Album Details
Title: Let's Dance Artist: David Bowie Release Date: 1983 Re-Released On: 6/11/2008 Label: Virgin, EMI Music Distribution, Virgin Records, Toshiba EMI Duration: 36:46 Album Type(s): lyrics/libretto, Enhanced CD-ROM UPCs: 094638234425, 4988006851146, 724352189601, 0724352189656, 077771709340, 077774600248, 4988006832343, 724349309425, 724352189656, 724384098223, 724384098247, 498800685114, 724354331923 Genre: Rock Styles: Soul, New Wave, Contemporary Pop/Rock, Blue-Eyed Soul, Punk/New Wave, Album Rock, Dance-Rock Moods: Brooding, Clinical, Eccentric, Eerie, Stylish, Bravado, Cerebral, Complex, Detached, Dramatic, Elegant, Enigmatic, Exciting, Literate, Lush, Nocturnal, Playful, Provocative, Quirky, Rebellious, Sophisticated, Swaggering, Tense/Anxious, Theatrical, Urgent, Wry, Campy, Hypnotic, Intense, Ironic, Sexy, Yearning, Outrageous, Austere, Elaborate, Refined/Mannered Total Copies: 0 Members Wishing: 7 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Modern Love
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China Girl
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Let's Dance
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Without You
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Ricochet
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Criminal World
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Cat People (Putting out Fire)
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Shake It
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Toshiba EMI | 53556 | | 2007 | CD | EMI Music Distribution | 70154 | | 2007 | CD | Virgin | 823442 | | 2003 | CD | Virgin Records | 43319 | | 1999 | CD | Virgin Records | 21896 | | 1998 | CD | EMI Music Distribution | 4930942 | | 1995 | CD | Virgin | 96 | | 1995 | CD | Virgin | 40982 |
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Album Review
After summing up his maverick tendencies on Scary Monsters, David Bowie aimed for the mainstream with Let's Dance. Hiring Chic guitarist Nile Rodgers as a co-producer, Bowie created a stylish, synthesized post- disco dance music that was equally informed by classic soul and the emerging new romantic subgenre of new wave, which was ironically heavily inspired by Bowie himself. Let's Dance comes tearing out of the date, propulsed by the skittering "Modern Love," the seductively menacing "China Girl," and the brittle funk of the title track. All three songs became international hits, and for good reason -- they're catchy, accessible pop songs that have just enough of an alien edge to make them distinctive. However, that careful balance is quickly thrown off by a succession of pleasant but unremarkable plastic soul workouts. "Cat People" and a cover of Metro's "Criminal World" are relatively strong songs, but the remainder of the album indicates that Bowie was entering a songwriting slump. However, the three hits were enough to make the album a massive hit, and their power hasn't diminished over the years, even if the rest of the record sounds like an artifact. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Bernard Edwards | Bass | | Bob Clearmountain | Engineer, Mixing | | Bob Ludwig | Mastering | | Carmine Bojas | Bass | | Carmine Rojas | Bass | | Dave Greenberg | Assistant Engineer | | David Bowie | Mixing, Keyboards, Guitar, Arranger, Horn Arrangements, Saxophone, Producer, Vocals, Assistant | | David Spinner | Vocals, Vocals (Background) | | Denis O'Regan | Photography | | Derek Boshier | Paintings, Cover Painting | | Frank Simms | Vocals, Vocals (Background) | | George Simms | Vocals (Background), Vocals | | Greg Gorman | Cover Photo, Photography | | Kevin Cann | Design, Package Design | | Mac Gollehon | Trumpet | | Mick Haggerty | Cover Art, Logo, Photography, Design, Package Design | | Nigel Reeve | Remastering, Project Coordinator | | Nile Rodgers | Horn Arrangements, Mixing Assistant, Arranger, Guitar, Assistant, Producer | | Omar Hakim | Drums | | Peter Mew | Digital Remastering, Remastering | | Queen | Performer, Producer | | Robert Aaron | Tenor (Vocal), Flute | | Robert Arron | Flute, Saxophone, Sax (Tenor) | | Robert Sabino | Keyboards | | Sammy Figueroa | Percussion | | Stan Harrison | Tenor (Vocal), Saxophone, Flute, Sax (Tenor) | | Steve Elson | Baritone (Vocal), Flute, Baritone, Sax (Baritone) | | Stevie Ray Vaughan | Guitar | | Tony Thompson | Drums |
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