Album Details
Title: The Miseducation of Lauryn Hill Artist: Lauryn Hill Release Date: 8/25/1998 Re-Released On: 10/6/2009 Label: Sony Music Distribution, Ruffhouse, Columbia Album Type(s): lyrics/libretto UPCs: 074646903520, 5099748984319, 5099748984326, 4547366050028, 074646903582 Genre: Rhythm & Blues Styles: Soul, Urban, Alternative Rap, Contemporary R&B, Neo-Soul Moods: Dramatic, Passionate, Sweet, Bright, Confident, Party/Celebratory, Playful, Sophisticated, Street-Smart, Stylish, Summery, Tender Total Copies: 138 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Intro
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Lost Ones
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Ex-Factor
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To Zion
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Doo Wop (That Thing)
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Superstar
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Final Hour
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When It Hurts So Bad
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I Used to Love Him
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Forgive Them Father
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Every Ghetto, Every City
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Nothing Even Matters
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Everything Is Everything
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The Miseducation of Lauryn Hill
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Can't Take My Eyes Off of You [*]
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Sweetest Thing [Mahogany Mix][*]
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | Sony Music Distribution | 2396 | | 2002 | CD | Sony Music Distribution | 4898432 | | 1998 | CD | Ruffhouse | 69035 | | 1998 | CD | Columbia | 69035 |
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Album Review
Though the Fugees had been wildly successful, and Lauryn Hill had been widely recognized as a key to their popularity, few were prepared for her stunning debut. The social heart of the group and its most talented performer, she tailored The Miseducation of Lauryn Hill not as a crossover record but as a collection of overtly personal and political statements; nevertheless, it rocketed to the top of the album charts and made her a superstar. Also, and most importantly, it introduced to the wider pop world an astonishingly broad talent. Hill's verses were intelligent and hardcore, with the talent to rank up there with Method Man. And for the choruses she could move from tough to smooth in a flash, with a vocal prowess that allowed her to be her own chanteuse (à la Mariah Carey). Hill, of Haitian heritage, rhymed in a tough Caribbean patois on the opener, "Lost Ones," wasting little time to excoriate her former bandmates and/or record-label executives for caving in to commercial success. She used a feature for Carlos Santana ("To Zion") to explain how her child comes before her career and found a hit single with "Doo Wop (That Thing)," an intelligent dissection of the sex game that saw it from both angles. "Superstar" took to task musicians with more emphasis on the bottom line than making great music (perhaps another Fugees nod), while her collaborations with a pair of sympathetic r&b superstars ( D'Angelo and Mary J. Blige) also paid major dividends. And if her performing talents, vocal range, and songwriting smarts weren't enough, Hill also produced much of the record, ranging from stun-gun hip-hop to smoother r&b with little trouble. Though it certainly didn't sound like a crossover record, The Miseducation of Lauryn Hill affected so many widely varying audiences that it's no surprise the record became a commercial hit as well as a musical epoch-maker. ~ John Bush, All Music Guide
Credits
| Name | Credits | | Ahmed Wallace | Vocals (Background) | | Al Anderson | Guitar | | Andrea Simmons | Vocals (Background) | | Andrew Smith | Guitar | | Anita Gibson | Make-Up | | Brian Vibberts | Assistant Engineer | | Bud Beadle | Sax (Tenor), Sax (Alto), Flute | | Carlos Santana | Guitar | | Che Guevara | Drum Programming, Producer | | Che Pope | Programming | | Chip Verspyck | Assistant Engineer | | Chris Theis | Engineer | | Christopher Meredith | Bass | | Chuck Young | Vocals (Background) | | Commissioner Gordon | Mixing, Engineer | | D'Angelo | Vocals, Fender Rhodes | | Dean Fraser | Sax (Tenor) | | Debra Ginyard | Stylist | | Derek Khan | Stylist | | Devon Kirkpatrick | Digital Editing, Assistant Engineer | | DJ Supreme | DJ | | Don-E | Piano, Fender Rhodes, Organ (Hammond), Wurlitzer | | Earl "Chinna" Smith | Guitar, Vocals (Background) | | Earl Robinson | Vocals (Background) | | Earle Brown | Assistant Engineer | | Eddie Stockley | Vocals (Background) | | Elisabeth Valletti | Harp | | Eric Johnson | Photography | | Errol Brown | Assistant Engineer | | Erwin Gorostiza | Art Direction | | Everol Ray | Trumpet | | Fayyaz Virji | Trombone | | Francis Dunnery | Guitar | | Fundisha Johnson | Vocals (Background) | | Grace Paradise | Harp | | Greg Thompson | Assistant Engineer | | Herb Powers | Mastering | | Indigo Quartet | Strings | | James Poyser | Moog Bass, Celeste, Wurlitzer, Piano (Electric), Organ, Fender Rhodes, Harpsichord, Synthesizer Bass | | Jamie Seigal | Assistant Engineer | | Jared "Chocolate" Crawford | Drums | | Jennifer McNeil | Vocals (Background) | | Johari Newton | Guitar | | John Stephens | Piano | | John Wydrycs | Engineer | | Johnny Wydrycz | Engineer | | Johnny Wyndrx | Engineer | | Julian Marley | Guitar | | Ken Johnston | Engineer | | Kenny O. Bobien | Vocals (Background) | | Kevin Robinson | Flugelhorn, Trumpet | | Lauryn Hill | Art Direction, Vocals (Background), Vocals, Guitar, Executive Producer, Arranger, Producer | | Lenesha Randolph | Vocals (Background) | | Lori Holland | Wurlitzer, Clarinet, Organ, Fender Rhodes, Piano (Electric), Organ (Hammond) | | Marc Baptiste | Photography | | Mary J. Blige | Vocals | | Matt Howe | Engineer | | Matthew Rubano | Bass | | Nambo Robinson | Trombone | | Neil Tucker | Assistant Engineer | | Paul Fakhourie | Bass | | Racheal Wilson | Vocals (Background) | | Ramon Rivera | ? | | Rasheem "Kio" Pugh | Vocals (Background) | | Robert Browne | Guitar | | Robert Williams | Assistant Engineer | | Rudy Byrd | Percussion | | Sabrina Johnston | Vocals (Background) | | Shelly Thunder | ? | | Squiddly Ranks | Drums | | Stewart Zender | Bass | | Storm Jefferson | Engineer, Assistant Engineer | | Tameka Foster | Stylist | | Tara Wilkons | Vocals (Background) | | Tejumold Newton | Piano | | Tom Barney | Bass | | Tony Prendatt | Engineer | | Vada Nobles | Drum Programming, Producer | | Veronica Fletcher | Hair Stylist | | Warren Riker | Mixing, Engineer |
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