Album Details
Title: It Takes a Nation of Millions to Hold Us Back Artist: Public Enemy Release Date: 4/1988 Re-Released On: 1/1/2004 Label: Universal Music TV, Def Jam Duration: 57:51 Album Type(s): Explicit lyrics sticker, lyrics/libretto UPCs: 4988005538239, 731452735829, 074644430349, 602498278802, 731454242325 Genre: Rap Styles: East Coast Rap, Hardcore Rap, Political Rap, Golden Age Moods: Angry, Cerebral, Confrontational, Literate, Outraged, Provocative, Rebellious, Street-Smart, Uncompromising, Aggressive, Bitter, Exciting, Fierce, Intense, Menacing, Urgent, Brash, Cathartic, Earnest, Fiery, Harsh, Hostile, Ominous, Raucous, Brooding, Complex, Cynical/Sarcastic, Passionate, Rousing, Swaggering, Tense/Anxious, Visceral, Volatile Total Copies: 1 Number of Discs/SwapaCD Credits: 1 |
Track Listings
-
Countdown to Armageddon
-
Bring the Noise
-
Don't Believe the Hype
-
Cold Lampin' with Flavor
-
Terminator X to the Edge of Panic
-
Mind Terrorist
-
Louder Than a Bomb
-
Caught, Can We Get a Witness?
-
Show 'Em Whatcha Got
-
She Watch Channel Zero?!
-
Night of the Living Baseheads
-
Black Steel in the Hour of Chaos
-
Security of the First World
-
Rebel Without a Pause
-
Prophets of Rage
-
Party for Your Right to Fight
Additional Releases
| Year | Type | Label | Catalog # | | 2000 | CD | Universal Music TV | 5424232 | | 1995 | CD | Def Jam | 527358 |
|
|
Similar CDs
Members who requested this CD also requested:
Album Review
Yo! Bum Rush the Show was an invigorating record, but it looks like child's play compared to its monumental sequel, It Takes a Nation of Millions to Hold Us Back, a record that rewrote the rules of what hip-hop could do. That's not to say the album is without precedent, since what's particularly ingenious about the album is how it reconfigures things that came before into a startling, fresh, modern sound. Public Enemy used the template Run-D.M.C. created of a rap crew as a rock band, then brought in elements of free jazz, hard funk, even musique concrète, via their producing team, the Bomb Squad, creating a dense, ferocious sound unlike anything that came before. This coincided with a breakthrough in Chuck D's writing, both in his themes and lyrics. It's not that Chuck D was smarter or more ambitious than his contemporaries -- certainly, KRS-One tackled many similar sociopolitical tracts, while Rakim had a greater flow -- but he marshaled considerable revolutionary force, clear vision, and a boundless vocabulary to create galvanizing, logical arguments that were undeniable in their strength. They only gained strength from Flavor Flav's frenzied jokes, which provided a needed contrast. What's amazing is how the words and music become intertwined, gaining strength from each other. Though this music is certainly a representation of its time, it hasn't dated at all. It set a standard that few could touch then, and even fewer have attempted to meet since. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Bill Stephney | Production Supervisor | | Carl Ryder | Producer, Producer | | Christopher Shaw | Engineer | | Chuck D | Vocals, ? | | Chuck Valle | Engineer | | DJ Chuck Chillout | Mixing | | Eric "Vietnam" Sadler | Assistant Producer, Programming, ? | | Erica Johnson | Vocals | | Fab 5 Freddy | Vocals | | Flavor Flav | Vocals, ? | | Glen E. Friedman | Photography | | Greg Gordon | Engineer | | Hank Shocklee | Programming, Producer | | Harry Allen | Vocals | | Jeff Jones | Engineer | | Jim Sabella | Engineer | | John Harrison | Engineer | | Johnny Juice Rosado | Scratching, Turntables | | Keith Boxley | Mixing | | Matt Tritto | Engineer | | Nick Sansano | Engineer | | Norman Rogers | Scratching | | Oris Josphe | Vocals | | Professor Griff | ?, Vocals | | Rick Rubin | Executive Producer | | Rod Hui | Mixing | | Steven Ett | Mixing | | Terminator X | Turntables, ? |
|
|