Album Details
Title: The Captain Artist: Kasey Chambers Release Date: 6/5/2000 Re-Released On: 10/10/2000 Label: Asylum, EMI Music Distribution Album Type(s): lyrics/libretto UPCs: 093624782322, 0724352035557, 724352035526 Genre: Rock Styles: Country-Rock, Country-Folk, Alternative Folk Moods: Amiable/Good-Natured, Earnest, Melancholy, Earthy, Organic, Rousing, Bittersweet, Cathartic, Gentle, Intimate, Literate, Passionate, Reflective, Searching, Sentimental, Stylish Total Copies: 6 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Cry Like a Baby
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The Captain
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This Flower
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You Got the Car
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These Pines
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Don't Talk Back
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Southern Kind of Life
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Mr. Baylis
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The Hard Way
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Last Hard Bible
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Don't Go
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We're All Gonna Die Someday
Additional Releases
| Year | Type | Label | Catalog # | | 2000 | CD | Asylum | 47823 | | 1999 | CD | EMI Music Distribution | 20355 |
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Other Editions
- No other editions were found for this album.
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Album Review
In "Southern Kind of Life," a song on her debut album, The Captain, Kasey Chambers convincingly describes a rural Southern upbringing -- poverty stricken and Bible dominated -- and since she performs in a style associated with the Appalachians as developed into commercial country music, it's easy to assume she's singing about the American South. But she isn't; she's singing about the Nullarbor Plain in south-central Australia, where she grew up, apparently listening to a lot of country records. The result is a style that will remind some listeners of Dolly Parton and others of Lucinda Williams, as Chambers, backed by her father and produced by her brother, both of them members of the family's Dead Ringer Band, sings in a breathy voice that breaks expressively. Her tunes tend to be either "I am" songs of self-description like "Southern Kind of Life" and "Cry Like a Baby," accounts of romantic difficulties, or celebrations of life on the road. Though she has a gift for wordplay that favors internal rhyme, her imagery can be trite ("You got the car and I got the break"), and her compositions are less interesting in themselves than in the performances she gives them. Like many young artists, she is still a compendium of her influences rather than a distinct figure unto herself, but The Captain is a sincere effort steeped in the kind of country/ folk/rock style that made Lucinda Williams a critical success in the late '90s, and it is likely to attract similar attention. ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Bill Chambers | Dobro, Vocal Harmony, Guitar (Electric), Lap Steel Guitar, Slide Guitar | | BJ Barker | Drums | | Buddy Miller | Guitar, Vocal Harmony | | Chris Dickie | Mixing | | Jeff McCormack | Bass, Engineer | | Julie Miller | Vocal Harmony | | Kasey Chambers | Guitar (Acoustic), Vocal Harmony | | Kevin Bennett | Guitar (Acoustic), Guitar | | Mark Punch | Guitar (Electric) | | Mick Albeck | Fiddle | | Nash Chambers | Producer, Bass, Vocal Harmony, Guitar (Acoustic), Engineer | | R. McCormack | Organ (Hammond), Guitar (Electric), Vocal Harmony, Guitar (Acoustic) | | Steve Smart | Mastering | | Ted Howard | Mixing |
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