The Cure - The Top

The Cure - The Top
2



Album Details

Title: The Top
Artist: The Cure
Release Date: 1984
Re-Released On: 9/15/2008
Label: Sire, Polydor, WEA, Universal Distribution, Elektra Entertainment
Duration: 40:48
Album Type(s): lyrics/libretto
UPCs: 042282113627, 081227475123, 4988005514417, 0042282113627, 0600753095133, 075992508612, 075992508643, 602498400135, 738476882621
Genre: Rock
Styles: Alternative Pop/Rock, Goth Rock, Post-Punk, Alternative/Indie Rock, College Rock
Moods: Angst-Ridden, Atmospheric, Cathartic, Stately, Bittersweet, Brooding, Insular, Nocturnal, Ominous, Reflective, Tense/Anxious, Wintry, Earnest, Eerie, Ethereal, Hypnotic, Stylish, Amiable/Good-Natured, Passionate, Sparse, Aggressive, Druggy, Energetic, Fun, Quirky, Searching, Bleak, Detached, Gloomy, Melancholy, Playful, Sad, Somber, Wistful
Total Copies: 0
Members Wishing: 3
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Shake Dog Shake
  2. Bird Mad Girl
  3. Wailing Wall
  4. Give Me It
  5. Dressing Up
  6. The Caterpillar
  7. Piggy in the Mirror
  8. The Empty World
  9. Bananafishbones
  10. The Top

Additional Releases

YearTypeLabelCatalog #
2008CDPolydor5309513
2008CDUniversal Distribution93481
2006CDPolydor9840013
2006CDElektra Entertainment74751
1995CDWEA8211362
1983CDSire2-25086

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Album Review

Recorded in the midst of Robert Smith's tenuous tenure with Siouxsie and the Banshees, The Top is arguably the most hedonistic record the Cure ever produced. Essentially Smith and Lol Tolhurst working with studio musicians (this being the period when the Cure's lineup was never assured), it's an album obviously recorded under stress, drink, and drugs. More wildly experimental musically than anything before it, it laid the foundations for the Cure's pattern of unpigeonholable albums that were to erase their reputation built by Pornography and eventually culminating in Kiss Me, Kiss Me, Kiss Me. That said, it's still very much a Cure record. Heavy on the percussion and quaint keyboard effects that were so big in the '80s, the melodies ("The Caterpillar," "Shake Dog Shake") are unmistakably Robert Smith. The big change this time around is his ability to fuse the paranoia and neuroses of former work (Pornography) with his newfound use of pop melody and outside influences (i.e., world travels, sounds, instruments) to moderate success ("Wailing Wall," "Piggy in the Mirror"). A more psychedelic descent than Pornography, The Top is a transition, never really feeling like a full-length release, but it does meld all former phases of Rob and company, which would fully gel on The Head on the Door. At best an imperfect record, The Top is a necessary step in the evolution of the band. ~ Chris True, All Music Guide

Credits

NameCredits
Andy AndersonPercussion, Group Member, Drums
Chihiro NozakiArt Coordinator
Chris ParryProducer
Dave AllenProducer, Engineer
Gary MooreDigital Remastering
Howard GrayEngineer
Howard GreyEngineer
Joe BlackProject Coordinator
Johnny BlackSleeve Notes
Laurence TolhurstKeyboards, Multi Instruments, Group Member, Instrumentation
Minoru HaradaProduct Manager
Motoko SashiPhotography
P. TerrrassonPhotography
Paul CoxPhotography
Phil ThornalleyBass
Porl ThompsonKeyboards, Saxophone, Group Member, Guitar
R. Hamilton SmithVoices
Richard BelliaPhotography
Robert "Big Bert" SmithInstrumentation, Reissue Compilation, Guitar, Reissue Producer, Vocals, Producer
Robert J. SmithReissue Producer, Vocals, Producer, Instrumentation
Robert SmithGuitar, Producer, Multi Instruments, Instrumentation, Group Member, Vocals
Shinjiro KawashimaArt Research
Steve PykePhotography
Zoe RobertsTape Research