Album Details
Title: In the Life of Chris Gaines Artist: Garth Brooks Release Date: 9/28/1999 Re-Released On: 11/15/1999 Label: LCT, Capitol Records Duration: 56:23 UPCs: 724352005123, 724352317325, 724352007028 Genre: Country Styles: Adult Contemporary, Contemporary Pop/Rock Moods: Amiable/Good-Natured, Earnest, Warm, Reflective, Slick, Wistful, Yearning, Bittersweet, Dramatic, Organic, Plaintive, Rousing, Sad, Sentimental, Wry, Poignant, Precious, Sweet, Theatrical, Gentle, Intimate, Melancholy Total Copies: 70 Number of Discs/SwapaCD Credits: 1 |
Track Listings
-
That's the Way I Remember It
-
Lost in You
-
Snow in July
-
Driftin' Away
-
Way of the Girl
-
Unsigned Letter
-
It Don't Matter to the Sun
-
Right Now
-
Main Street
-
White Flag
-
Digging for Gold
-
Maybe
-
My Love Tells Me So
Additional Releases
| Year | Type | Label | Catalog # | | 1999 | CD | LCT | 200512 | | 1999 | CD | Capitol Records | 20051 | | 1999 | CD | Capitol Records | 5231732 |
|
Other Editions
- No other editions were found for this album.
|
|
Similar CDs
Members who requested this CD also requested:
Album Review
When his popularity reached a plateau in the late '90s, Garth Brooks knew it was time to try something new, deciding to become somebody new: Chris Gaines, a brooding, leather-clad rock star. When Brooks' new persona and his album was revealed to the public, they were unforgiving - they didn't think that he was playing a role, they simply though he'd lost his mind. Granted, the story behind Chris Gaines -- both the invented biography and the reasons why Brooks decided to become Gaines -- is more interesting than the record itself. Instead of encapsulating mainstream pop from the mid-'80s through the end of the '90s, thereby sounding like a true "greatest hits," it's basically the state of adult pop at the close of the '90s. Essentially, the record is anchored in the acoustic balladry Babyface constructed for Eric Clapton's "Change the World," with little touches of Mellencamp rock, lite Prince funk, and Beatlesque pop-craft. While the tunes might not have much flair, they're all sturdy, whether it's the silky ballad "Lost in You," the self-conscious Beatles tribute "Maybe," the folky "It Don't Matter to the Sun," or the Wallflowers-styled "Unsigned Letter." Judged as Brooks' first pop album, it's pretty good, and if it had been released that way, it likely would have been embraced by a wide audience. As it stands, it's an album more fascinating for what it is than for the music itself. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Alan Umstead | Violin | | Anthony LaMarchina | Cello | | Barry Green | Trombone | | Betty Small | Violin | | Beverly Drukker | Violin | | Beverly Parker | Photography | | Blair Masters | Keyboards | | Bob Mason | Cello | | Bridgett Evans O'Lannerghty | Production Assistant | | Bruce Christensen | Viola | | Candy Conery | Hair Stylist | | Carl Gorodetzky | Violin, Contractor | | Carl Marsh | Horn Arrangements, Horn, String Arrangements | | Carlos Grier | Digital Editing, Editing | | Carlton "Santa" Davis | Producer | | Carolyn Wann | Violin | | Cate Myer | Violin | | Catherine Umstead | Violin | | Chris Harris | Vocals | | Chris McDonald | Trombone | | Chris McHugh | Drum Programming, Drums, Percussion | | Chris Teal | Violin | | Christopher Farrell | Viola | | Connie Ellisor | Violin | | Craig Nelson | Bass | | Crush | Mixing | | Crystal Taliefero | Vocals (Background) | | Dan Needham | Drums | | Dave Anderson | ? | | David Anderson | ? | | David Angell | Violin | | David Davidson | Violin | | Denise Baker | Violin | | Denise Jarvis | Production Assistant | | Denny Purcell | Mastering | | Don Cobb | Digital Editing, Editing | | Don Was | Producer | | Eddie Bayers | Drums | | Eric Conn | Editing, Digital Editing | | Ferne Cassel | Cast | | Garth Brooks | Guitar (Acoustic), Guitar | | Gary VanOsdale | Viola | | George Massenburg | Engineer, Mixing | | Gerald Greer | Violin | | Gil Long | Tuba | | Glenn Spinner | Mixing, Engineer | | Gordon Kennedy | Guitar (Electric), Bass, Guitar (Acoustic), Vocals | | Greg Phillinganes | Keyboards | | J.B. Baird | Engineer, Mixing | | Jack Jezioro | Bass | | James "Hutch" Hutchinson | Bass | | Jane Oppenheimer | Production Assistant | | Janet Askey | Violin | | Jeff Bailey | Trumpet | | Jennifer Kummer | French Horn | | Jerry Joyner | Artwork, Design | | Jim Grosjean | Viola | | Jimmie Lee Sloas | Bass | | Joann Cruthirds | Violin | | Jocelyn Sprouse | Violin | | John Catchings | Cello | | Jonathan Russell | Assistant, Assistant Engineer | | Julie Tanner | Cello | | Karen Winkelmann | Violin | | Kelly Shane | Voices | | Kenny Aronoff | Drums | | Kris Wilkinson | Viola | | Lance Anderson | Make-Up | | Lee Larrison | Violin | | Lenny Castro | Percussion | | Linda Patterson | French Horn | | Liz Stewart | Bass | | Lynn Peithman | Cello | | Margaret Mason | Cello | | Mark Heimermann | Vocals | | Martin Joseph | Model | | Mary Kathryn Vanosdale | Violin | | Matt Rollings | Keyboards | | Melissa Orndorff | Wardrobe, Wardrobe Assistant | | Mike Haynes | Trumpet | | Mike Lawler | Keyboards, Clavinet | | Monisa Angell | Viola | | Nashville String Machine | Strings | | Pamela Sixfin | Violin | | Phil Madeira | Horn Arrangements, String Arrangements, Organ, Organ (Hammond) | | Rami Jaffee | Organ, Organ (Hammond) | | Reggie Young | Guitar (Electric) | | Rik Pekkonen | Engineer | | Steve Bishir | Engineer, Mixing | | Terry McMillan | Percussion | | Tommy Sims | Bass, Drum Programming, Keyboards, Vocals, Guitar (Acoustic) | | Tracy Greenwood | Production Assistant | | Wayne Kirkpatrick | Clavinet, Drum Programming, Guitar (Acoustic), Keyboards, Vocals |
|
|