Can - Tago Mago

1



Album Details

Title: Tago Mago
Artist: Can
Release Date: 1971
Re-Released On: 2/5/2008
Label: Mute Records, Pony Canyon Records (Japan), Spoon, WM Records
Duration: 73:15
UPCs: 4995879222034, 724596905425, 724596927328, 724596937723, 018777144445, 4015887000063, 4015887200067, 5051442358827, 5099950442324, 643443282666, 724347369520, 724596905456, 724598700622, 509995044232
Genre: Rock
Styles: Experimental Electronic, Experimental, Kraut Rock, Experimental Rock, Alternative/Indie Rock, Art Rock
Moods: Circular, Hypnotic, Sprawling, Detached, Freewheeling, Trippy, Cerebral, Eerie, Intense, Rollicking, Acerbic, Brash, Complex, Fiery, Playful, Reflective, Whimsical
Total Copies: 0
Members Wishing: 13
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Paperhouse
  2. Mushroom
  3. Oh Yeah
  4. Halleluhwah
  5. Aumgn
  6. Peking O
  7. Bring Me Coffee or Tea

Additional Releases

YearTypeLabelCatalog #
2008CDMute Records693772
2007CDMute Records67
2007CDSpoon505144235882
2005CDPony Canyon Records (Japan)22203
2004CDMute Records9273
2004CDSpoon67
1998CDMute Records69054
1998CDMute Records
1998CDMute Records69054
1993CDMute Records67
1971CDWM Records

Other Editions

  • No other editions were found for this album.

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Album Review

With the band in full artistic flower and Suzuki's sometimes moody, sometimes frenetic speak/sing/shrieking in full effect, Can released not merely one of the best Krautrock albums of all time, but one of the best albums ever, period. Tago Mago is that rarity of the early '70s, a double album without a wasted note, ranging from sweetly gentle float to full-on monster grooves. "Paperhouse" starts things brilliantly, beginning with a low-key chime and beat, before amping up into a rumbling roll in the midsection, then calming down again before one last blast. Both "Mushroom" and "Oh Yeah," the latter with Schmidt filling out the quicker pace with nicely spooky keyboards, continue the fine vibe. After that, though, come the huge highlights -- three long examples of Can at its absolute best. "Halleluwah" -- featuring the Liebezeit/Czukay rhythm section pounding out a monster trance/funk beat; Karoli's and Schmidt's always impressive fills and leads; and Suzuki's slow-building ranting above everything -- is 19 minutes of pure genius. The near-rhythmless flow of "Aumgn" is equally mind-blowing, with swaths of sound from all the members floating from speaker to speaker in an ever-evolving wash, leading up to a final jam. "Peking O" continues that same sort of feeling, but with a touch more focus, throwing in everything from Chinese-inspired melodies and jazzy piano breaks to cheap organ rhythm boxes and near babbling from Suzuki along the way. "Bring Me Coffee or Tea" wraps things up as a fine, fun little coda to a landmark record. ~ Ned Raggett, All Music Guide

Credits

NameCredits
Andreas TorklerRemastering
Bobby GillespieLiner Notes
CanAudio Production, Producer
Damo SuzukiVocals
David StubbsLiner Notes
Holger CzukayEngineer, Audio Engineer, Editing, Remastering Assistant, Bass
IntroDesign
Irmin SchmidtVocals, Keyboards, Remastering Assistant
Jaki LiebezeitDrums
Jono PodmoreRemastering Assistant
Michael KaroliViolin, Guitar
Ulli EichbergerOriginal Cover Artwork, Original Design Concept, Artwork, Design