Jackson Browne - The Pretender

10




Album Details

Title: The Pretender
Artist: Jackson Browne
Release Date: 11/1976
Re-Released On: 6/14/2004
Label: Asylum, DCC Compact Classics, Rhino
Duration: 35:07
UPCs: 010963104721, 075596051323, 081227891220, 4943674084937
Genre: Rock
Styles: Singer/Songwriter, Soft Rock, Contemporary Pop/Rock
Moods: Autumnal, Bittersweet, Brooding, Refined/Mannered, Weary, Wistful, Enigmatic, Intimate, Melancholy, Plaintive, Poignant, Reflective, Relaxed, Sentimental, Somber, Dramatic, Earnest, Gentle, Reserved, Calm/Peaceful, Laid-Back/Mellow, Literate, Sad, Warm, Yearning, Soothing
Total Copies: 5
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. The Fuse
  2. Your Bright Baby Blues
  3. Linda Paloma
  4. Here Come Those Tears Again
  5. The Only Child
  6. Daddy's Tune
  7. Sleep's Dark and Silent Gate
  8. The Pretender

Additional Releases

YearTypeLabelCatalog #
2004CDRhino8122789122
1993CDDCC Compact Classics1047
------CDAsylum2-107

Other Editions

  • No other editions were found for this album.

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Album Review

On The Pretender, Jackson Browne took a step back from the precipice so well defined on his first three albums, but doing so didn't seem to make him feel any better. Employing a real producer, Jon Landau, for the first time, Browne made what sounded like a real contemporary rock record, but this made his songs less effective; the ersatz Mexican arrangement of "Linda Paloma" and the bouncy second half of "Daddy's Tune," with its horn charts and guitar solo, undercut the lyrics. The man who had delved so deeply into life's abyss on his earlier albums was in search of escape this time around, whether by crying ("Here Come Those Tears Again"), sleeping ("Sleep's Dark and Silent Gate"), or making peace with estranged love ones ("The Only Child," "Daddy's Tune"). None of it worked, however, and when Browne came to the final track -- traditionally the place on his albums where he summed up his current philosophical stance -- he delivered "The Pretender," a cynical, sarcastic treatise on moneygrubbing and the shallow life of the suburbs. Primarily inner-directed, the song's defeatist tone demands rejection, but it is also a quintessential statement of its time, the post-Watergate '70s; dire as that might be, you had to admire that kind of honesty, even as it made you wince. ~ William Ruhlmann, All Music Guide

Credits

NameCredits
Albert LeeGuitar (Electric), Guitar
Arthur GerstVocals (Background), Arranger, ?, Harp
Bernie GrundmanMastering
Bill PayneKeyboards, Piano, Organ
Bob GlaubBass
Bonnie RaittVocals, Harmony, Vocal Harmony
Chuck FindleyHorn
Chuck FinleyHorn
Chuck RaineyBass
Craig DoergePiano, Keyboards
David CampbellViola, Arranger, String Arrangements
David CrosbyVocal Harmony, Harmony, Vocals
David HydeHorn
David LindleySlide Guitar, Violin, Lap Steel Guitar, Fiddle, Guitar, Guitar (Steel)
Dennis KirkMixing Assistant, Assistant
Don HenleyVocal Harmony, Vocals, Harmony
Fred TackettGuitar (Acoustic), Guitar (Electric), Guitar
Gary BurdenArt Direction, Design
Gary ColemanPercussion
Graham NashHarmony, Vocal Harmony, Vocals
Greg LadanyiEngineer, Mixing
Howard BurkePhotography
J.D. SoutherVocal Harmony, Vocals
Jackson BrowneVocals, Producer, Keyboards, Guitar (Acoustic), Photography, Piano, Guitar
Jeff PorcaroDrums
Jim GordonDrums, Organ
Jim HornArranger, Horn
John HaenyEngineer, Recorder
John HallGuitar
Jon LandauNotes Editing, Vocals, Producer
Leland SklarBass
Lowell GeorgeHarmony, Vocals, Slide Guitar, Guitar, Vocal Harmony
Luis DamianVocals (Background), ?, Vocals, Guitar
Mark HammermanManagement
Mark HowlettEngineer
Mike UtleyOrgan, Keyboards
Paul BlackAssistant Engineer, Assistant
Quitman DennisHorn
Richard HydeHorn
Roberto GutierrezVocals, Vocals (Background), Guitar, Violin, Guitarron
Rosemary ButlerHarmony, Vocal Harmony, Vocals
Roy BittanPiano
Russ KunkelDrums
Tom KelleyCover Photo
Val GarayMixing

Member Reviews

Toni B. (twintoni) wrote on 7/29/2006...

Love, love, love Jackson Browne.