eventually culminating in Kiss Me, Kiss Me, Kiss Me. That said, it's still very much a Cure record. Heavy on the percussion and quaint keyboard effects that were so big in the '80s, the melodies ("The Caterpillar," "Shake Dog Shake") are unmistakably Robert Smith. The big change this time around is his ability to fuse the paranoia and neuroses of former work (Pornography) with his newfound use of pop melody and outside influences (i.e., world travels, sounds, instruments) to moderate success ("Wailing Wall," "Piggy in the Mirror"). A more psychedelic descent than Pornography, The Top is a transition, never really feeling like a full-length release, but it does meld all former phases of Rob and company, which would fully gel on The Head on the Door. At best an imperfect record, The Top is a necessary step in the evolution of the band. ~ Chris True, All Music Guide
Credits
| Name | Credits | | Andy Anderson | Percussion, Group Member, Drums | | Chihiro Nozaki | Art Coordinator | | Chris Parry | Producer | | Dave Allen | Producer, Engineer | | Gary Moore | Digital Remastering | | Howard Gray | Engineer | | Howard Grey | Engineer | | Joe Black | Project Coordinator | | Johnny Black | Sleeve Notes | | Laurence Tolhurst | Keyboards, Multi Instruments, Group Member, Instrumentation | | Minoru Harada | Product Manager | | Motoko Sashi | Photography | | P. Terrrasson | Photography | | Paul Cox | Photography | | Phil Thornalley | Bass | | Porl Thompson | Keyboards, Saxophone, Group Member, Guitar | | R. Hamilton Smith | Voices | | Richard Bellia | Photography | | Robert "Big Bert" Smith | Instrumentation, Reissue Compilation, Guitar, Reissue Producer, Vocals, Producer | | Robert J. Smith | Reissue Producer, Vocals, Producer, Instrumentation | | Robert Smith | Guitar, Producer, Multi Instruments, Instrumentation, Group Member, Vocals | | Shinjiro Kawashima | Art Research | | Steve Pyke | Photography | | Zoe Roberts | Tape Research |
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