Track Listings
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Mis Hermanos
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Por Ella
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La Novia
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Sin Saber Por Qué
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I Oh Madre!
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Passar [Que Era Guapa]
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Tatico [Instrumental]
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Als Gitanos
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El Cami de Damasc
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Cara Santa
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Las Claras del Dia
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Olé
Additional Releases
| Year | Type | Label | Catalog # | | 1999 | CD | Sony Music Distribution | 49333 |
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Other Editions
- No other editions were found for this album.
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Album Review
France isn't the first place that comes to mind when the subject of Gypsy flamenco comes up, but in fact, it was the South of France that gave us the Gipsy Kings and Gipsyland. Like those artists, Tekameli is a Gypsy flamenco group that hails from France but could hold their own against many of Spain's Gypsy artists. The flamenco that Tekameli embraces on Ida y Vuelta isn't traditional flamenco, but rather, falls into the nuevo flamenco category; it combines Gypsy flamenco with elements of Latin pop and, on some material, salsa. The difference between this act and traditional flamenco purists is like the difference between Al DiMeola and Django Reinhardt -- DiMeola might love and admire Reinhardt's music, but that doesn't mean that he has to play exactly like Reinhardt played in 1935. "Las Claras del Dia," "Sin Saber Porque," and other soulful pieces on this CD leave no doubt that while Tekameli's members are fluent when it comes to flamenco rhythms, they aren't obligated to play flamenco the way their great grandparents played it. Although not for flamenco purists, Ida y Vuelta is enthusiastically recommended to both Latin pop and nuevo flamenco lovers. ~ Alex Henderson, All Music Guide
Credits
| Name | Credits | | Antoine "Tato" Garcia | Choeurs, Guitar, Palmas, Chant, Charango, Bouzouki, Guitarelle, Choir, Chorus, ? | | Antoine Chouchani | Product Manager | | Bernard Paganotti | Bass, Basse | | Franck Redlich | Mixing, Engineer | | Frank Redich | Mixing, Recording | | Garry Beattie | Translation | | Garth Beatie | Liner Note Translation | | Guy Bertrand | Clarinet, Clarinet (Bass), Soprano, Clarinet (Soprano) | | Jaques Peillon | Cor, Horn | | Jean Paul "Joan" Escudero | Liner Notes | | Jean Soler | Bass, Basse, Guitar, Palmas | | Jean-Marc Apap | Violin | | Julio Bermudes | Palmas, Chant, Choeurs, Choir, Chorus, ? | | Lucille Reyboz | Photography | | Marc Eliard | Bass, Basse | | Martin Polak | Assistant | | Michael Delakian | Trumpet | | Moise Espinas | Choeurs, Choir, Chorus, ?, Palmas, Chant | | Nicholas Mizrachi | Pro-Tools | | Nicolas Krassik | Violone, Violin | | Olivier Peitrtjean | Percussion | | Pascal Valles | ?, Guitar, Chant, Choeurs, Choir, Chorus | | Phil Abraham | Trombone | | Philippe Eidel | Producer, Adaptation, Percussion, Realization, Clavier, Charango, Harmonica, Concept, Accordion | | Pierre Mallon | Art Direction, Artist Direction, Musical Direction | | Pierre Olivier Govin | Saxophone, Sax (Alto) | | Raphaël Jonin | Mastering | | Regis Huby | Violone, Violin | | Sabrina Romero | Chant, Cajon, Palmas, Choir, Chorus, ?, Choeurs, Percussion | | Salomon Espinas | Guitar, Chant, Choeurs, Choir, Chorus, ?, Palmas | | Sebastien Barbe | Oboe | | Tekameli | Adaptation | | Vincent Courtois | Cello |
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