Album Details
Title: Ain't That Good News Artist: Sam Cooke Release Date: 1964 Re-Released On: 7/30/2008 Label: Universal Distribution, Um3, Brunswick, ABKCO Records UPCs: 018771989929, 4988005521385, 0600753033210, 0602498077078, 602498077078 Genre: Rhythm & Blues Styles: Soul, Early R&B Moods: Confident, Elegant, Joyous, Passionate, Relaxed, Carefree, Cheerful, Gentle, Romantic, Smooth, Amiable/Good-Natured, Earnest, Energetic, Exuberant, Happy, Laid-Back/Mellow, Light, Plaintive, Refined/Mannered, Soothing, Stylish, Sweet, Brooding, Lively, Playful, Sophisticated, Yearning, Innocent, Poignant, Reflective, Searching, Sensual, Sentimental, Spiritual, Warm Total Copies: 0 Members Wishing: 3 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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(Ain't That) Good News
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Meet Me at Mary's Place
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Good Times
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Rome (Wasn't Built in a Day)
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Another Saturday Night
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Tennessee Waltz
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A Change Is Gonna Come
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Falling in Love
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Home (When Shadows Fall)
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Sittin' in the Sun
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There'll Be No Second Time
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The Riddle Song
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Universal Distribution | 93546 | | 2008 | CD | Universal Distribution | 5303321 | | 2003 | CD | Um3 | 9807707 | | 2003 | CD | Brunswick | 9807707 | | 2003 | CD | ABKCO Records | 98992 |
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Other Editions
- No other editions were found for this album.
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Album Review
The last of his studio albums released in his lifetime, Sam Cooke's Ain't That Good News offers a lot of superb material, pointing in several directions that, alas, were to go largely unexplored. The central number is, of course, the earth-shattering "A Change Is Gonna Come," with its soaring gospel sound and the most elaborate production of any song in Cooke's output. The rousing though less substantial title track also came out of a gospel tradition, as does Cooke's treatment of "Tennessee Waltz," which is one of his finest adaptations of contemporary pop material. "Falling in Love" was the work of Harold Battiste, an old friend of Cooke's who had recently re-entered his orbit and was partly responsible for encouraging the singer in exploring the New Orleans sound that was evident on "Rome Wasn't Built in a Day" and "Meet Me at Mary's Place." And then there's "Good Times," a bittersweet, introspective party number, and the pensive successor to "Twistin' the Night Away." There are a few moments where the spell is almost broken by the intrusion of what seems like pop material, but even Cooke's version of "The Riddle Song" is worth owning, as a glimpse of how he could turn a folk song into a something so quietly soulful that its origins disappeared. With the exception of "Another Saturday Night," which had been released as a single early in the previous year, Ain't That Good News comprised the first material that Cooke had recorded in the six months following the drowning death of his 18-month-old son Vincent; it was also the first album that Cooke recorded and released under his new contract, which gave him greater freedom in choosing repertory and sidemen than he'd ever had, and so it offered a lot of pent-up emotional and musical expression, and, as it turned out, was tragically unique in the singer's output. Ain't That Good News was reissued in June of 2003 as an extraordinary audiophile-quality hybrid CD/Super-Audio CD edition by ABKCO Records, with full music and session credits. The sound on that edition literally blows any prior edition of the album, or any earlier CD release of those songs. ~ Bruce Eder, All Music Guide
Credits
| Name | Credits | | Alexander Neiman | Viola | | Alisa Ritz | Art Direction | | Allan Reuss | Guitar | | April Hobbs | Art Coordinator | | Arnold Belnick | Violin | | Barney Kessel | Guitar | | Ben Bailes | Assistant Engineer | | Bob Ludwig | Mastering | | Buddy Clark | Bass | | Chuck Badie | Bass | | Clifford Hils | Bass | | Clifton White | Guitar | | Darrel Terwilliger | Violin | | Dave Wells | Trombone | | David Hassinger | Engineer | | Earl Palmer | Drums | | Eddie Hall | Drums | | Eddie Tilman | Bass | | Edgar Redmond | Saxophone | | Emil Radocchia | Percussion, Tympani [Timpani], Marimba | | Emmet Sargeant | Cello | | Ernie Tack | Trombone | | George Tipton | Vocals (Background) | | Gus Skinas | Engineer | | Gwen Johnson | Vocals (Background) | | Hal Blaine | Drums | | Harold Battiste | Piano | | Harry Betts | Trombone | | Harry Hyams | Viola | | Howard Roberts | Guitar | | Hugo | Producer | | Hugo & Luigi | Producer | | Iris Keitel | Art Direction | | Irving Lipschultz | Violin | | Israel Baker | Violin | | J.J. Farley | Vocals (Background) | | Jack Pepper | Violin | | Jackie Ward | Vocals (Background) | | James Bryant | Vocals (Background) | | Jesse Ehrlich | Cello | | Jewell L. Grant | Saxophone | | Jimmie Outler | Vocals (Background) | | Jody Klein | Producer | | Joe Hooven | Arranger, Conductor | | John Anderson | Trumpet | | John Boudreaux | Drums | | John DeVoogdt | Violin | | John Ewing | Trombone | | John Pisano | Guitar | | Johnny Halliburton | Trombone | | Joseph R. Gibbons | Banjo | | Laura Walton | Audio Production | | Leonard Malarsky | Violin | | Leroy Crume | Guitar | | Lincoln Mayorga | Piano, Celeste | | Linwood Mitchell | Percussion | | Louise Blackburn | Trombone | | Luigi | Producer | | Matt Boynton | Assistant Engineer | | Melvin Lastie | Trumpet | | Mick Gochanour | Digital Transfers | | Milt Bernhart | Trombone | | Norman Bartold | Guitar | | Paul Foster | Vocals (Background) | | Plas Johnson | Saxophone | | Ralph Schaeffer | Violin | | Ray Pohlman | Bass | | Raymond Johnson | Piano | | Red Tyler | Saxophone | | Rene Hall | Arranger, Conductor | | Richard Gibbs | Vocals (Background) | | Robert Barene | Violin | | Robert Tebow | Vocals (Background) | | S.R. Crain | Vocals (Background) | | Sam Cooke | Vocals | | Seth Adkins | Art Coordinator | | Sidney Sharp | Violin | | Steve Rosenthal | Archives Coordinator, Restoration | | Teri Landi | Producer | | The Carole Lombard Quartet | Vocals (Background) | | Tibor Zelig | Violin | | Wally Seawell | Cover Photo | | William Green | Saxophone | | William Hinshaw | French Horn | | William Kurash | Violin |
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