Album Details
Title: Musical Chairs Artist: Hootie & the Blowfish Release Date: 9/15/1998 Label: Atlantic Duration: 45:15 Album Type(s): lyrics/libretto UPCs: 075678313622, 075678313615, 756783136220 Genre: Rock Styles: Adult Alternative Pop/Rock, American Trad Rock, Alternative/Indie Rock, Jam Bands Moods: Amiable/Good-Natured, Earnest, Exuberant, Energetic, Laid-Back/Mellow, Organic, Sentimental, Summery, Fun, Happy, Passionate, Theatrical, Earthy, Party/Celebratory, Bright, Effervescent, Joyous, Melancholy, Playful, Rollicking Total Copies: 25 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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I Will Wait
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Wishing
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Las Vegas Nights
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Only Lonely
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Answer Man
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Michelle Post
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Bluesy Revolution
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Home Again
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One by One
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Desert Mountain Showdown
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What's Going on Here
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What Do You Want from Me Now
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[Silence]
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[Silence]
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Closet Full of Fear
Additional Releases
| Year | Type | Label | Catalog # | | 1998 | CD | Atlantic | 83136 |
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Album Review
Although Hootie & the Blowfish delivered a fine second album, they had no hope of matching the phenomenal success of their debut, Cracked Rear View, so Fairweather Johnson was perceived as a flop, even though it moved over two million copies. In a way, that perception of failure was the best thing that could have happened to the band. With the spotlight being shone somewhere else ( Alanis Morissette, to be exact), Hootie & the Blowfish could return to what they loved best -- playing music and being in a band. Musical Chairs, the group's third album, illustrates what a blessing it was for the group. Despite a couple of production flourishes, such as the occasional horn section and strings, it's no breakthrough or stylistic departure -- it's simply a well-made album, filled with catchy tunes. In other words, it's exactly like their first two records, but the performances are more kinetic and fun than on Fairweather Johnson, and the songs are arguably as consistent as those on Cracked Rear View. That's why Musical Chairs feels a bit like a comeback, but it really shouldn't be viewed that way -- it's just a consolidation of their talents and further proof that Hootie & the Blowfish are a fine mainstream pop/rock band. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Benjamin Niles | Art Direction, Design | | Boyd Tinsley | Violin | | Bruce Dukov | Violin | | Curt Kroeger | Assistant Engineer | | Darius Rucker | Vocals, Mandolin, Guitar | | David Campbell | Arranger | | David Leonard | Mixing | | Dean Felber | Bass, Vocals (Background), Guitar | | Don Gehman | Producer, Engineer, Mixing | | Doug Trantow | Engineer, Mixing | | Gary Greene | Percussion | | Gena Maria Rankin | Vocals | | Helen Mitchell | Stylist | | Jim Sonefeld | Drums, Percussion, Bass, Vocals (Background) | | Joel Derouin | Violin | | John Nau | Wurlitzer, Piano, Harmonica, Vox Jaguar, Organ | | Larry Corbett | Cello | | LeRoi Moore | Sax (Alto), Sax (Soprano) | | Mark Bryan | Guitar, Banjo, Vocals (Background) | | Mary Rozzi | Photography | | Norman Jean Roy | Photography | | Patrick Warren | Chamberlin | | Peter Holsapple | Guitar, Piano, Mandolin, Accordion, Dobro | | Rachel Purkin | Violin | | Robert Becker | Violin | | Roger Sommers | Assistant Engineer | | Susan Cowsill | Vocals | | Suzie Katayama | Cello |
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