Album Details
Title: The Very Best of Sting & the Police [1997] Artist: Sting Release Date: 2002 Re-Released On: 7/27/2004 Label: Universal Distribution, A&M Records Duration: 62:38 Album Type(s): Greatest Hits UPCs: 731454083423, 0731454042826, 821838253327 Genre: Rock Styles: Adult Contemporary, New Wave, Contemporary Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, Punk/New Wave, Album Rock, College Rock Moods: Elegant, Poignant, Stylish, Wistful, Autumnal, Bittersweet, Carefree, Cerebral, Intimate, Laid-Back/Mellow, Refined/Mannered, Reflective, Sensual, Stately, Confident, Gentle, Passionate, Playful, Reserved, Restrained, Self-Conscious, Somber, Sophisticated, Whimsical, Wry, Cheerful, Confrontational, Exuberant, Visceral, Cynical/Sarcastic, Detached, Energetic, Provocative, Volatile, Brooding, Complex, Fiery, Melancholy, Romantic, Earnest, Literate Total Copies: 11 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Message in a Bottle
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Can't Stand Losing You
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Englishman in New York
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Every Breath You Take
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Walking on the Moon
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Fields of Gold
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Every Little Thing She Does Is Magic
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If You Love Somebody Set Them Free
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Let Your Soul Be Your Pilot [Edit]
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Russians
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If I Ever Lose My Faith in You
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When We Dance [Edit]
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Don't Stand So Close to Me
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Roxanne
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Roxanne '97 [Puff Daddy Remix]
Additional Releases
| Year | Type | Label | Catalog # | | 2004 | CD | Universal Distribution | 5404282 | | 1997 | CD | A&M Records | 540834 |
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Album Review
In the summer of 1997, Puff Daddy took "I'll Be Missing You," a sappy reworking of "Every Breath You Take," to the top of the charts across the world; it became the biggest rap single in history. The success of "I'll Be Missing You" had the bizarre by-product of making the Police hip again among both rock and rap artists. So, what better to celebrate the occasion -- as well as the 20th anniversary of the Police's first album -- than the release of another compilation, this time combining highlights from the Police and Sting's solo career? The Very Best of Sting & the Police does just that, compiling 14 songs in a seemingly random chronological order. The Police cuts are generally classics, but there are several big hits left off, which should probably be expected from an integrated collection like this. There's plenty of good music on Sting's solo records, but the selection here emphasizes his MOR side instead of some of his more ambitious material. Obviously, that selection is designed to snag a mature, 30-something audience. While it's hard to ignore the fact that this disc isn't necessary, the music itself is good, and certain casual fans may find this useful. But anyone following Sting or the Police for any length of time will find The Very Best Of... superfluous. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Charles "Prince Charles" Alexander | Mixing, Engineer | | Chris Gray | Engineer | | Chuck Beeson | Design, Art Direction | | Dave Collins | Mastering, Remastering | | Duane Michaels | Photography | | Full Force | Vocals (Background) | | Herb Powers | Mastering | | Hugh Padgham | Mixing, Producer, Engineer | | J. Dub | Producer | | Jim Scott | Engineer | | Joe Maddern | Sequencing | | Neil Dorfsman | Producer, Mixing | | Nigel Gray | Engineer, Producer | | Peter Smith | Producer, Engineer | | Sean "Puffy" Combs | Producer, Remixing | | Simon Osborne | Engineer | | Stevie J. | Producer | | Sting | Producer, Arranger | | The Police | Producer, Performer, Arranger | | William Claxton | Photography |
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