Album Details
Title: Hydrogen Jukebox Artist: Philip Glass & Allen Ginsberg Release Date: 1993 Label: Nonesuch Records Duration: 62:37 Album Type(s): lyrics/libretto UPC: 075597928624 Genre: Rock Style: Opera Moods: Ambitious, Cerebral, Circular, Epic, Complex, Elegant, Restrained, Sophisticated, Uncompromising, Calm/Peaceful, Reserved Total Copies: 0 Members Wishing: 2 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Hydrogen Jukebox, multimedia theater work~Part 1: Song No.1 (From "Iron
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Hydrogen Jukebox, multimedia theater work~Part 2: Song No.12 (From "N.S
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Hydrogen Jukebox, multimedia theater work~Part 1: Song No.2 ("Jahweh an
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Hydrogen Jukebox, multimedia theater work~Part 2: Song No.14 ("Ayers Ro
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Hydrogen Jukebox, multimedia theater work~Part 1: Song No.3 (From "Iron
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Hydrogen Jukebox, multimedia theater work~Part 1: Song No.4 ("To P.O.")
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Hydrogen Jukebox, multimedia theater work~Part 1: Song No.5 ("Over Denv
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Hydrogen Jukebox, multimedia theater work~Part 1: Song No.6 (From "Wich
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Hydrogen Jukebox, multimedia theater work~Part 2: Song No.7 (From "Howl
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Hydrogen Jukebox, multimedia theater work~Part 2: Song No.8 (From "Cabi
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Hydrogen Jukebox, multimedia theater work~Part 2: Song No.9 (From "Naga
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Hydrogen Jukebox, multimedia theater work~Part 2: Song No.10 ("Aunt Ros
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Hydrogen Jukebox, multimedia theater work~Part 2: Song No.11 (From "The
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Hydrogen Jukebox, multimedia theater work~Part 2: Song No.13 (From "Nag
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Hydrogen Jukebox, multimedia theater work~Part 2: Song No.15 Father Dea
Additional Releases
| Year | Type | Label | Catalog # | | 1993 | CD | Nonesuch Records | 79286 |
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Other Editions
- No other editions were found for this album.
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Similar CDs
- No similar CDs were found for this album.
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Album Review
A departure for Glass and a new direction for Ginsberg, Hydrogen Jukebox is a great piece of work from two greats in the field of "new art" for the 20th century. The title, borrowed from Ginsberg's poem "Howl," is a dual reference to an American mentality that self-restricts its input -- as well as a body of music that "begins to shake the bones" with the violence of a hydrogen bomb. Glass here becomes more pronounced with his political statements, and Ginsberg orchestrates particularly potent excerpts of his work to comprise an hour-long opera. This is a marked departure from Glass' signature interwoven fabrics of sound. Not that the epic length arpeggios are gone, but they do not signify the total of the music itself. In places, the score approaches rock music in feel. There is beautiful work by the vocal ensemble. A surprising and unexpected element comes in the form of Ginsberg's own voice, whose unique sense of inflection draws the confused listener in; no matter what he is saying, Ginsberg always sounds like he is delivering great news. One of the stronger imperatives here is a call to action for the people of America -- not to sit idly while the world continues to happen around them. There are many strong Buddhist references on this disc (both Glass and Ginsberg are adherents). The only low point is that it may be very off-putting to those familiar with Ginsberg's work to hear many of these oft-repeated passages again -- this time put to music. It would have been most exciting to hear new or unreleased work from Ginsberg for this production. To the initiated it comes off like reheating a soufflé. Barring that, this is a strong piece of work with some of Glass' most exciting musical outings in many years. ~ Mark W. B. Allender, All Music Guide
Credits
| Name | Credits | | Allen Ginsberg | Narrator, Performer | | Andrew Sterman | Clarinet (Bass), Sax (Soprano) | | Ann Pope | Engineer | | Carol Wincenc | Flute | | Dante de Sole | Assistant Engineer | | Elizabeth Futral | Soprano (Vocal), Performer | | Frank Cassara | Percussion | | Gregory Purnhagen | Baritone (Vocal), Performer | | James Law | Assistant Engineer | | Jerome Sirlin | Production Design | | Jim Pugliese | Percussion | | Kurt Munkasci | Producer | | Laura Fried | Engineer | | Martin Goldray | Conductor, Keyboards, Programming, Synthesizer | | Mary Ann Hart | Mezzo-Soprano (Vocal) | | Michael Riesman | Producer, Mixing | | Michele A. Eaton | Soprano (Vocal), Performer | | Miles Green | Synthesizer, Programming | | Nathaniel Watson | Baritone (Vocal) | | Philip Glass | Piano, Performer | | Richard Peck | Sax (Tenor) |
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