Lena Horne - V-Disc Recordings: A Musical Contribution by America's Best for Our Armed Forces Overse

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Album Details

Title: V-Disc Recordings: A Musical Contribution by America's Best for Our Armed Forces Overse
Artist: Lena Horne
Release Date: 6/16/1998
Re-Released On: 7/21/1998
Label: Collectors' Choice Music
Duration: 56:28
Album Type(s): Greatest Hits
UPC: 617742665727
Genre: Vocal Music
Styles: Swing, Traditional Pop, Vocal Jazz
Moods: Confident, Sophisticated, Brassy, Dramatic, Passionate, Poignant, Theatrical, Elegant, Literate, Sentimental, Stylish, Refined/Mannered, Romantic, Sensual
Total Copies: 0
Members Wishing: 1
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Moanin' Low
  2. Ill Wind
  3. One for My Baby (And One More for the Road)
  4. I Can't Give You Anything But Love
  5. 'Deed I Do
  6. Mad About the Boy
  7. Why Shouldn't I?
  8. Come to Baby, Do!
  9. Haunted Town
  10. Uptown Blues
  11. I Want a Little Doggie
  12. Dat 'Ol Debbil Consequence
  13. Until I Make You Happy Too
  14. Where Is Love?

Additional Releases

YearTypeLabelCatalog #
1998CDCollectors' Choice Music6657

Other Editions

  • No other editions were found for this album.

Similar CDs

  • No similar CDs were found for this album.

Album Review

Lena Horne demonstrates her versatility in these recently unearthed World War II-era V-disc recordings. At the time, Horne was a nightclub entertainer also contracted to MGM, which used her exclusively for special production numbers in its movie musicals. The only exception was the studio's all-black 1943 musical Cabin in the Sky, in which she sang Harold Arlen's "Life's Full of Consequence" with Eddie "Rochester" Anderson, a performance recreated here (even if it is rendered as "Dat Ol' Debbil Consequence"), if not actually borrowed from the soundtrack. Arlen also wrote "One for My Baby (And One More for the Road)," a song introduced by Fred Astaire and usually associated with Frank Sinatra, although it was one of Horne's few chart singles, and there's a version of that here, too. Another of her chart singles was a revival of "'Deed I Do," and there's also a performance of that here. Oddly enough, her signature song, Arlen's "Stormy Weather," isn't here, though his follow-up, "Ill Wind," is. Horne overcomes the scratchy "unaltered" sound, and the disc has obvious historical value, but it doesn't compare with her studio recordings of the era. There are also oddities on the album -- "Uptown Blues" is an instrumental not featuring Horne at all, and the final two tracks are live cuts from the 1960s! ~ William Ruhlmann, All Music Guide

Credits

NameCredits
Bruce ElrodLiner Notes, Executive Producer
Digi DiGiannantonioLiner Notes, Research, Producer, Executive Producer
Gary BoltonRemastering, Engineer
Michael SmithEngineer
William A. WelchResearch