Album Details
Title: Blues Masters: The Very Best of Jimmy Reed Artist: Jimmy Reed Release Date: 3/14/2000 Label: Rhino Duration: 44:37 Album Type(s): Greatest Hits UPC: 081227980221 Genre: Blues Styles: Early R&B, Chicago Blues, Electric Chicago Blues, Electric Blues, Electric Harmonica Blues, Harmonica Blues Moods: Earthy, Laid-Back/Mellow, Greasy, Lazy, Relaxed, Gritty, Passionate, Amiable/Good-Natured, Organic, Rollicking, Sparse, Earnest, Playful, Street-Smart Total Copies: 0 Members Wishing: 4 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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High and Lonesome
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You Don't Have to Go
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Ain't That Lovin' You Baby
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I Ain't Got You
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You Got Me Dizzy
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Little Rain
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Honest I Do
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Odds and Ends
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Ends and Odds
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Going to New York
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Take Out Some Insurance
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Baby, What You Want Me to Do
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Hush Hush
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Big Boss Man
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Bright Lights, Big City
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Oh John
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Shame, Shame, Shame
Additional Releases
| Year | Type | Label | Catalog # | | 2000 | CD | Rhino | 79802 |
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Other Editions
- No other editions were found for this album.
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Album Review
Over the years, many, many Jimmy Reed compilations have been released, including many repackagings of his classic Vee-Jay material. Sometimes, the compilations have been excellent -- the 1993 disc Speak the Lyrics to Me, Mama Reed is a prime example -- other times they've been shabby, and since many of them have featured the same basic songs, it's hard for novices to discern which are worthwhile and which aren't. Fortunately, Rhino's 2000 release The Very Best of Jimmy Reed provides first-timers with an ideal introductory package, while satisfying longtime fans by serving 17 of his very best sides for Vee-Jay. All of the classic songs are here -- "Ain't That Lovin' You Baby," "You've Got Me Dizzy," "Honest I Do," "Take Out Some Insurance," "Going to New York," "Baby What You Want Me to Do," "Big Boss Man," and "Bright Lights Big City" -- along with such stellar, lesser-known items as his first Vee-Jay single "High and Lonesome," "Oh John," the eerie violin-laced "Odds and Ends," and its boogie-minded flip-side "Ends and Odds." It's a well-rounded, compelling collection that proves Reed's music is always satisfying, even if it's all variations on a basic, three-chord boogie. Or, as Reed expert Cub Koda states in the liner notes, it's "nothin' fancy, but it sure hits the spot every single time." The Very Best of Jimmy Reed proves his statement true with 17 timeless tracks. This is an essential cornerstone of any blues collection. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Al Duncan | Drums | | Albert King | Drums | | Bob Fisher | Remastering | | Cub Koda | Liner Notes, Project Assistant, Sequencing | | Earl Phillips | Drums | | Eddie Taylor | Guitar | | Henry Gray | Piano | | Hugh Brown | Art Direction | | James Austin | Producer | | Jim Hughes | Project Assistant | | Jimmie Vaughan | Producer | | Jimmy Reed | Main Performer | | John Brim | Guitar | | John Littlejohn | Guitar | | Lee Baker | Guitar | | Lefty Bates | Guitar | | Mama Reed | Vocals | | Marcus "Benjy" Johnson | Bass | | Milton Rector | Bass | | Morris Wilkerson | Drums | | Norma Edwards | Editorial Research | | Phil Upchurch | Guitar | | Steve Woolard | Discographical Annotation | | Ted Myers | Project Supervisor | | Vernell Fournier | Drums | | W.C. Dalton | Guitar |
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