Album Details
Title: The Best of Herbie Hancock: The Hits Artist: Herbie Hancock Release Date: 2/8/2000 Label: Columbia/Legacy, Sony Music Distribution Album Type(s): Greatest Hits UPCs: 074646596326, 5099706596325 Genre: Jazz Styles: Jazz-Funk, Fusion Moods: Amiable/Good-Natured, Cerebral, Complex, Elegant, Freewheeling, Poignant, Refined/Mannered, Rousing, Searching, Sophisticated, Spacey, Sprawling, Stylish, Dramatic, Earnest, Energetic, Exuberant, Insular, Literate, Lively, Passionate, Playful, Quirky, Slick, Warm, Witty, Wry Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Chameleon
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Watermelon Man
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I Thought It Was You
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You Bet Your Love
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Ready or Not
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Stars in Your Eyes
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Saturday Night
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Satisfied With Love
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Rockit
Additional Releases
| Year | Type | Label | Catalog # | | 2000 | CD | Columbia/Legacy | 65963 | | 1999 | CD | Sony Music Distribution | 65963 |
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Other Editions
- No other editions were found for this album.
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Album Review
This CD is a collection of Herbie Hancock's best-known work from his fusion years, beginning with two tracks from the seminal Head Hunters: the 15-minute psychedelic soul opus "Chameleon," and the African remake of "Watermelon Man." It then traces his explorations of funk with tracks like "You Better Bet Your Love" and "Ready or Not," and his early-'80s breakout from a growing commercial/funk rut with the explosive techno-pop hit "Rockit." The Best of Herbie Hancock: The Hits also presents a rather compelling look at one artist's explorations into fusion, a period of jazz often overlooked and denounced by purists. In doing this it showcases how Hancock's roots as a Blue Note musician were still present, even if the long solos were on a synthesizer instead of a piano. More importantly, it's a good example of just how much traditional jazz played a part in influencing funk, hip-hop, and even electronic music. While a retrospective is never quite as compelling as the original albums, it still serves as an exceptional introduction Hancock's work in the '70s and early '80s. ~ Curtis Zimmermann, All Music Guide
Credits
| Name | Credits | | Alphonse Mouzon | Drums | | Ari Kast | Packaging Manager | | Bennie Maupin | Flute, Flute (Alto), Sax (Tenor), Clarinet (Bass), Sax (Soprano) | | Bill Laswell | Bass (Electric) | | Bill Summers | Percussion | | Bob Belden | Compilation Producer | | Byron Miller | Bass (Electric) | | Carlos Santana | Vocals, Guitar | | Daniel Ponce | Bata | | David Rubinson | Original Recording Producer | | Don Hunstein | Photography | | Eddie Watkins | Bass (Electric) | | Gavin Christopher | Vocals, Arranger | | Greg Walker | Vocals | | Harvey Mason, Sr. | Drums, Arranger | | Herbie Hancock | Piano (Electric), Claves, Synthesizer, Keyboards, Vocals, Original Recording Producer, Arranger | | Howard Fritzson | Reissue Art Director | | James Gadson | Drums | | Jeffrey Cohen | Associate Producer | | John Jackson | Production Assistant | | Leon "Ndugu" Chancler | Drums | | Luther Waters | Vocals | | Mark Wilder | Digital Remastering | | Material | Original Recording Producer | | Maxine Willard Waters | Vocals | | Oren Waters | Vocals | | Randall Martin | Reissue Design | | Raul Rekow | Percussion | | Ray Obiedo | Guitar | | Seth Rothstein | Project Director | | Sheila Escovedo | Percussion | | Tom Terrell | Liner Notes |
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