Album Details
Title: Downtown Artist: Marshall Crenshaw Release Date: 1985 Re-Released On: 10/25/2005 Label: Warner Bros., Wounded Bird Records Duration: 36:54 UPCs: 075992531924, 664140531925, 075992531948, 081227866860 Genre: Rock Styles: New Wave, Contemporary Pop/Rock, Alternative/Indie Rock, Punk/New Wave, College Rock Moods: Carefree, Innocent, Quirky, Amiable/Good-Natured, Confident, Earnest, Reflective, Romantic, Searching, Sentimental, Sophisticated, Sweet, Uplifting, Wistful, Cheerful, Fun, Happy, Hopeful, Playful Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Little Wild One (No. 5)
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Yvonne
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Blues Is King
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Terrifying Love
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Like a Vague Memory
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The Distance Between
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(We're Gonna) Shake Up Their Minds
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I'm Sorry (But So Is Brenda Lee)
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Right Now
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Lesson Number One
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | Warner Bros. | | | 2005 | CD | Wounded Bird Records | 5319 | | 1985 | CD | Warner Bros. | 2-25319 |
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Other Editions
- No other editions were found for this album.
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Album Review
Marshall Crenshaw entered the studio to begin work on his third album, Downtown, but for the first time, he was without the familiar backing of Chris Donato on bass and brother Robert Crenshaw on drums (though he does appear on two tracks). Following the dense, sonic thunder of the commercially disappointing Field Day, this album employed the services of various studio pros, and returned him to the roomier, more traditional tone of his first effort. Along with co-producers T-Bone Burnett and Larry Hirsch (and Mitch Easter on one track), Crenshaw creates an old-fashioned rock & roll record with the inviting warmth of '60s pop and the swing and recklessness of the '50s. And though he doesn't do anything radically new or different here, the results are once again never less than fresh or stirring. Tracks like the irresistible "Little Wild One (No. 5)," the primal beat of "Yvonne," and "(We're Gonna) Shake Their Minds," with it's syncopated guitar and drum interplay, are first-rate rockers, while Ben Vaughn's "I'm Sorry (But So Is Brenda Lee)" and Crenshaw's own "Like a Vague Memory" have the feel of classic '50s pop tunes. Though Downtown did little to reverse the downward slide of Marshall Crenshaw's market value, it does complete a brilliant triad of releases going back to his 1982 debut. ~ Brett Hartenbach, All Music Guide
Credits
| Name | Credits | | Bill Jackson | Engineer | | David Miner | Guitar (Bass), Standup Bass, Bass | | Faye Hunter | Guitar (Bass), Bass | | G.E. Smith | Guitar | | G.F. Smith | Guitar | | Jerry Marotta | Percussion, Drums, Bongos | | Joey Spampinato | Guitar (Bass), Bass | | Larry Hirsch | Engineer, Producer | | Lincoln Clapp | Engineer | | Marshall Crenshaw | Guitar, Vocals, Producer, Percussion, 6-String Bass, Bass | | Mickey Curry | Drums | | Mitch Easter | Piano, Producer | | Mitchell Froom | Keyboards | | Robert Crenshaw | Drums | | Steve Fischell | Guitar (Steel) | | Steve Fishell | Guitar (Steel) | | Steve Haigler | Engineer | | T Bone Burnett | Producer, Vocals, Linn, Sitar, Sitar (Electric) | | Thom Panunzio | Engineer | | Tom Ardolino | Drums | | Tony Garnier | Bass, Standup Bass | | Tony Levin | Guitar (Bass), Bass | | Warren Klein | Tamboura |
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