Album Details
Title: Pet Sounds [Mono + Stereo] Artist: The Beach Boys Release Date: 5/16/1966 Re-Released On: 6/11/2008 Label: Toshiba EMI, Capitol Records, EMI Music Distribution UPCs: 4988006863231, 724352626625, 0724352731954, 4988006843660, 724352124121, 724352124114 Genre: Rock Styles: Rock & Roll, Psychedelic, Contemporary Pop/Rock, Baroque Pop, Psychedelic Pop, Sunshine Pop, AM Pop Moods: Bright, Exuberant, Fun, Light, Summery, Warm, Yearning, Amiable/Good-Natured, Cheerful, Earnest, Energetic, Happy, Innocent, Lush, Plaintive, Poignant, Rousing, Sentimental, Sweet, Wistful, Ambitious, Bittersweet, Circular, Dreamy, Effervescent, Insular, Joyous, Lively, Romantic, Sparkling, Autumnal, Calm/Peaceful, Carefree, Complex, Confident, Ethereal, Gentle, Nostalgic, Reflective, Reserved, Soft, Springlike, Atmospheric, Epic, Giddy, Relaxed, Reverent, Sugary Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Wouldn't It Be Nice
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You Still Believe in Me
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That's Not Me
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Don't Talk (Put Your Head on My Shoulder)
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I'm Waiting for the Day
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Let's Go Away for Awhile
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Sloop John B
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God Only Knows
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I Know There's an Answer
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Here Today
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I Just Wasn't Made for These Times
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Pet Sounds
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Caroline No
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Hang on to Your Ego [*]
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Wouldn't It Be Nice [Stereo Mix]
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You Still Believe in Me [Stereo Mix]
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That's Not Me [Stereo Mix]
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Don't Talk (Put Your Head on My Shoulder) [Stereo Mix]
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I'm Waiting for the Day [Stereo Mix]
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Let's Go Away for Awhile [Stereo Mix]
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Sloop John B [Stereo Mix]
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God Only Knows [Stereo Mix]
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I Know There's an Answer [Stereo Mix]
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Here Today [Stereo Mix]
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I Just Wasn't Made for These Times [Stereo Mix]
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Pet Sounds [Stereo Mix]
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Caroline No [Stereo Mix]
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | EMI Music Distribution | 54052 | | 2006 | CD | Toshiba EMI | 70005 | | 2001 | CD | Capitol Records | 26266 | | 1999 | CD | Capitol Records | 21241 | | 1999 | CD | Capitol Records | 212412 |
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Other Editions
- No other editions were found for this album.
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Album Review
The best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound. Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice," "God Only Knows," "Caroline No," and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me," "Don't Talk," "I Know There's an Answer," and "I Just Wasn't Made for These Times." It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best). Massively influential upon its release (although it was a relatively low seller compared to their previous LPs), it immediately vaunted the band into the top level of rock innovators among the intelligentsia, especially in Britain, where it was a much bigger hit. The 1999 reissue added a new stereo version of the entire album to the original mono program. ~ Richie Unterberger, All Music Guide
