Alanis Morissette - Supposed Former Infatuation Junkie

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Album Details

Title: Supposed Former Infatuation Junkie
Artist: Alanis Morissette
Release Date: 11/3/1998
Re-Released On: 2/22/2005
Label: Maverick, Maverick/Reprise
Album Type(s): lyrics/libretto
UPCs: 093624709428, 093624709466, 093624709480, 0936294709421, 936247094284
Genre: Rock
Styles: Alternative Pop/Rock, Contemporary Pop/Rock, Post-Grunge, Adult Alternative Pop/Rock, Alternative/Indie Rock
Moods: Bittersweet, Insular, Knotty, Searching, Ambitious, Angst-Ridden, Brooding, Cathartic, Earnest, Elaborate, Freewheeling, Intimate, Plaintive, Poignant, Reflective, Suffocating, Yearning, Confrontational, Intense, Literate, Self-Conscious, Tense/Anxious, Theatrical, Uncompromising
Total Copies: 133
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Front Row
  2. Baba
  3. Thank U
  4. Are You Still Mad
  5. Sympathetic Character
  6. That I Would Be Good
  7. The Couch
  8. Can't Not
  9. UR
  10. I Was Hoping
  11. One
  12. Would Not Come
  13. Unsent
  14. So Pure
  15. Joining You
  16. Heart of the House
  17. Your Congratulations

Additional Releases

YearTypeLabelCatalog #
2005CDMaverick
1998CDMaverick/Reprise47094

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Album Review

While it's not a repudiation of her blockbuster, Supposed Former Infatuation Junkie is a clear step forward, teeming with ambition and filled with new musical ideas and different sonic textures. Alanis Morissette's voice still sears, but she has more control over her singing, rarely reaching the piercing heights that occasionally made Jagged Little Pill jarring. Also, she has clearly spent some time crafting her lyrics; not only do they never sound like straight diary entries, she no longer is trying to fit too many syllables into a phrase. These two differences are subtle -- the brooding, Eastern-styled music that dominates Supposed is not. There are numerous extensions of the vague hip-hop and pop fusions that made "Hand in Pocket" and "All I Really Want" huge hits ("Front Row," "UR," "Thank U," "So Pure"), but much of the album is devoted to moody ballads and mid-tempo pop, where the textured production functions as a backdrop for Morissette's cryptically introspective lyrics. Far from being alienating, this approach works surprisingly well -- not only do the pop tunes sound catchier, but the ballads, with their winding melodies and dark colors, sound strong and brave. If anything, the record is more coherent album than its predecessor, and even if it isn't as accessible or as compulsively listenable, it's a richer record. That said, it won't win any new fans -- for all of her success, Morissette is a weird acquired taste, due to her idiosyncratic vocals and doggedly convoluted confessionals -- but it certainly confirms that she doesn't quite sound like anyone else, either. ~ Stephen Thomas Erlewine, All Music Guide

Credits

NameCredits
Alanis MorissetteFlute, Photography, Producer, Vocals, Piano, Harmonica
Benmont TenchChamberlin, Organ
Chris BellmanMastering
Chris ChaneyBass
Chris FogelEngineer, Mixing, Programming
Dash MihokLoop, Photography
David CampbellString Arrangements
Gary NovakDrums, Percussion
Glen BallardString Arrangements, Piano, Guitar, Engineer, Producer, Synthesizer, Programming
Heather StanleyPhotography
Joel ShearerGuitar
Jolie Jones LevineProduction Coordination
Kevin ReaganArt Direction, Design
Nick LashleyGuitar
Regina ThomasPhotography
Roger SommersEngineer, Second Engineer
Scott CampbellEngineer
Shad T. ScottProgramming
Stefan BucherDesign

Member Reviews

David N. (ilikeallmusic) wrote on 3/11/2007...

Plays perfect with all artwork and booklet

Benjamin G. wrote on 12/9/2006...

Just a weee bit too personal for my taste (TMI).