Album Details
Title: Late for the Sky Artist: Jackson Browne Release Date: 9/1974 Re-Released On: 1/27/2003 Label: Asylum, Elektra, DCC Compact Classics Duration: 40:38 UPCs: 010963103625, 075596032322, 075596059824, 4943674084913 Genre: Rock Styles: Singer/Songwriter, Psychedelic, Soft Rock, Folk-Rock, Contemporary Pop/Rock Moods: Autumnal, Bittersweet, Brooding, Refined/Mannered, Weary, Wistful, Enigmatic, Intimate, Melancholy, Plaintive, Poignant, Reflective, Relaxed, Sentimental, Somber, Dramatic, Earnest, Gentle, Reserved, Calm/Peaceful, Laid-Back/Mellow, Literate, Sad, Warm, Yearning, Soothing Total Copies: 0 Members Wishing: 5 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Late for the Sky
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Fountain of Sorrow
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Farther On
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The Late Show
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The Road and the Sky
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For a Dancer
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Walking Slow
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Before the Deluge
Additional Releases
| Year | Type | Label | Catalog # | | 2003 | CD | Elektra | 7559603232 | | 1993 | CD | DCC Compact Classics | 1036 | | 1990 | CD | Asylum | 2-1017 |
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Other Editions
- No other editions were found for this album.
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Album Review
On his third album, Jackson Browne returned to the themes of his debut record (love, loss, identity, apocalypse) and, amazingly, delved even deeper into them. "For a Dancer," a meditation on death like the first album's "Song for Adam," is a more eloquent eulogy; "Farther On" extends the "moving on" point of "Looking Into You"; "Before the Deluge" is a glimpse beyond the apocalypse evoked on "My Opening Farewell" and the second album's "For Everyman." If Browne had seemed to question everything in his first records, here he even questioned himself. "For me some words come easy, but I know that they don't mean that much," he sang on the opening track, "Late for the Sky," and added in "Farther On," "I'm not sure what I'm trying to say." Yet his seeming uncertainty and self-doubt reflected the size and complexity of the problems he was addressing in these songs, and few had ever explored such territory, much less mapped it so well. "The Late Show," the album's thematic center, doubted but ultimately affirmed the nature of relationships, while by the end, "After the Deluge," if "only a few survived," the human race continued nonetheless. It was a lot to put into a pop music album, but Browne stretched the limits of what could be found in what he called "the beauty in songs," just as Bob Dylan had a decade before. ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Al Schmitt | Producer | | Beth Fitchet | Vocals, Vocal Harmony | | Clarence White | Keyboards | | Dan Fogelberg | Vocals, Vocal Harmony | | David Lindley | Violin, Guitar (Steel), Guitar, Fiddle, Slide Guitar, Guitar (Electric) | | Don Henley | Vocals, Vocal Harmony | | Doug Haywood | Bass, Vocal Harmony, Harmony | | Fritz Richmond | Engineer, Jug | | Greg Ladanyi | Mastering | | J.D. Souther | Vocal Harmony | | Jackson Browne | Slide Guitar, Keyboards, Producer, Vocals, Programming, Guitar (Acoustic), Guitar, Piano | | Jai Winding | Organ, Piano, Keyboards | | Jon Douglas Haywood | Bass, Vocals | | Joyce Everson | Vocal Harmony, Vocals | | Kent Nebergall | Engineer | | Larry Zack | Drums, Percussion | | Perry Lindley | Vocals, Vocal Harmony | | Terry Reid | Vocal Harmony, Vocals | | Tom Perry | Engineer |
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