Album Details
Title: Greatest Hits: Shining Like a National Guitar Artist: Paul Simon Release Date: 5/23/2000 Label: WEA Internation, WEA International Album Type(s): Greatest Hits, lyrics/libretto UPCs: 093624772125, 4943674020959, 632427619826, 9325583007200, 9325583007248 Genre: Rock Styles: Singer/Songwriter, Adult Contemporary, Worldbeat, Psychedelic, Soft Rock, Folk-Rock, Contemporary Pop/Rock, Album Rock Moods: Calm/Peaceful, Earnest, Poignant, Reflective, Reserved, Wistful, Amiable/Good-Natured, Bittersweet, Cheerful, Melancholy, Organic, Restrained, Sentimental, Soothing, Witty, Cerebral, Detached, Intimate, Refined/Mannered, Sophisticated, Autumnal, Delicate, Exuberant, Fun, Happy, Nocturnal, Plaintive, Playful, Quirky, Reverent, Rousing, Summery, Sweet, Whimsical, Gentle, Laid-Back/Mellow, Literate, Precious Total Copies: 0 Members Wishing: 2 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Graceland
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You Can Call Me Al
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Mother and Child Reunion
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The Cool, Cool River
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50 Ways to Leave Your Lover
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The Obvious Child
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The Boy in the Bubble
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Rene and Georgette Magritte With Their Dog After the War
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Late in the Evening
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Bernadette
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Slip Slidin' Away
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Take Me to the Mardi Gras
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Diamonds on the Soles of Her Shoes
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Still Crazy After All These Years
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Kodachrome
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Loves Me Like a Rock
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Me and Julio Down by the Schoolyard
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Hearts and Bones
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Trailways Bus
Additional Releases
| Year | Type | Label | Catalog # | | 2000 | CD | WEA International | 47721 | | ------ | CD | WEA Internation | 47721 | | ------ | CD | WEA International | 83044 |
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Other Editions
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Album Review
The various compilations of Paul Simon's work that have been released with his input over the years have been an unsatisfying bunch, leaving out key tracks in favor of the artist's own favorites, so that none of them could be recommended unreservedly. The international release Greatest Hits: Shining Like a National Guitar is by far the best such collection ever released, selecting 19 songs from Simon's studio recordings originally released over a 25-year period between 1972 and 1997. All ten of Simon's British chart singles are included, though American fans picking up import copies will note the omission of a number of U.S. singles, notably the Top 40 hits "American Tune" (which, confusingly, is discussed in Peter Doggett's liner notes as if it were present), "Gone at Last," and "One-Trick Pony." That leaves room for plenty of album tracks, and Simon shows consistency in his choices, again picking, for example, "Rene and Georgette Magritte with Their Dog After the War" and "Hearts and Bones" from Hearts and Bones, just as he did for 1993's The Paul Simon Anthology, rather than, say, "Train in the Distance" (which Doggett talks up) or the exquisite "Song About the Moon." But that's just a way of saying that Simon has too many great songs to fit onto a single disc, and, of course, it is the fate of underrated albums like Hearts and Bones and Songs from "The Capeman" to be underrepresented on greatest hits albums. The real strength of this one lies in its sequencing. Simon has experimented with many different styles of writing and music, which would seem to make it difficult to fit the light jazz of "Still Crazy After All These Years" with the South African and Brazilian music he employed later on. But this compilation reveals the similarities between, for example, "You Can Call Me Al" from 1986's Graceland and "Mother and Child Reunion" from 1972's Paul Simon, which follows it, just as the distinctive march-drum pattern of "50 Ways to Leave Your Lover" segues well into the massive drums of "The Obvious Child." It's impossible to listen to this album and not marvel at Simon's accomplishment as a musician over a quarter century, and that's as strong a recommendation for a compilation as anybody should need. Unfortunately, though it was a chart success across Europe, Greatest Hits: Shining Like a National Guitar was not issued in the U.S., remaining a pricey import, and with the release only a few months later of a new Simon album, You're the One, it seemed unlikely it would get stateside release. (Note that, as is typical on Simon compilations, several tracks have been trimmed slightly to fit so many songs on one CD.) ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Ademola Adepoju | Pedal Steel | | Adrian Belew | Guitar (Synthesizer) | | Airto Moreira | Percussion | | Alan Rubin | Trumpet | | Alex Foster | Sax (Alto) | | Alves DeSouza | ? | | Andy Smith | Executive Engineer | | Anthony Jackson | Contrabass Guitar, Bass | | Antonio Luis | Director | | Antonio Luis Alves de Souza | Director | | Arlen Roth | Guitar (Acoustic), Guitar | | Asante | Drums | | Assane Thaim | Percussion | | Babacar Faye | Percussion | | Bakithi Khumalo | Bass | | Barry Beckett | Piano (Electric), Keyboards | | Bill Holloman | Trumpet, Sax (Tenor) | | Bob James | String Arrangements, Woodwind Arrangement | | Bobby Allende | Bell Tree | | Briz | Vocals (Background) | | Charles Doherty | Sax (Tenor), Sax (Alto) | | Chikapa "Ray" Phiri | Guitar | | Cissy Houston | Vocals (Background) | | Clifton Anderson | Trombone | | Clyde Mitchell | Trumpet | | Crusher Bennett | Shaker | | Dave Bargeron | Trombone | | Dave Grusin | Horn Arrangements | | David Hood | Bass | | David Spinozza | Guitar | | Dean Parks | Hi String Guitar | | Deidre Tuck | Vocals (Background) | | Denzel Laing | Percussion | | Earl Gardner | Trumpet | | Eleanor Swan | ? | | Eric Gale | Guitar (Electric) | | Errol Ince | Trumpet | | Forere Motloheloa | Accordion | | George Kalinsky | Photography | | Georges Delerue | Orchestration | | Greg Phillinganes | Synthesizer | | Groupo Cultural OLODUM | Drums | | Horace Ott | Piano | | Hugh McCracken | Guitar (Acoustic), Guitar (Electric) | | Husks Brown | Guitar | | Hux Brown | Guitar | | Isaac Mtshali | Drums | | Jackie Jackson | Bass | | Jimmy Johnson | Guitar (Electric) | | John Beal | Bass | | John Tropea | Guitar (Electric) | | Jon Faddis | Trumpet | | Jonathan | Design | | Joseph Shabalala | ? | | Keith Blake | Digital Mastering | | Ken Asher | Organ, Piano | | Kevin Harrison | Vocals (Background) | | Kim Cissel | Trombone | | Kim Wilson | Harmonica | | Ladysmith Black Mambazo | Vocals | | Larry Knechtel | Piano | | Leonard Pickett | Sax (Tenor) | | Lew Soloff | Trumpet | | Lynn Goldsmith | Cover Photo | | Makhaya Mahlangu | Percussion | | Michael Brecker | Sax (Soprano), Saxophone, Synthesizer, EWI | | Michael Mainieri III | Vibe Master, Marimba | | Michael Mainieri, Jr. | Vibraphone, Marimba | | Michael Ramos | Accordion | | Michelle Hunter | Project Coordinator | | Milton Cardona | Vocals (Background) | | Mingo Araujo | Triangle, Conga | | Morris Goldberg | Penny Whistle | | Muscle Shoals Rhythm Section | Producer | | Myrna Lynn Gomila | Vocals (Background) | | Naná Vasconcelos | Guitar (Electric), Berimbau, Gourd | | Neville Hinds | Organ | | Onward Brass Band | Musician, Overdubs, Horn | | Oriente Lopez | Fender Rhodes | | Oscar Hernandez | Vibe Master, Producer, Synthesizer, Associate Producer, Glockenspiel, Vibraphone, Celeste | | Patti Austin | Vocals (Background) | | Paul Goldberg | Penny Whistle | | Paul Livant | Guitar | | Paul Simon | Vocals, Bass (Electric), Vocals (Background), Producer, Hi String Guitar, Guitar (Bass), 6-String Electric Bass, Guitar, Guitar (Acoustic), 6-String Bass | | Pete Carr | Guitar (Electric), Guitar | | Peter Doggett | Liner Notes | | Phil Ramone | Producer | | Phoebe Snow | Vocals (Background) | | Ralph MacDonald | Percussion | | Ray de la Paz | Vocals (Background) | | Renelie Stafford | Vocals (Background) | | Rev. Claude Jeter | Falsetto | | Richard Tee | Fender Rhodes, Synthesizer, Piano | | Rob Mounsey | Synthesizer | | Robby Turner | Pedal Steel | | Robert Ameen | Drums | | Robert Sabino | Piano | | Roger Hawkins | Drums | | Ronald E. Brecker | Trumpet | | Ronnie Cuber | Sax (Baritone), Sax (Bass) | | Roy Halee | Associate Producer, Producer | | Russ Titelman | Producer | | Russell George | Bass | | Sara Ramirez | Vocals | | Shannon Ford | Drums | | Steve Gadd | Drums | | Stuart Batsford | Project Coordinator | | Susie Alzogaral | Project Coordinator | | Teana Rodriguez | Vocals (Background) | | The Dixie Hummingbirds | Vocals (Background) | | The Everly Brothers | Vocals | | The Harptones | Vocals (Background), Vocal Arrangement | | The Oak Ridge Boys | Vocals, Vocals (Background) | | Tony Levin | Bass | | Uakti | Percussion | | Valerie Simpson | Vocals (Background) | | Vincent Nguini | Guitar, Bass | | Von Eva Sims | Vocals (Background) | | Wallace "Red Rat" Wilson | Guitar (Rhythm) | | Wells Christy | Synclavier | | Winston Grennan | Drums | | Yo Yo De La Nelson | Chakeire | | Youssou N'Dour | Percussion |
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