After an uneven four-year/five-LP deal with Polydor,
Roy Buchanan (guitar/vocals) linked up with Atlantic Records for his next trio of long-players, commencing with A Street Called Straight (1976). Under the direction of
Arif Mardin, and sporting the same combo that he had been using during his practically incessant touring, this disc is infinitely stronger than his previous non-live effort, In the Beginning (1974). The core unit of
John Harrison (bass),
Malcolm Lukens (keyboards), and
Byrd Foster (drums/vocals), are augmented by a host of all-stars such as
Andy Newmark (drums),
Will Lee (bass),
Billy Cobham (percussion), the
Brecker Brothers horn section, and vocals from former
Rascals' member
Eddie Brigati. Perhaps
Mardin's mid-'70s success, creating
soul and
funk-oriented platters, encouraged him to take the artist in a similar course.
Buchanan definitely sounds not only in his element throughout this title , but he rises to the occasion, providing some of his most incendiary licks and aggressive instrumental interaction in a studio setting. This also manifests itself with a bounty of self-penned compositions. Rather than including one or two of his own pieces in an album consisting of primarily cover material, nine of the 11 cuts are, at the very least, co-written by
Buchanan. As always however, it is his unmistakable, if not singular fretwork that truly coalesces A Street Called Straight. The frenetic opening whine of "Running Out" immediately sets the tone as
Buchanan's guitar sings with a woozy fluid intonation, perfect for his expressive and emotive leads. The middle-eight solo is a prime example of his uncanny ability to switch from sharp, jagged, and sinister, to a string-stretching, bluesy intonation. This contrasts the backbeat-laden "Keep What You Got"
funkfest, and the noir combination of acoustic and electric textures on
Billy Roberts "Good God Have Mercy." The reading of
Jimi Hendrix' "If Six Was Nine" is an almost natural extension of the original, with a brooding and slinky rhythm. While some purists may consider the overproduction slick,
Mardin's creation is an undeniable improvement over his prior non-live outings. ~ Lindsay Planer, All Music Guide
