Album Details
Title: Blues at Sunrise Artist: Stevie Ray Vaughan & Double Trouble Release Date: 4/4/2000 Label: Epic Duration: 70:22 Album Type(s): Greatest Hits UPCs: 074646384220, 5099749785823, 5099749785892 Genre: Rock Styles: Modern Electric Blues, Blues-Rock, Electric Texas Blues, Modern Electric Texas Blues, Album Rock, Regional Blues Moods: Brash, Confident, Earnest, Earthy, Rousing, Rowdy, Theatrical, Visceral, Boisterous, Exuberant, Fiery, Intense, Passionate, Raucous, Reflective, Rollicking, Energetic, Gritty, Rambunctious, Amiable/Good-Natured, Poignant, Sensual, Stylish Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Ain't Gone 'N' Give up on Love
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Leave My Girl Alone
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Tin Pan Alley (AKA Roughest Place in Town) [Live][#]
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Chitlins con Carne
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The Things That I Used to Do
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The Sky Is Crying [outtake][#]
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Texas Flood [Video Version]
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May I Have a Talk With You
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Dirty Pool
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Blues at Sunrise [Live]
Additional Releases
| Year | Type | Label | Catalog # | | 2000 | CD | Epic | 63842 | | 2000 | CD | Epic | 4978589 |
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Other Editions
- No other editions were found for this album.
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Album Review
The concept behind Blues at Sunrise is a good one: collect ten of SRV's best slow blues numbers, primarily from the official studio albums but also a couple of unreleased cuts and rarities, and sequence them as if they were a lost studio album. It's a neat idea, especially when it's packaged in artwork that deliberately evokes memories of classic blues albums from the '60s (there's even a fake, faded record ring on the front and back covers), and it's hard to fault the music here. All the obvious selections are here -- "Ain't Gone 'N' Give Up on Love," "The Things (That) I Used to Do," "Leave My Girl Alone." And the rarities are all worthwhile, including a live "Texas Flood" from the Live at the El Macambo video, a live duet with Johnny Copeland on "Tin Pan Alley" from 1985, an unreleased take of "The Sky Is Crying" from Couldn't Stand the Weather, and a duet with Albert King on "Blues at Sunrise" (also available on the Fantasy disc In Session). Still, some fans may complain, since this is the first posthumous release that feels as if it's trying to trick the hardcore into purchasing music they already have. That's a legitimate complaint, because there are only two songs that the hardcore won't have, and they very well may not want to sink down dollars for something that's just a reconfiguration of familiar tunes. But, as reconfigurations and repackagings go, Blues at Sunrise is strong and entertaining, working quite well as a mood piece. It may not be revelatory, but if you strip away your qualms and quibbles, it's enjoyable. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Albert King | Performer, Vocals, Guitar | | Bill Belmont | Producer | | Bill Bentley | Liner Notes | | Bob Irwin | Compilation Producer, Producer | | Chris Layton | Drums | | Double Trouble | Producer | | Gus Thornton | Bass | | Ian Anderson | Producer | | Jim Gaines | Producer | | Jimmie Vaughan | Guitar | | Johnny Copeland | Performer, Guitar, Vocals | | Josh Cheuse | Design, Art Direction | | Kevin Barry | Concept | | Michael Llorens | Drums | | Reese Wynans | Keyboards | | Richard Mullen | Producer | | Stevie Ray Vaughan | Producer, Guitar, Vocals | | Tommy Shannon | Bass | | Tony Llorens | Keyboards | | Vic Anesini | Mastering |
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