Sam Cooke - Ain't That Good News

S



Album Details

Title: Ain't That Good News
Artist: Sam Cooke
Release Date: 1964
Re-Released On: 7/30/2008
Label: Universal Distribution, Um3, Brunswick, ABKCO Records
UPCs: 018771989929, 4988005521385, 0600753033210, 0602498077078, 602498077078
Genre: Rhythm & Blues
Styles: Soul, Early R&B
Moods: Confident, Elegant, Joyous, Passionate, Relaxed, Carefree, Cheerful, Gentle, Romantic, Smooth, Amiable/Good-Natured, Earnest, Energetic, Exuberant, Happy, Laid-Back/Mellow, Light, Plaintive, Refined/Mannered, Soothing, Stylish, Sweet, Brooding, Lively, Playful, Sophisticated, Yearning, Innocent, Poignant, Reflective, Searching, Sensual, Sentimental, Spiritual, Warm
Total Copies: 0
Members Wishing: 3
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. (Ain't That) Good News
  2. Meet Me at Mary's Place
  3. Good Times
  4. Rome (Wasn't Built in a Day)
  5. Another Saturday Night
  6. Tennessee Waltz
  7. A Change Is Gonna Come
  8. Falling in Love
  9. Home (When Shadows Fall)
  10. Sittin' in the Sun
  11. There'll Be No Second Time
  12. The Riddle Song

Additional Releases

YearTypeLabelCatalog #
2008CDUniversal Distribution93546
2008CDUniversal Distribution5303321
2003CDUm39807707
2003CDBrunswick9807707
2003CDABKCO Records98992

Other Editions

  • No other editions were found for this album.

Similar CDs

Album Review

The last of his studio albums released in his lifetime, Sam Cooke's Ain't That Good News offers a lot of superb material, pointing in several directions that, alas, were to go largely unexplored. The central number is, of course, the earth-shattering "A Change Is Gonna Come," with its soaring gospel sound and the most elaborate production of any song in Cooke's output. The rousing though less substantial title track also came out of a gospel tradition, as does Cooke's treatment of "Tennessee Waltz," which is one of his finest adaptations of contemporary pop material. "Falling in Love" was the work of Harold Battiste, an old friend of Cooke's who had recently re-entered his orbit and was partly responsible for encouraging the singer in exploring the New Orleans sound that was evident on "Rome Wasn't Built in a Day" and "Meet Me at Mary's Place." And then there's "Good Times," a bittersweet, introspective party number, and the pensive successor to "Twistin' the Night Away." There are a few moments where the spell is almost broken by the intrusion of what seems like pop material, but even Cooke's version of "The Riddle Song" is worth owning, as a glimpse of how he could turn a folk song into a something so quietly soulful that its origins disappeared. With the exception of "Another Saturday Night," which had been released as a single early in the previous year, Ain't That Good News comprised the first material that Cooke had recorded in the six months following the drowning death of his 18-month-old son Vincent; it was also the first album that Cooke recorded and released under his new contract, which gave him greater freedom in choosing repertory and sidemen than he'd ever had, and so it offered a lot of pent-up emotional and musical expression, and, as it turned out, was tragically unique in the singer's output. Ain't That Good News was reissued in June of 2003 as an extraordinary audiophile-quality hybrid CD/Super-Audio CD edition by ABKCO Records, with full music and session credits. The sound on that edition literally blows any prior edition of the album, or any earlier CD release of those songs. ~ Bruce Eder, All Music Guide

Credits

NameCredits
Alexander NeimanViola
Alisa RitzArt Direction
Allan ReussGuitar
April HobbsArt Coordinator
Arnold BelnickViolin
Barney KesselGuitar
Ben BailesAssistant Engineer
Bob LudwigMastering
Buddy ClarkBass
Chuck BadieBass
Clifford HilsBass
Clifton WhiteGuitar
Darrel TerwilligerViolin
Dave WellsTrombone
David HassingerEngineer
Earl PalmerDrums
Eddie HallDrums
Eddie TilmanBass
Edgar RedmondSaxophone
Emil RadocchiaPercussion, Tympani [Timpani], Marimba
Emmet SargeantCello
Ernie TackTrombone
George TiptonVocals (Background)
Gus SkinasEngineer
Gwen JohnsonVocals (Background)
Hal BlaineDrums
Harold BattistePiano
Harry BettsTrombone
Harry HyamsViola
Howard RobertsGuitar
HugoProducer
Hugo & LuigiProducer
Iris KeitelArt Direction
Irving LipschultzViolin
Israel BakerViolin
J.J. FarleyVocals (Background)
Jack PepperViolin
Jackie WardVocals (Background)
James BryantVocals (Background)
Jesse EhrlichCello
Jewell L. GrantSaxophone
Jimmie OutlerVocals (Background)
Jody KleinProducer
Joe HoovenArranger, Conductor
John AndersonTrumpet
John BoudreauxDrums
John DeVoogdtViolin
John EwingTrombone
John PisanoGuitar
Johnny HalliburtonTrombone
Joseph R. GibbonsBanjo
Laura WaltonAudio Production
Leonard MalarskyViolin
Leroy CrumeGuitar
Lincoln MayorgaPiano, Celeste
Linwood MitchellPercussion
Louise BlackburnTrombone
LuigiProducer
Matt BoyntonAssistant Engineer
Melvin LastieTrumpet
Mick GochanourDigital Transfers
Milt BernhartTrombone
Norman BartoldGuitar
Paul FosterVocals (Background)
Plas JohnsonSaxophone
Ralph SchaefferViolin
Ray PohlmanBass
Raymond JohnsonPiano
Red TylerSaxophone
Rene HallArranger, Conductor
Richard GibbsVocals (Background)
Robert BareneViolin
Robert TebowVocals (Background)
S.R. CrainVocals (Background)
Sam CookeVocals
Seth AdkinsArt Coordinator
Sidney SharpViolin
Steve RosenthalArchives Coordinator, Restoration
Teri LandiProducer
The Carole Lombard QuartetVocals (Background)
Tibor ZeligViolin
Wally SeawellCover Photo
William GreenSaxophone
William HinshawFrench Horn
William KurashViolin