Credits
| Name | Credits | | Al Casey | Guitar | | Al DeLory | Organ, Piano, Harpsichord, Tack Piano | | Alan Jardine | Vocals | | Alan Robinson | French Horn | | Andrew Sandoval | Mastering Supervisor, Transfers, Tape Transfer | | Arnold Belnick | Violin | | Barney Kessel | Mandolin, Guitar | | Bill Pitman | Guitar | | Billy Strange | Guitar (12 String Electric), Guitar, Guitar (Electric), Guitar (12 String) | | Bobby Klein | Sax (Tenor) | | Brad Benedict | ?, Photo Research | | Brad Elliott | Liner Notes | | Brian Wilson | Supervisor, Liner Notes, Organ, Author, Vocals (Background), Guitar, Arranger, Piano, Producer, Keyboards, Vocals | | Bruce Botnick | Viola, Engineer | | Bruce Johnston | Vocals | | Carl Fortina | Accordion | | Carl Wilson | Guitar, Guitar, Vocals | | Carol Kaye | Bass (Electric), Bass | | Cheryl Pawelski | Executive Producer, Reissue Producer | | Chuck Berghofer | String Bass | | Chuck Britz | Engineer | | Darrel Terwilliger | Viola | | Darren Wong | Art Supervisor | | Dave Jampel | Photography | | David Leaf | Liner Notes | | Dennis Diken | Research, ? | | Dennis Wilson | Vocals, Drums | | Don Randi | Piano | | Ernie Tack | Trombone (Bass) | | Frank Capp | Glockenspiel, Vibraphone, Tympani [Timpani], Bells, Percussion | | Frank Marocco | Accordion | | Gail Martin | Trombone | | Gary Coleman | Bongos, Tympani [Timpani] | | George Jerman | Photography, Cover Photo | | Glen Campbell | Guitar (12 String) | | Glenn Ross Campbell | Guitar, Guitar (12 String Electric) | | H. Bowen David | Engineer | | Hal Blaine | Drums, Bongos, Percussion, Tympani [Timpani] | | Harry Hyams | Viola | | Jack Nimitz | Sax (Baritone) | | James Getzoff | Violin | | Jay Migilori | Saxophone, Flute, Clarinet, Clarinet (Bass), Sax (Baritone) | | Jay Migliori | Sax (Tenor), Sax (Baritone), Clarinet (Bass), Saxophone, Clarinet, Flute | | Jerome Reisler | Violin | | Jerry Cole | Guitar, Guitar (Electric) | | Jerry Williams | Percussion | | Jesse Erlich | Cello | | Jim Elliott | Production Consultant, Producer | | Jim Gordon | Drums, Percussion | | Jim Horn | Sax (Tenor), Flute, Saxophone, Sax (Baritone) | | Joe Gastwirt | Remastering | | Joseph DiFiore | Viola | | Joseph Saxon | Cello | | Jules Jacob | Flute | | Julius Wechter | Percussion, Tympani [Timpani], Latin Percussion, Vibraphone | | Justin DiTullio | Cello | | Larry Knechtel | Organ | | Larry Levine | Engineer | | Larry Walsh | Mixing, Track Mix, Digital Remastering | | Leonard Hartman | Horn (English), Clarinet, Clarinet (Bass) | | Leonard Malarsky | Violin | | Lisa Reddick | Producer | | Lyle Ritz | String Bass, Ukulele | | Mark Linett | Stereo Mix Producer, Mixing, Compilation, Digital Remastering, Track Mix, Coordination, Audio Supervisor, Engineer, Liner Notes, Producer | | Michael Etchart | Executive Producer | | Mike Deasey | Guitar | | Mike Deasy Sr. | Guitar | | Mike Love | Vocals, Vocals (Background) | | Mike Melvoin | Harpsichord | | Nick Martinis | Drums | | Norman Botnick | Viola | | Paul Atkinson | Executive Producer | | Paul Horn | Sax (Tenor) | | Paul Tanner | Theremin | | Plas Johnson | Saxophone, Flute, Percussion, Sax (Tenor) | | Ralph Balantin | Engineer | | Ralph Schaeffer | Violin | | Ray Pohlman | Mandolin, Bass (Electric), Guitar (Bass), Guitar | | Richard Evans | Design | | Ritchie Frost | Percussion, Drums | | Ron Furmanek | ?, Research | | Ron McMaster | Digital Remastering, Remixing | | Roy Caton | Saxophone, Trumpet | | Russ Wapensky | Sessionography | | Sam Gay | Art Supervisor | | Sid Sharp | Violin | | Steve Douglas | Saxophone | | Steve Douglas & the Rebel Rousers | Sax (Tenor), Clarinet, Saxophone, Percussion, Flute | | Tammy Kizer | Production Consultant | | Terry Melcher | Vocals, Tambourine | | Tibor Zelig | Violin | | Tommy Morgan | Harmonica | | Tommy Steele | Art Direction | | Tommy Tedesco | Guitar (Acoustic) | | William Kurasch | Violin | | William Kurash | Violin |
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