Public Enemy - It Takes a Nation of Millions to Hold Us Back

Public Enemy - It Takes a Nation of Millions to Hold Us Back
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Album Details

Title: It Takes a Nation of Millions to Hold Us Back
Artist: Public Enemy
Release Date: 4/1988
Re-Released On: 1/1/2004
Label: Universal Music TV, Def Jam
Duration: 57:51
Album Type(s): Explicit lyrics sticker, lyrics/libretto
UPCs: 4988005538239, 731452735829, 074644430349, 602498278802, 731454242325
Genre: Rap
Styles: East Coast Rap, Hardcore Rap, Political Rap, Golden Age
Moods: Angry, Cerebral, Confrontational, Literate, Outraged, Provocative, Rebellious, Street-Smart, Uncompromising, Aggressive, Bitter, Exciting, Fierce, Intense, Menacing, Urgent, Brash, Cathartic, Earnest, Fiery, Harsh, Hostile, Ominous, Raucous, Brooding, Complex, Cynical/Sarcastic, Passionate, Rousing, Swaggering, Tense/Anxious, Visceral, Volatile
Total Copies: 1
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Countdown to Armageddon
  2. Bring the Noise
  3. Don't Believe the Hype
  4. Cold Lampin' with Flavor
  5. Terminator X to the Edge of Panic
  6. Mind Terrorist
  7. Louder Than a Bomb
  8. Caught, Can We Get a Witness?
  9. Show 'Em Whatcha Got
  10. She Watch Channel Zero?!
  11. Night of the Living Baseheads
  12. Black Steel in the Hour of Chaos
  13. Security of the First World
  14. Rebel Without a Pause
  15. Prophets of Rage
  16. Party for Your Right to Fight

Additional Releases

YearTypeLabelCatalog #
2000CDUniversal Music TV5424232
1995CDDef Jam527358

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Album Review

Yo! Bum Rush the Show was an invigorating record, but it looks like child's play compared to its monumental sequel, It Takes a Nation of Millions to Hold Us Back, a record that rewrote the rules of what hip-hop could do. That's not to say the album is without precedent, since what's particularly ingenious about the album is how it reconfigures things that came before into a startling, fresh, modern sound. Public Enemy used the template Run-D.M.C. created of a rap crew as a rock band, then brought in elements of free jazz, hard funk, even musique concrète, via their producing team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before. This coincided with a breakthrough in Chuck D's writing, both in his themes and lyrics. It's not that Chuck D was smarter or more ambitious than his contemporaries -- certainly, KRS-One tackled many similar sociopolitical tracts, while Rakim had a greater flow -- but he marshaled considerable revolutionary force, clear vision, and a boundless vocabulary to create galvanizing, logical arguments that were undeniable in their strength. They only gained strength from Flavor Flav's frenzied jokes, which provided a needed contrast. What's amazing is how the words and music become intertwined, gaining strength from each other. Though this music is certainly a representation of its time, it hasn't dated at all. It set a standard that few could touch then, and even fewer have attempted to meet since. ~ Stephen Thomas Erlewine, All Music Guide

Credits

NameCredits
Bill StephneyProduction Supervisor
Carl RyderProducer, Producer
Christopher ShawEngineer
Chuck DVocals, ?
Chuck ValleEngineer
DJ Chuck ChilloutMixing
Eric "Vietnam" SadlerAssistant Producer, Programming, ?
Erica JohnsonVocals
Fab 5 FreddyVocals
Flavor FlavVocals, ?
Glen E. FriedmanPhotography
Greg GordonEngineer
Hank ShockleeProgramming, Producer
Harry AllenVocals
Jeff JonesEngineer
Jim SabellaEngineer
John HarrisonEngineer
Johnny Juice RosadoScratching, Turntables
Keith BoxleyMixing
Matt TrittoEngineer
Nick SansanoEngineer
Norman RogersScratching
Oris JospheVocals
Professor Griff?, Vocals
Rick RubinExecutive Producer
Rod HuiMixing
Steven EttMixing
Terminator XTurntables, ?