Album Details
Title: Give Me the Night Artist: George Benson Release Date: 1980 Re-Released On: 6/30/2009 Label: Warner Bros., WEA Duration: 42:21 UPCs: 075992740623, 4943674071784, 075992740647, 4943674077830, 4943674090396 Genre: Jazz Styles: Jazz-Pop, Contemporary Jazz, Crossover Jazz, Quiet Storm, Smooth Jazz, Jazz Instrument, Guitar Jazz Moods: Elegant, Intimate, Laid-Back/Mellow, Refined/Mannered, Soothing, Sophisticated, Amiable/Good-Natured, Gentle, Reserved, Stylish, Earthy, Energetic, Playful, Rollicking, Romantic Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Love X Love
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Off Broadway
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Moody's Mood
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Give Me the Night
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What's on Your Mind
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Dinorah, Dinorah
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Love Dance
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Star of a Story (X)
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Midnight Love Affair
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Turn Out the Lamplight
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | Warner Bros. | 13453 | | 2008 | CD | Warner Bros. | 75371 | | ------ | CD | WEA | 25053 | | ------ | CD | Warner Bros. | 2-3453 |
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Other Editions
- No other editions were found for this album.
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Album Review
This is the peak of George Benson's courtship of the mass market -- a superbly crafted and performed pop album with a large supporting cast -- and wouldn't you know that Quincy Jones, the master catalyst, is the producer. Q's regular team, including the prolific songwriter Rod Temperton and the brilliant engineer Bruce Swedien, is in control, and Benson's voice, caught beautifully in the rich, floating sound, had never before been put to such versatile use. On "Moody's Mood," Benson really exercises his vocalese chops and proves that he is technically as fluid as just about any jazz vocalist, and he become a credible rival to Al Jarreau on the joyous title track. Benson's guitar now plays a subsidiary role -- only two of the ten tracks are instrumentals -- but Q has him play terrific fills behind the vocals and in the gaps, and the engineering gives his tone a variety of striking, new, full-sounding timbres. The instrumentals themselves are marvelous: "Off Broadway" is driving and danceable, and Ivan Lins' "Dinorah, Dinorah" grows increasingly seductive with each play. Benson should have worked with Jones from this point on, but this would be their only album together. ~ Richard S. Ginell, All Music Guide
Credits
| Name | Credits | | Abraham Laboriel | Bass | | Bruce Swedien | Engineer | | Carlos Vega | Drums | | Clare Fischer | Keyboards, Piano, Fender Rhodes | | David Foster | Synthesizer, Keyboards | | David Paich | Synthesizer | | Diva Gray | Vocals (Background), Vocals | | George Benson | Guitar, Vocals, Scat | | George Duke | Keyboards | | Greg Phillinganes | Piano (Electric), Synthesizer, Keyboards, Fender Rhodes, Piano | | Herbie Hancock | Synthesizer, Piano (Electric), Fender Rhodes, Keyboards | | Jerry Hey | Trumpet | | Jim Gilstrap | Vocals, Vocals (Background) | | Jocelyn Allen | Vocals | | Jocelyn Brown | Vocals (Background) | | John "J.R." Robinson | Drums | | Kim Hutchcroft | Wind, Saxophone, Flute | | Larry Williams | Wind, Saxophone, Flute | | Lee Ritenour | Guitar (Electric), Guitar (Acoustic), Guitar | | Louis Johnson | Bass | | Michael Boddicker | Synthesizer | | Patti Austin | Vocals (Background), Vocals | | Paulinho Da Costa | Percussion, Wind | | Quincy Jones | Producer, Arranger, Liner Notes | | Richard Tee | Keyboards, Synthesizer | | Sid Sharp | Concert Master | | Tom Bahler | Vocals, Vocals (Background) |
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