Album Details
Title: Tago Mago Artist: Can Release Date: 1971 Re-Released On: 2/5/2008 Label: Mute Records, Pony Canyon Records (Japan), Spoon, WM Records Duration: 73:15 UPCs: 4995879222034, 724596905425, 724596927328, 724596937723, 018777144445, 4015887000063, 4015887200067, 5051442358827, 5099950442324, 643443282666, 724347369520, 724596905456, 724598700622, 509995044232 Genre: Rock Styles: Experimental Electronic, Experimental, Kraut Rock, Experimental Rock, Alternative/Indie Rock, Art Rock Moods: Circular, Hypnotic, Sprawling, Detached, Freewheeling, Trippy, Cerebral, Eerie, Intense, Rollicking, Acerbic, Brash, Complex, Fiery, Playful, Reflective, Whimsical Total Copies: 0 Members Wishing: 13 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Paperhouse
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Mushroom
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Oh Yeah
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Halleluhwah
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Aumgn
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Peking O
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Bring Me Coffee or Tea
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Mute Records | 693772 | | 2007 | CD | Mute Records | 67 | | 2007 | CD | Spoon | 505144235882 | | 2005 | CD | Pony Canyon Records (Japan) | 22203 | | 2004 | CD | Mute Records | 9273 | | 2004 | CD | Spoon | 67 | | 1998 | CD | Mute Records | 69054 | | 1998 | CD | Mute Records | | | 1998 | CD | Mute Records | 69054 | | 1993 | CD | Mute Records | 67 | | 1971 | CD | WM Records | |
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Other Editions
- No other editions were found for this album.
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Album Review
With the band in full artistic flower and Suzuki's sometimes moody, sometimes frenetic speak/sing/shrieking in full effect, Can released not merely one of the best Krautrock albums of all time, but one of the best albums ever, period. Tago Mago is that rarity of the early '70s, a double album without a wasted note, ranging from sweetly gentle float to full-on monster grooves. "Paperhouse" starts things brilliantly, beginning with a low-key chime and beat, before amping up into a rumbling roll in the midsection, then calming down again before one last blast. Both "Mushroom" and "Oh Yeah," the latter with Schmidt filling out the quicker pace with nicely spooky keyboards, continue the fine vibe. After that, though, come the huge highlights -- three long examples of Can at its absolute best. "Halleluwah" -- featuring the Liebezeit/ Czukay rhythm section pounding out a monster trance/funk beat; Karoli's and Schmidt's always impressive fills and leads; and Suzuki's slow-building ranting above everything -- is 19 minutes of pure genius. The near-rhythmless flow of "Aumgn" is equally mind-blowing, with swaths of sound from all the members floating from speaker to speaker in an ever-evolving wash, leading up to a final jam. "Peking O" continues that same sort of feeling, but with a touch more focus, throwing in everything from Chinese-inspired melodies and jazzy piano breaks to cheap organ rhythm boxes and near babbling from Suzuki along the way. "Bring Me Coffee or Tea" wraps things up as a fine, fun little coda to a landmark record. ~ Ned Raggett, All Music Guide
Credits
| Name | Credits | | Andreas Torkler | Remastering | | Bobby Gillespie | Liner Notes | | Can | Audio Production, Producer | | Damo Suzuki | Vocals | | David Stubbs | Liner Notes | | Holger Czukay | Engineer, Audio Engineer, Editing, Remastering Assistant, Bass | | Intro | Design | | Irmin Schmidt | Vocals, Keyboards, Remastering Assistant | | Jaki Liebezeit | Drums | | Jono Podmore | Remastering Assistant | | Michael Karoli | Violin, Guitar | | Ulli Eichberger | Original Cover Artwork, Original Design Concept, Artwork, Design |
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