Album Details
Title: 24 Nights Artist: Eric Clapton Release Date: 10/8/1991 Label: Reprise, Import Duration: 51:44 Album Type(s): live UPCs: 075992642026, 075992642040, 4943674003655, 759926420262, 075992642064 Genre: Rock Styles: Blues-Rock, Hard Rock, Adult Contemporary, Psychedelic, Pop/Rock, British Blues, Album Rock, British Psychedelia Moods: Passionate, Relaxed, Rollicking, Druggy, Earnest, Hypnotic, Reverent, Rousing, Soothing, Stylish, Summery, Visceral, Bittersweet, Earthy, Gentle, Poignant, Refined/Mannered, Sentimental, Street-Smart, Trippy, Fiery, Freewheeling, Plaintive, Raucous, Slick, Smooth, Sprawling, Urgent, Yearning, Bravado, Calm/Peaceful, Detached, Dreamy, Fun, Nocturnal, Searching, Volatile, Brash, Confident, Eerie, Reflective, Reserved, Swaggering, Sweet, Amiable/Good-Natured, Laid-Back/Mellow, Melancholy, Organic Total Copies: 12 Number of Discs/SwapaCD Credits: 2 |
Track Listings Disc 1
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Badge
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Running on Faith
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White Room
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Sunshine of Your Love
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Watch Yourself
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Have You Ever Loved a Woman
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Worried Life Blues
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Hoodoo Man
Track Listings Disc 2
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Pretending
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Bad Love
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Old Love
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Wonderful Tonight
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Bell Bottom Blues
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Hard Times
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Edge of Darkness
Additional Releases
| Year | Type | Label | Catalog # | | 2005 | CD | Reprise | | | 1999 | CD | Import | 10117 | | 1991 | CD | Reprise | 2-26420 |
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Other Editions
- No other editions were found for this album.
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Album Review
Eric Clapton, who had not released a live album since 1980, had several good reasons to release one in the early '90s. For one thing, his spare backup band of keyboardist Greg Phillinganes, bassist Nathan East, and drummer Steve Ferrone was his best live unit ever, and its powerful live versions of Cream classics like "White Room" and "Sunshine of Your Love" deserved to be documented. For another, since 1987 Clapton had been playing an annual series of concerts at the Royal Albert Hall in London, putting together various special shows ( blues nights, orchestral nights, etc.). 24 Nights, a double album, was culled from two years of such shows, 1990 and 1991, and it demonstrated the breadth of Clapton's work, from his hot regular band to assemblages of bluesmen like Buddy Guy and Robert Cray to examples of his soundtrack work with an orchestra led by Michael Kamen. The result was an album that came across as a lavishly constructed retrospective and a testament to Clapton's musical stature. But it made little impact upon release (though it quickly went gold), perhaps because events overcame it -- three months later, Clapton's elegy for his baby son, "Tears in Heaven," was all over the radio, and a few months after that he was redefining himself on MTV Unplugged -- a live show as austere as 24 Nights was grand. Still, it would be hard to find a more thorough demonstration of Clapton's abilities than the one presented here. ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Alan Clark | Keyboards | | Buddy Guy | Guitar, ? | | Carl Studna | Photography | | Chuck Leavell | Keyboards, ? | | Derek Taylor | Liner Notes | | Diana Puplett | Production Coordination | | Donna Ranieri | Production Coordination | | Edward Shearmur | Keyboards | | Eric Clapton | Vocals, Guitar, Main Performer | | Greg Phillinganes | Keyboards, Vocals | | Jamie Oldaker | Drums | | Jerry Portnoy | Harmonica | | Jimmie Vaughan | Guitar | | Joey Spampinato | Guitar (Bass) | | Johnnie Johnson | Piano, Vocals | | Katie Kissoon | Vocals (Background) | | Meg Way | Production Coordination | | Michael Kamen | Conductor | | Nathan East | Guitar (Bass), Vocals | | National Philharmonic Orchestra | Ensemble | | Peter Blake | Artwork | | Phil Collins | Tambourine, ? | | Phil Palmer | Guitar | | Ray Cooper | ? | | Richard Cousins | Guitar (Bass) | | Robert Cray | Guitar | | Russ Titelman | Producer | | Steve Ferrone | Drums | | Tessa Niles | Vocals (Background) | | Wherefore Art? | Design, Art Direction |
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