Album Details
Title: The Battle of Los Angeles Artist: Rage Against the Machine Release Date: 11/2/1999 Re-Released On: 6/1/2007 Label: EPC, Epic Duration: 45:39 Album Type(s): Explicit lyrics sticker, lyrics/libretto UPCs: 074646963029, 5099749199323, 886971017823, 074646963081 Genre: Rock Styles: Alternative Pop/Rock, Heavy Metal, Alternative Metal, Rap-Metal, Alternative/Indie Rock Moods: Fierce, Aggressive, Angry, Angst-Ridden, Brooding, Confrontational, Earnest, Fiery, Harsh, Hostile, Intense, Menacing, Passionate, Rebellious, Volatile, Bitter, Cathartic, Nihilistic, Rousing, Cynical/Sarcastic, Literate, Ominous, Organic, Raucous, Tense/Anxious, Visceral Total Copies: 29 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Testify
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Guerrilla Radio
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Calm Like a Bomb
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Mic Check
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Sleep Now in the Fire
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Born of a Broken Man
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Born as Ghosts
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Maria
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Voice of the Voiceless
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New Millennium Homes
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Ashes in the Fall
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War Within a Breath
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | EPC | 88697101782 | | 1999 | CD | Epic | 69630 | | 1999 | CD | Epic | 69630 | | 1999 | CD | Epic | 491993 |
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Album Review
Rage Against the Machine isn't really the only metal band that matters, but their aggressive social and political activism is refreshing, especially in an age of blind (or usually self-directed) rage due to groups like Limp Bizkit, Bush, or Nine Inch Nails. Recorded in less than a month, The Battle of Los Angeles is the most focused album of the band's career, exploding from the gate and rarely letting go the whole way through. Like a few other famous revolution-in-the-head bands (most notably Minor Threat), Rage Against the Machine has always been blessed by the fact that the band is spewing just as much vitriol as its frontman. Any potential problems created here by Zack de la Rocha's one-note delivery and extremist polemics are smoothed over by songs and grooves that make it sound like the revolution really is here, from the single "Guerrilla Radio" to album highlights like "Mic Check," "Calm Like a Bomb," and "Born of a Broken Man." As on the previous two Rage Against the Machine albums, Tom Morello's roster of guitar effects and vicious riffs are nigh overpowering, and are as contagious as the band has ever been since their debut. De la Rocha is best when he has specific targets (like the government or the case against Mumia Abu Jamal), but when he attempts to cover more general societal problems, he falters. If anything less than one of the most talented and fiery bands in the music world were backing him, The Battle of Los Angeles wouldn't be nearly as high-rated as it is. ~ John Bush, All Music Guide
Credits
| Name | Credits | | Aimee MacAuley | Art Direction | | Andrew Garver | Digital Editing | | Brad Wilk | Arranger, Group Member, Drums | | Brendan O'Brien | Mixing, Producer | | Cheryl Mondello | Production Coordination | | Danny Clinch | Photography | | Erin Haley | Production Coordination | | German Villacorta | Assistant Engineer, Assistant | | Joey Krebs | Artwork | | Karl Egsieker | Assistant Engineer, Assistant | | Kevin Dean | Assistant, Assistant Engineer | | Kevin Lively | Assistant, Assistant Engineer | | Michael Parnin | Assistant Engineer, Assistant | | Monique Mizrahi | Assistant, Assistant Engineer | | Nick DiDia | Engineer | | Rage Against the Machine | Art Direction, Producer | | Roger Sommers | Assistant, Assistant Engineer | | Russ Fowler | Engineer | | Ryan Williams | Engineer | | Stephen Marcussen | Mastering | | Steven Tirona | Photography | | Sugar D | Engineer | | Tim Harkins | Assistant Engineer | | Tom Morello | Guitar, Arranger, Group Member | | Y.tim K | Bass | | Zack de la Rocha | Group Member, Vocals, Arranger |
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