The Searchers - Most of the Searchers

The Searchers - Most of the Searchers
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Album Details

Title: Most of the Searchers
Artist: The Searchers
Release Date: 1998
Re-Released On: 7/18/2006
Label: EMI Music Distribution
Album Type(s): Greatest Hits
UPC: 724381417225
Genre: Rock
Styles: Early Pop/Rock, British Invasion, Psychedelic, Merseybeat, Folk-Rock, Contemporary Pop/Rock, AM Pop
Moods: Amiable/Good-Natured, Autumnal, Earnest, Innocent, Poignant, Summery, Sweet, Bittersweet, Romantic
Total Copies: 0
Members Wishing: 0
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Sweets for My Sweet
  2. Sugar and Spice
  3. Needles and Pins
  4. Don't Throw Your Love Away
  5. (Ain't That) Just Like Me
  6. Some Day We're Gonna Love Again
  7. When You Walk in the Room
  8. Love Potion Number Nine
  9. What Have They Done to the Rain?
  10. Bumble Bee
  11. Goodbye My Love
  12. He's Got No Love
  13. When I Get Home
  14. Take Me for What I'm Worth
  15. Take It or Leave It
  16. Have You Ever Loved Somebody
  17. Western Union
  18. Twist and Shout
  19. Can't Help Forgiving You
  20. Farmer John

Additional Releases

YearTypeLabelCatalog #
2006CDEMI Music Distribution8141722

Other Editions

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Album Review

Among its 20 tracks, this Australian compilation contains all 12 of the Searchers' U.K. Top 40 hits and all seven of their U.S. Top 40 hits, which in some cases are not the same songs. For example, the group's debut British single, the chart-topping "Sweets for My Sweet," never charted in America, while their biggest U.S. hit, "Love Potion Number Nine," was not released as a single in the U.K. But they scored in both countries with hits like "Needles and Pins," "Don't Throw Your Love Away," "Some Day We're Gonna Love Again," "When You Walk in the Room," and "What Have They Done to the Rain" in 1964-1965, at first challenging the Beatles for popularity, at least at home, while eventually serving as a bridge from Merseybeat to folk-rock across the Atlantic. (It's hard to listen to the lilting harmonies and chiming guitars without reflecting on their profound influence on the Byrds.) By 1966, they were struggling to chart, probably because they never developed their own songwriting and had to depend on other people's material. But their performances here of P.F. Sloan's "Take Me for What I'm Worth," the Rolling Stones' "Take It or Leave It," and the Five Americans' "Western Union" demonstrate their interpretive abilities. This compilation is as good as any out there, and it may be obtainable domestically as an inexpensive import. ~ William Ruhlmann, All Music Guide

Credits

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