Album Details
Title: Blurring the Edges Artist: Meredith Brooks Release Date: 5/5/1997 Re-Released On: 8/11/1997 Label: Capitol Records Duration: 50:55 Album Type(s): Contains explicit content UPCs: 724383691920, 0724383691951, 0724385961755, 724383691951, 724385961724, 724385996023 Genre: Rock Styles: Alternative Pop/Rock, Contemporary Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock Moods: Carefree, Confident, Freewheeling, Happy, Laid-Back/Mellow, Melancholy, Plaintive, Romantic, Sexual, Sexy, Slick, Summery, Uplifting, Wistful, Amiable/Good-Natured, Bittersweet, Literate, Reflective, Earnest Total Copies: 134 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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I Need
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Bitch
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Somedays
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Watched You Fall
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Pollyanne
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Shatter
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My Little Town
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What Would Happen
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It Don't Get Better
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Birthday
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Stop
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Wash My Hands
Additional Releases
| Year | Type | Label | Catalog # | | 1997 | CD | Capitol Records | 36919 | | 1997 | CD | Capitol Records | 8599602 | | 1997 | CD | Capitol Records | 2298 |
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Other Editions
- No other editions were found for this album.
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Album Review
Meredith Brooks' debut album, Blurring the Edges is an example of post- Alanis Morissette marketing by the record industry, although, at her musical core, Brooks is more like Sheryl Crow -- namely, a classic rocker with slightly edgy lyrics. She even works with producer David Ricketts, the former partner of Crow's Tuesday Night Music Club collaborator, David Baerwald. Ricketts gives Blurring the Edges a radio-friendly polish, and on the album's first single, "Bitch," Brooks and Ricketts devise an Alanis clone, from the semi-profane lyrics to the caterwauling chorus. "Bitch" isn't indicative of the rest of the album, which is considerably calmer and aimed at adult alternative stations, and Brooks fits neatly into the confines of that format. There are legions of similar post-alternative singer/songwriters, but Brooks is a competent melodicist and her lyrics are occasionally promising. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Bob Ludwig | Mastering | | Cappy Japngie | Assistant Engineer | | Charles Nasser | Assistant Engineer | | David Lair | Design | | David Ricketts | Programming, Keyboards, Producer, Bass | | Geza X | Producer, Engineer, Programming | | Jim Ebert | Mixing, Engineer, Programming, Bass, Synthesizer | | Jimmy Woods | Harmonica | | John Dunne | Photography | | Josh Freese | Drums | | Mauricio Iragorri | Assistant Engineer | | Meredith Brooks | Guitar, Vocals (Background) | | Paul Bushnell | Bass | | Robert Zuckerman | Photography | | S. "Husky" Hoskulds | Assistant Engineer | | Shelly Peiken | Photography | | Tommy Steele | Art Direction | | Victoria Levy | Vocals (Background) |
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