Album Details
Title: Supernatural Artist: Santana Release Date: 6/15/1999 Re-Released On: 1/9/2009 Label: Arista Duration: 69:04 Album Type(s): live, lyrics/libretto UPCs: 078221908023, 601704908014, 828765969659, 886974243724 Genre: Rock Styles: Blues-Rock, Hard Rock, Contemporary Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, Album Rock, Latin Rock Moods: Earthy, Fiery, Freewheeling, Lively, Organic, Summery, Brash, Intense, Joyous, Passionate, Playful, Rousing, Spiritual, Bravado, Cheerful, Confident, Energetic, Exuberant, Fun, Party/Celebratory, Sensual, Stylish, Relaxed, Spicy, Swaggering, Amiable/Good-Natured, Autumnal, Earnest, Laid-Back/Mellow, Soothing Total Copies: 294 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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(Da Le) Yaleo
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Love of My Life
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Put Your Lights On
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Africa Bamba
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Smooth
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Do You Like the Way
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Maria, Maria
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Migra
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Corazon Espinado
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Wishing It Was
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El Farol
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Primavera
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The Calling
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | Arista | 88697424372 | | 1999 | CD | Arista | 19080 |
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Album Review
Santana was still a respected rock veteran in 1999, but it had been years since he had a hit, even if he continued to fare well on the concert circuits. Clive Davis, the man who had signed Santana to Columbia in 1968, offered him the opportunity to set up shop at his label, Arista. In the tradition of comebacks and label debuts by veteran artists in the '90s, Supernatural, Santana's first effort for Arista, is designed as a star-studded event. At first listen, there doesn't seem to be a track that doesn't have a guest star, which brings up the primary problem with the album -- despite several interesting or excellent moments, it never develops a consistent voice that holds the album together. The fault doesn't lay with the guest stars or even with Santana, who continues to turn in fine performances. There's just a general directionless feeling to the record, enhanced by several songs that seem like excuses for jams, which, truth be told, isn't all that foreign on latter-day Santana records. Then again, the grooves often play better than the ploys for radio play, but that's not always the case, since Lauryn Hill's "Do You Like the Way" and the Dust Brothers-produced, Eagle-Eye Cherry-sung "Wishing It Was" are as captivating as the Eric Clapton duet, "The Calling." But that just confirms that Supernatural just doesn't have much of a direction, flipping between traditional Santana numbers and polished contemporary collaborations, with both extremes being equally likely to hit or miss. That doesn't quite constitute a triumph, but the peak moments of Supernatural are some of Santana's best music of the '90s, which does make it a successful comeback. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Abel Figueroa | Trombone | | Al Anderson | Guitar (Rhythm) | | Alberto Salas | Keyboards | | Alex Gonzales | Producer | | Alvaro Villagra | Engineer | | Andy Grassi | Engineer | | Angus Sutherland | Guitar | | Anton Pukshansky | Engineer | | Benny Faccone | Mixing, Engineer | | Benny Rietveld | Bass | | Brian Montgomery | Monitors | | Carlos Santana | Vocals, Guitar, Sleigh Bells, Performer, Vocals (Background) | | Cee-Lo | Vocals | | Charles Goodan | Producer | | Che Pope | Programming | | Chester Thompson | Keyboards | | Chris Theis | Engineer | | Clive Davis | Producer | | Comissioner Gordon | Engineer | | Danny Seidenberg | Viola | | Danny Wolensky | Saxophone, Flute | | Dante Ross | Producer | | Dave Matthews | Performer | | David Crockett | Drums, Percussion | | David Frazer | Engineer | | David Thoener | Engineer, Mixing | | Eagle-Eye Cherry | Performer | | Earl Gardner | Trumpet, Flugelhorn | | Eric Clapton | Performer | | Everlast | Performer | | Fher | Vocals | | Fher Olvera | Producer | | Francis Dunnery | Guitar (Rhythm) | | G&B Product | Vocals | | Glen Kolotkin | Engineer | | Gonzales Alex | Vocals (Background) | | Hodge, Art | Producer | | Horacio "El Negro" Hernández | Drums | | Jeff Cressman | Trombone | | Jeff Poe | Engineer | | Jeremy Cohen | Violin | | Jerry Duplessis | Producer | | Jim Gaines | Engineer | | Jim Scott | Engineer | | John Gamble | Engineer | | John Karpowich | Engineer | | John Seymour | Engineer | | Joseph Daley | Tuba | | Joseph Hebert | Cello | | Julius Melendez | Trumpet | | K.C. Porter | Programming, Vocals, Accordion, Producer | | Karl Perazzo | Vocals (Background), Percussion | | Kobie Brown | Programming | | Lauryn Hill | Producer, Performer | | Lenesha Randolph | Vocals (Background) | | Loris Holland | Keyboards | | Maná | Performer | | Marvin McFadden | Trumpet | | Matt Serletic | Producer | | Matty Spindel | Engineer | | Mic Gillette | Trumpet | | Mike Couzzi | Engineer | | Nico Nibbering | Keyboards | | Patrick Murray | House Sound | | Pete Ganbarg | A&R | | Ramon Flores | Trombone | | Raul Rekow | Conga | | René Martínez | Guitar | | Rob Thomas | Performer, Vocals | | Sergio Vallin | Guitar (Rhythm) | | Stephen Harris | Producer | | Steve Farrone | Engineer | | Steve Fontano | Engineer | | Steve Touré | Trombone | | T-Ray | Engineer | | The Dust Brothers | Producer | | Tom Barney | Bass | | Tom Lord-Alge | Engineer | | Tony Lindsay | Vocals (Background) | | Tony Prendatt | Engineer | | Warren Riker | Engineer | | William Oritz | Trumpet | | Wyclef Jean | Producer |
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