The Negro Problem - Joys & Concerns

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Album Details

Title: Joys & Concerns
Artist: The Negro Problem
Release Date: 5/25/1999
Re-Released On: 9/3/2002
Label: Sm:)e, Aerial Flipout
UPCs: 014381196221, 644737000928
Genre: Rock
Styles: Alternative Pop/Rock, Alternative/Indie Rock
Moods: Amiable/Good-Natured, Freewheeling, Fun, Playful, Quirky, Whimsical, Cheerful, Energetic, Humorous, Passionate
Total Copies: 1
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Joys: Repulsion (Show Up Late for Work on Monday)
  2. Joys: Sea of Heat
  3. Joys: Comikbuchland
  4. Joys: Heads
  5. Joys: Mahnsanto
  6. Joys: Bleed
  7. Concerns: Peter Jennings
  8. Concerns: Ahmnot Madatcha
  9. Concerns: Ken
  10. Concerns: Goode Tyme
  11. Concerns: The Rain in Leimert Park Last Tuesday
  12. Concerns: Come Down Now

Additional Releases

YearTypeLabelCatalog #
2002CDSm:)e1962
1999CDAerial Flipout9

Other Editions

  • No other editions were found for this album.

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Album Review

Easily one of the finest power pop records of 1999, the sophomore album by the Negro Problem shows the group growing by leaps and bounds after their debut, Post Minstrel Syndrome . The Negro Problem is a Los Angeles group rooted in pop, but with an extremely strong degree of eclecticism. The songs, all written by lead singer Stew, are almost visionary folk songs that showcase his unique world view. The music, which can be described a modern-day folk-rock, has touches of pop and jazz, primarily due to the fine influence of the band's excellent drummer Charles Pagano. Heidi Rowald handles most of the bass chores, but she also doubles as a second guitarist behind Stew, and also plays keyboards. Probyn Gregory, a fixture on the LA scene and a member of such groups such as the Wondermints, is sort of an auxiliary member, and his work on horns gives this fine album dimension. The main difference between the sound of the group on this album compared to their debut is the effective vocal harmonies. Lisa Jenio, who has her own band in LA, Candypants, shines here as a guest vocalist, along with Rowald. Many of the songs are influenced by Jimmy Webb, giving the album an elegant, post-psychedelic L.A. feel that is infectious. ~ Matthew Greenwald, All Music Guide

Credits

NameCredits
Adam MarslandElectric Cello, Synthesizer, Synthesizer Piano
Andrew WilliamsProducer, Vocals (Background), Engineer
Bill InglotMastering
Billy StewartSynthesizer Strings, Guitar, Organ, Yells, Piano, Screams, Clavinet
Black MosesExecutive Producer
Bridget MacDonaldPhotography
Carol SheridanCover Photo
Carolyn EdwardsSynthesizer Organ, Synthesizer Strings, Synthesizer Piano
Charles PaganoPercussion, Vocals, Loops, Toy Instruments, Drums
Chris ChandlerEngineer
Danny McGoughSound Effects, Engineer
Dave SchultzMastering
Heidi RodewaldSynthesizer Strings, Bass, Harmonica, Recorder, Vocals, Piano, Guitar
HNICProducer
James "Falling James" MorelandEngineer
Lisa JenioVocals (Background), Flute
Lucky G.Photography
Probyn GregoryHorn, Guitar, Banjo
Rachel GutekDesign
StewGuitar (Acoustic), Vocals
Travis DickersonEngineer