Album Details
Title: Before These Crowded Streets Artist: Dave Matthews Band Release Date: 4/28/1998 Label: RCA Records Album Type(s): lyrics/libretto UPCs: 078636766027, 078636766010 Genre: Rock Styles: Adult Alternative Pop/Rock, American Trad Rock, Alternative/Indie Rock, Jam Bands Moods: Carefree, Earnest, Searching, Amiable/Good-Natured, Laid-Back/Mellow, Literate, Nocturnal, Sophisticated, Summery, Ambitious, Autumnal, Bittersweet, Bright, Confident, Freewheeling, Playful, Poignant, Reflective, Slick, Smooth, Yearning, Brooding, Indulgent, Intimate, Joyous, Party/Celebratory, Self-Conscious, Somber, Rowdy Total Copies: 67 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Pantala Naga Pampa
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Rapunzel
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The Last Stop
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Don't Drink the Water
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Stay (Wasting Time)
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Halloween
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The Stone
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Crush
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The Dreaming Tree
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Pig
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Spoon
Additional Releases
| Year | Type | Label | Catalog # | | 1998 | CD | RCA Records | 67660 |
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Other Editions
- No other editions were found for this album.
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Album Review
The Dave Matthews Band made their reputation through touring, spending endless nights on the road improvising. Often, their records hinted at the eclecticism and adventure inherent in those improvisation, but Before These Crowded Streets is the first album to fully capture that adventurous spirit. Not coincidentally, it's their least accessible record, even if it's more of a consolidation than it is a step forward. Early Dave Matthews albums were devoted to the worldbeat fusions of Graceland and Sting, but his RCA efforts incorporated these influences into a smoother, pop-oriented style. Here, everything hangs out. Old trademarks, like jittery acoustic grooves and jazzy chords, are here, augmented by complex polyrhythms, Mideastern dirges, and on two tracks, the slashing strings of the Kronos Quartet. Some fans may find the new, darker textures a little disarming at first, but they're a logical extension of the group's work, and in many ways, this sonic daring results in the most rewarding album they've yet recorded. The Dave Matthews Band haven't completely vanquished their demons, however -- songwriting remains a problem, especially since relying on grooves, improvisation, and texture allows them to skimp on melody, and Matthews' lyrics can be awkward and embarrassing, especially if he's writing about sex. Still, these are minor flaws on an album that relies on tone and improvisation, both of which are in ample supply on Before These Crowded Streets. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Alanis Morissette | Vocals | | Béla Fleck | Banjo | | Boyd Tinsley | Violin | | Brenda White-King | Vocals (Background) | | Butch Taylor | Organ, Piano | | Carter Beauford | Percussion, Drums, Vocals (Background) | | Cindy Myzelle | Vocals (Background) | | Dave Matthews | Guitar (Acoustic), Vocals | | David Harrington | Violin | | Ellen Von Unwerth | Photography | | Greg Howard | Chapman Stick | | Hank Dutt | Viola | | Joan Jeanrenaud | Cello | | Joel Courtright | Assistant Engineer | | John Alagia | Pre-Production | | John D'earth | Orchestral Arrangements, Trumpet | | John Seymour | Assistant Engineer | | John Sherba | Violin | | Kronos Quartet | Ensemble | | LeRoi Moore | Sax (Tenor), Sax (Baritone), Clarinet (Bass), Penny Whistle, Sax (Alto), Sax (Soprano) | | Stefan Lessard | Bass | | Stephen Harris | Engineer | | Steve Harris | Engineer | | Steve Lillywhite | Producer, Mixing | | Tawatha Agee | Vocals (Background) | | Ted Jensen | Mastering | | Thane Kerner | Art Direction, Design | | Tim Reynolds | Mandolin, Guitar (Electric) |
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