Album Details
Title: Blues on the Bayou Artist: B.B. King Release Date: 10/20/1998 Label: MCA Records UPCs: 008811187927, 0008811187927 Genre: Blues Styles: Soul-Blues, Modern Electric Blues Moods: Amiable/Good-Natured, Dramatic, Earnest, Gritty, Passionate, Refined/Mannered, Reflective, Wistful, Intimate, Laid-Back/Mellow, Organic, Poignant, Rollicking, Sophisticated, Boisterous, Cheerful, Confident, Earthy, Elegant, Happy, Joyous, Reverent, Rousing, Stylish, Sweet, Autumnal, Bravado, Fiery, Freewheeling, Innocent, Plaintive, Street-Smart Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Blues Boys Tune
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Bad Case of Love
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I'll Survive
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Mean Ole' World
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Blues Man
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Broken Promise
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Darlin' You Know I Love You
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Shake It Up and Go
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Blues We Like
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Good Man Gone Bad
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If I Lost You
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Tell Me Baby
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I Got Some Help I Don't Need
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Blues in G
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If That Ain't It I Quit
Additional Releases
| Year | Type | Label | Catalog # | | 1998 | CD | MCA Records | 11879 |
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Other Editions
- No other editions were found for this album.
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Album Review
B.B. King made his debut as producer with Blues on the Bayou, released in October 1998. He employs the most basic of ideas for this project: record an album of B.B. King tunes, with B.B. King's regular road band, under B.B. King's supervision. Keeping it loose, relaxed, and focused, King cut this album in four days down at a secluded studio in Louisiana and came up with one of his strongest, modern-day albums in many years. No duets, no special guests, just King and his road warrior band, playing his songs with him producing the results -- no overdubs, just simple, no-nonsense blues done like he would do them on-stage. The result is a no-frills, straight-ahead session that shows that King might be have been 73 at the time of this date, but he still had plenty of gas left in the tank. Tracks like "I'll Survive," and the jumping "Shake It Up and Go," "Darlin' What Happened," the minor keyed "Blues Boy Tune," the instrumental "Blues We Like," and the closing "If That's It I Quit" show him stretching out in a way he has seldom done in a studio environment, and the result is one of his best albums in recent memory. ~ Cub Koda, All Music Guide
Credits
| Name | Credits | | B.B. King | Guitar, Producer | | Calep Emphrey | Drums | | James Bolden | Trumpet, Leader | | James Toney | Keyboards | | Jim Watts | Assistant Engineer | | Joe McGrath | Mixing | | John Porter | Mixing | | Kevin Westenberg | Photography | | Leon Warren | Guitar | | Martie Kolbl | Coordination | | Melvin Jackson | Saxophone | | Phillip Marshall | String Arrangements | | Sidney Seidenberg | Executive Producer | | Stanley Abernathy | Trumpet | | Stephen Marcussen | Mastering | | Tony Coleman | Percussion | | Tony Daigle | Engineer |
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