Madonna - Ray of Light

45




Album Details

Title: Ray of Light
Artist: Madonna
Release Date: 3/3/1998
Re-Released On: 12/15/2007
Label: WEA, Warner Bros.
Duration: 66:45
Album Type(s): lyrics/libretto
UPCs: 093624684725, 4943674066018, 093624684763, 093624688426, 494367406601
Genre: Rock
Styles: Dance-Pop, Adult Contemporary, Contemporary Pop/Rock, Club/Dance
Moods: Carefree, Elegant, Energetic, Provocative, Reflective, Sensual, Sexy, Stylish, Brash, Confident, Ethereal, Exuberant, Freewheeling, Fun, Happy, Intimate, Irreverent, Party/Celebratory, Playful, Poignant, Self-Conscious, Sophisticated, Theatrical, Wistful, Ambitious, Clinical, Dramatic, Spiritual, Campy, Joyous, Outrageous, Sexual, Cheerful, Difficult, Earnest, Literate, Amiable/Good-Natured, Bittersweet, Bright, Complex, Lively, Rousing, Whimsical, Witty, Detached
Total Copies: 204
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Drowned World/Substitute for Love
  2. Swim
  3. Ray of Light
  4. Candy Perfume Girl
  5. Skin
  6. Nothing Really Matters
  7. Sky Fits Heaven
  8. Shanti/Ashtangi
  9. Frozen
  10. The Power of Goodbye
  11. To Have and Not to Hold
  12. Little Star
  13. Mer Girl

Additional Releases

YearTypeLabelCatalog #
2007CDWEA12421
1998CDWarner Bros.46847
1998CDWarner Bros.46847

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Album Review

Returning to pop after a four-year hiatus, Madonna enlisted respected techno producer William Orbit as her collaborator for Ray of Light, a self-conscious effort to stay abreast of contemporary trends. Unlike other veteran artists who attempted to come to terms with electronica, Madonna was always a dance artist, so it's no real shock to hear her sing over breakbeats, pulsating electronics, and blunted trip-hop beats. Still, it's mildly surprising that it works as well as it does, largely due to Madonna and Orbit's subtle attack. They've reigned in the beats, tamed electronica's eccentricities, and retained her flair for pop melodies, creating the first mainstream pop album that successfully embraces techno. Sonically, it's the most adventurous record she has made, but it's far from inaccessible, since the textures are alluring and the songs have a strong melodic foundation, whether it's the swirling title track, the meditative opener, "Substitute for Love," or the ballad "Frozen." For all of its attributes, there's a certain distance to Ray of Light, born of the carefully constructed productions and Madonna's newly mannered, technically precise singing. It all results in her most mature and restrained album, which is an easy achievement to admire, yet not necessarily an easy one to love. ~ Stephen Thomas Erlewine, All Music Guide

Credits

NameCredits
Craig ArmstrongString Arrangements
Dave ReitzasEngineer
Donna De LoryVocals (Background)
Eddie SternTranslation
Fergus GerrandDrums, Percussion
Jon IngoldsbyEngineer
Kerosene HaloDesign
Kevin ReaganDesign, Art Direction
MadonnaVocals, Producer
Marc MoreauGuitar
Mario TestinoPhotography
Marius de VriesKeyboards, Programming, Producer
Mark EndertEngineer
Matt SilvaEngineer
Mike BradfordProgramming
Nikki HarrisVocals (Background)
Pablo CookFlute
Patrick LeonardProducer, Arranger
Patrick McCarthyEngineer
Steve SidelnykDrum Programming
Suzie KatayamaConductor
Ted JensenMastering
Vyass HoustonTranslation
William OrbitSound Effects, Producer

Member Reviews

Aileen R. (aileen) wrote on 8/15/2008...

1 of 1 member(s) found this review helpful.
Never underestimate Madonna's power of persuasion: By nearly all critical accounts, Ray of Light, Madonna's first album of new material since 1994's Bedtime Stories, and her first since motherhood, is her richest, most accomplished record yet. While Ray of Light is being tagged as Madonna's big leap into electronica, it's important to note two things: First, her music has always had close ties to dance culture, and, second, her collaborator William Orbit is no Chemical Brother. Though it has all the latest blips, bleeps, and crackles electronica has to offer, Ray of Light is still largely an adult album, completely within Madonna's realm. Still, Orbit's tasteful sonic constructions provide Madonna with her most adventurous, hippest musical backdrop ever. What's more, the arrangements and production are understated enough to highlight an even bigger development: Fresh from singing lessons on the Evita set, Madonna's vocal range, depth, and clarity have never been stronger. But larger pipes don't necessarily make for deeper, truer music. Never a master lyricist, Madonna's words have worked best when they've practically been slogans ("Vogue," "Express Yourself"). This time she goes for more emotional depth, and even tries her hand at ethno-techno-mysticism ("Shanti/Ashtangi"). She largely stumbles, however. The tone conveyed on songs like "Nothing Really Matters" is a self-centered pat on the back that belies her claim to a newfound altruism. It's enough to make you wonder, now that Madonna's given up being our material girl, if maybe she's set her sights on becoming the center of our spiritual world too. --Roni Sarig (Amazon.com)

L M. (lmcc) wrote on 3/23/2007...

Love this one! Gorgeous music & reflective but fun lyrics.

Livia C. wrote on 10/11/2006...

Very good. I truly enjoyed this and now have put it onto the computer and MP3 player so the CD can be passed along. COntains some great songs to do yoga to.

Lisa K. (ldk) wrote on 8/16/2006...

The only Madonna album I like, but I like it a lot!

Tonya H. (misstonya) wrote on 8/12/2006...

What can I say....It's Madonna!