Album Details
Title: The Head on the Door Artist: The Cure Release Date: 1985 Re-Released On: 9/15/2008 Label: Elektra, Polydor, Fiction/Elektra/Rhino, Fiction, Universal Distribution Duration: 37:01 Album Type(s): lyrics/libretto UPCs: 075596043526, 081227417925, 4988005514424, 0042282723123, 042282723123, 0600753095119, 602498400173 Genre: Rock Styles: Alternative Pop/Rock, New Wave, Goth Rock, Post-Punk, Alternative/Indie Rock, Punk/New Wave, College Rock Moods: Angst-Ridden, Atmospheric, Cathartic, Stately, Bittersweet, Brooding, Insular, Nocturnal, Ominous, Reflective, Tense/Anxious, Wintry, Earnest, Eerie, Ethereal, Hypnotic, Stylish, Amiable/Good-Natured, Passionate, Sparse, Aggressive, Druggy, Energetic, Fun, Quirky, Searching, Bleak, Detached, Gloomy, Melancholy, Playful, Sad, Somber, Wistful Total Copies: 0 Members Wishing: 4 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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In Between Days
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Kyoto Song
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The Blood
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Six Different Ways
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Push
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The Baby Screams
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Close to Me
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A Night Like This
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Screw
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Sinking
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Polydor | 5309511 | | 2008 | CD | Universal Distribution | 93482 | | 2006 | CD | Polydor | 9840017 | | 2006 | CD | Fiction/Elektra/Rhino | 74179 | | 2001 | CD | Fiction | 8272312 | | 1985 | CD | Elektra | 60435-2 |
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Album Review
After recording one of their darkest albums, 1983's The Top, the Cure regrouped and shuffled their lineup in 1984 and ended up changing their musical direction rather radically. While the band always had a pop element in their sound and even recorded one of the lightest songs of the '80s, "The Lovecats," The Head on the Door is where they become a hitmaking machine. The shiny, sleek production and laser-sharp melodies of "Inbetween Days" and "Close to Me" helped them become modern rock radio staples and the inspired videos had them in heavy rotation on MTV. The rest of the record didn't suffer for hooks and inventive arrangements either, making even the gloomiest songs like "Screw" and "Kyoto Song" sound radio-ready, and the inventive arrangements (the flamenco guitars and castanets of "The Blood," the lengthy and majestic intro to "Push," the swirling vocals on "The Baby Screams") give the album a musical depth previous efforts lacked. All without sacrificing an ounce of the emotion of the past, which songs as quietly desperate as "A Night Like This" and "Sinking" illustrate. With The Head on the Door, Robert Smith figured out how to make gloom and doom danceable and popular to both alternative and mainstream rock audiences. It was a feat the band managed to pull off for many years afterward, but never as concisely or as impressively as they did here. ~ Tim Sendra, All Music Guide
Credits
| Name | Credits | | Amanda Smith | Project Assistant | | Andy Vella | Design, Photography | | Boris Williams | Percussion, Group Member, Drums | | Chihiro Nozaki | Art Coordinator | | Dave Allen | Engineer, Producer | | Frank Barretta | Assistant Engineer | | Howard Gray | Producer | | Howard Grey | Producer | | Joe Black | Project Coordinator | | Kenny Nemes | Project Assistant | | Laurence Tolhurst | Group Member, Keyboards | | Martin White | Assistant Engineer | | Minoru Harada | Product Manager | | Nick Knight | Photography | | Parched Art | Design | | Paul Thompson | Design | | Phil Tennant | Assistant Engineer, Engineer | | Porl Thompson | Guitar, Group Member, Keyboards | | Reggie Collins | Project Assistant | | Robert "Big Bert" Smith | Producer, Compilation, Keyboards, Vocals, Remastering Producer, Guitar, Group Member | | Robert J. Smith | Producer, Vocals, Keyboards, Guitar | | Robert Smith | Guitar, Vocals, Keyboards, Producer | | Ron Howe | Saxophone | | Shinjiro Kawashima | Art Research | | Simon Gallup | Bass, Group Member | | Tom Leader | Assistant Engineer | | Zoe Roberts | Tape Research |
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