Kenny G - Classics in the Key of G

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Album Details

Title: Classics in the Key of G
Artist: Kenny G
Release Date: 6/29/1999
Label: Arista, RCA Records
UPCs: 078221908528, 078221908559, 078221908542
Genre: Jazz
Styles: Instrumental Pop, Adult Contemporary, Crossover Jazz, Smooth Jazz
Moods: Laid-Back/Mellow, Refined/Mannered, Soothing, Amiable/Good-Natured, Calm/Peaceful, Earnest, Intimate, Romantic, Gentle, Reserved, Sentimental
Total Copies: 31
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Summertime
  2. The Look of Love
  3. What a Wonderful World
  4. Desafinado
  5. In a Sentimental Mood
  6. The Girl from Ipanema
  7. Stranger on the Shore
  8. Body and Soul
  9. 'Round Midnight
  10. Over the Rainbow

Additional Releases

YearTypeLabelCatalog #
1999CDArista19085
1999CDRCA Records0782219085

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Album Review

Some jazz critics may point to Classics in the Key of G as proof of Kenny G's lack of jazz substance, but it really is proof of how well he makes instrumental pop albums. Yes, Kenny G has reworked a predictable set of pop classics, from "Summertime" to "The Look of Love," to fit his signature smooth sound, but that should be expected from an album like this. Kenny G will never abandon his signature sound because that sound is him; he doesn't want to push musical boundaries, he just wants to make gentle, melodic music. If he's seen as a pop musician, not a jazz saxophonist, his virtues become evident. Unlike some of his peers, there's genuine warmth in his tone, and he never diverts his attention from the melody; he crafts records around songs, not improvisations. Simply containing ten songs everybody knows, Classics in the Key of G is a pleasant, unassuming listen (with the exception of "What a Wonderful World," which contains a jarring original vocal from Louis Armstrong). As a matter of fact, it may be one of his better records, simply because he's working with ten terrific songs, and his performances show real affection for the music. He sticks to the original songs, only updating the production or throwing some minor glissandos into the melodies. His solos are extensions of the original themes -- at times, it's hard to tell when he's slipping into a solo since it's so smooth -- and it all comes together as nice, pleasant music. That may mean that Classics in the Key of G may occasionally fade into the background, but like any good instrumental pop album, it's sweet to the ears whether it's in the foreground or sonic wallpaper. ~ Stephen Thomas Erlewine, All Music Guide

Credits

NameCredits
Aaron LepleyAssistant Engineer
Andy HallerAssistant Engineer
Bebel GilbertoVocals
Christine SiroisAssistant Engineer
Dann ThompsonAssistant Engineer
Dave ReitzasEngineer, Drum Programming
David FosterProducer, Arranger, Keyboards
David GleesonEngineer
Dean ParksGuitar (Acoustic)
Felipe ElguetaEngineer, Synthesizer
George BensonGuitar, Performer
Greg BieckProgramming, Synthesizer, Keyboards
Greg PhillinganesFender Rhodes
Humberto GaticaMixing, Engineer
Jeremy LubbockOrchestral Arrangements, Conductor
Kenny GProducer, Arranger, Sax (Soprano), Sax (Tenor)
Louis ArmstrongPerformer
Mike ButlerAssistant Engineer
Mike ScotellaAssistant Engineer
Nathan EastBass
Paulinho Da CostaPercussion
Pete KrawiecAssistant Engineer
Peter DoellAssistant Engineer
Randy WaldmanPiano
Ricky LawsonDrums
Robert FernandezEngineer
Ryan HewittAssistant Engineer
Steve ShepherdEngineer
Walter AfanasieffKeyboards, Producer, Arranger, Piano, Programming, Synthesizer
William RossOrchestral Arrangements, Conductor

Member Reviews

Ken D. wrote on 8/28/2009...

Absolute garbage, dumbing down standards into bland, forgettable smooth arrangements. Especially annoying is the sampling of Louis Armstrong's vocal, as it seems unbelievable that any of Armstrong's descendants (if he had any) would have allowed this travesty.

DIANE M. (bookaholic) wrote on 9/5/2006...

0 of 1 member(s) found this review helpful.
SAME CD--DIFFERENT COVER