Jo Stafford - Walkin' My Baby Back Home

Jo Stafford - Walkin' My Baby Back Home
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Album Details

Title: Walkin' My Baby Back Home
Artist: Jo Stafford
Release Date: 1998
Re-Released On: 10/13/2003
Label: See For Miles Records
Album Type(s): Greatest Hits
UPC: 5001940020030
Genre: Vocal Music
Styles: Traditional Pop, Vocal Jazz
Moods: Earnest, Poignant, Sentimental, Soothing, Wistful, Calm/Peaceful, Gentle, Innocent, Reflective, Romantic, Delicate, Intimate, Laid-Back/Mellow, Smooth, Sweet, Springlike
Total Copies: 0
Members Wishing: 0
Number of Discs/SwapaCD Credits: 2

Track Listings Disc 1

  1. Little Man with a Candy Cigar
  2. For You
  3. Yes Indeed!
  4. Swingin' on Nothing
  5. Let's Just Pretend
  6. Who Can I Turn To
  7. It Isn't a Dream Anymore
  8. Embraceable You
  9. Blues in the Night
  10. Manhattan Serenade
  11. You Can Depend on Me
  12. Old Acquaintance
  13. How Sweet You Are
  14. Too Marvelous for Words
  15. I Remember You
  16. It Could Happen to You
  17. Long Ago and Far Away
  18. I Love You
  19. The Trolley Song
  20. Tumbling Tumbleweeds
  21. Amor, Amor
  22. The Boy Next Door
  23. I Didn't Know About You
  24. There's No You
  25. I'll Be Seeing You

Track Listings Disc 2

  1. Candy
  2. On the Sunny Side of the Street
  3. That's for Me
  4. Symphony
  5. Walkin' My Baby Back Home
  6. Day by Day
  7. This Is Always
  8. You Keep Coming Back Like a Song
  9. Fools Rush In
  10. The Things We Did Last Summer
  11. Ivy
  12. Smoke Dreams
  13. Temptation (Tim-Tayshun)
  14. I'm So Right Tonight
  15. A Sunday Kind of Love
  16. The Gentleman Is a Dope
  17. Serenade of the Bells
  18. The Best Things in Life Are Free
  19. It Was Just One of Those Things
  20. In the Still of the Night
  21. I Never Loved Anyone
  22. He's Gone Away
  23. Congratulations
  24. Once and for Always
  25. Haunted Heart

Additional Releases

YearTypeLabelCatalog #
2003CDSee For Miles Records2003

Other Editions

  • No other editions were found for this album.

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Album Review

This two-disc British compilation combines some of the recordings Jo Stafford made with Tommy Dorsey And His Orchestra in 1941-1942 with some of her solo work from 1944-1947, much of the former originally released in the U.S. on RCA Victor Records, much of the latter on Capitol. In Europe, where the copyright for recordings apparently runs out after 50 years, anyone is free to assemble an album by remastering old 78s and borrowing from other sources, and it's no accident that the otherwise seemingly arbitrary cut-off date for this 1998 compilation is 1947. Be that as it may, this is a good assemblage of material from the first seven years of Jo Stafford's recording career, most of it drawn from commercial recordings, though there are some airchecks and perhaps a V-Disc or two thrown in. Not all of Stafford's American hits are included, but her most significant Dorsey tracks, "Yes Indeed!" and "Manhattan Serenade," are here, along with major early solo hits like "Candy," the comedy song "Temptation (Tem-Tayshun)" (originally credited to Red Ingle & the Natural Seven, with Stafford billed as "Cinderella G. Stump"), which suspiciously is presented with the same false start that was first heard on the 1991 Capitol Collectors Series CD, "That's for Me," and "Symphony." And you get to hear "Stafford" singing such standards as "Too Marvelous for Words," "I Remember You," "The Trolley Song" (accompanied by her old group, the Pied Pipers), "I Didn't Know About You," "I'll Be Seeing You," "Fools Rush In," "It Was Just One of Those Things," "In the Still of the Night," and the title song. Sound quality is adequate, though not up the standards maintained by the major labels. It would be preferable for the labels that own this material (at least for the U.S.) to issue better-sounding and better-annotated versions of Stafford's recordings (among others). In the absence of that, fans are driven to releases like this, which, while technically not bootlegs, share many of the characteristics of gray market fare. ~ William Ruhlmann, All Music Guide

Credits

NameCredits
Joop VisserCompilation, Liner Notes