Album Details
Title: Low Artist: David Bowie Release Date: 1/1977 Re-Released On: 12/15/2007 Label: Virgin, Toshiba EMI, Virgin Records, EMI Music Distribution Duration: 50:08 Album Type(s): lyrics/libretto, Enhanced CD-ROM UPCs: 4988006832152, 4988006850590, 724352190706, 014431014222, 014431014246, 014431814228, 0724352190751, 077779771929, 114431014243, 724352190751, 498800683215 Genre: Rock Styles: Contemporary Pop/Rock, Experimental, Proto-Punk, Experimental Rock, Alternative/Indie Rock, Album Rock, Dance-Rock, Art Rock Moods: Brooding, Clinical, Eccentric, Eerie, Stylish, Bravado, Cerebral, Complex, Detached, Dramatic, Elegant, Enigmatic, Exciting, Literate, Lush, Nocturnal, Playful, Provocative, Quirky, Rebellious, Sophisticated, Swaggering, Tense/Anxious, Theatrical, Urgent, Wry, Campy, Hypnotic, Intense, Ironic, Sexy, Yearning, Outrageous, Austere, Elaborate, Refined/Mannered Total Copies: 0 Members Wishing: 7 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Speed of Life
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Breaking Glass
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What in the World
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Sound and Vision
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Always Crashing in the Same Car
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Be My Wife
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A New Career in a New Town
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Warszawa
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Art Decade
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Weeping Wall
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Subterraneans
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | Toshiba EMI | 70150 | | 2007 | CD | Toshiba EMI | 53520 | | 1999 | CD | Virgin | 21907 | | 1999 | CD | Virgin Records | 21907 | | 1991 | CD | EMI Music Distribution | 1027 |
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Album Review
Following through with the avant-garde inclinations of Station to Station, yet explicitly breaking with David Bowie's past, Low is a dense, challenging album that confirmed his place at rock's cutting edge. Driven by dissonant synthesizers and electronics, Low is divided between brief, angular songs and atmospheric instrumentals. Throughout the record's first half, the guitars are jagged and the synthesizers drone with a menacing robotic pulse, while Bowie's vocals are unnaturally layered and overdubbed. During the instrumental half, the electronics turn cool, which is a relief after the intensity of the preceding avant pop. Half the credit for Low's success goes to Brian Eno, who explored similar ambient territory on his own releases. Eno functioned as a conduit for Bowie's ideas, and in turn Bowie made the experimentalism of not only Eno but of the German synth group Kraftwerk and the post-punk group Wire respectable, if not quite mainstream. Though a handful of the vocal pieces on Low are accessible -- "Sound and Vision" has a shimmering guitar hook, and "Be My Wife" subverts soul structure in a surprisingly catchy fashion -- the record is defiantly experimental and dense with detail, providing a new direction for the avant-garde in rock & roll. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Brian Eno | Chamberlin, Mixing, Guitar, Keyboards, Piano, Multi Instruments, Vocals, Moog Synthesizer, Engineer, Mini Moog, Synthesizer | | Carlos Alomar | Guitar, Guitar (Rhythm) | | Christian Simonpietri | Photography | | Clive Anderson | Photography | | David Bowie | Harmonica, Tape, Various, Saxophone, Brass Synth, Producer, Guitar, Piano, Strings, Arp, Horn, Percussion, Xylophone, Vocals, Keyboards, Pump Bass, Chamberlin, Bass, Vibraphone, Cello, Mixing | | David Richards | Mixing | | Dennis Davis | Percussion | | Dr. Toby Mountain | Mastering | | Eduard Meyer | Cello | | Eduard Meyerm | Cello | | George Murray | Guitar (Bass), Bass | | Iggy Pop | Vocals, Organ, Piano, Vocals (Background) | | Jonathan Wyner | Assistant Engineer | | Kevin Cann | Design | | Mary Hopkin | Vocals | | Mary Visconti | Vocals, Vocals (Background) | | Nigel Reeve | Remastering | | Peter Himmelman | Piano, Arp | | Peter Mew | Remastering | | Ricky Gardiner | Guitar (Rhythm), Guitar | | Ricky Murray | Bass | | Roy Young | Organ, Piano, Piano, Farfisa Organ | | Steve Shapiro | Photography | | Tony Visconti | Producer | | Wall | Engineer |
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