David Bowie - Earthling

Jumping on the post-grunge industrial bandwagon with Outside didn't successfully rejuvenate David Bowie's credibility or sales, so he switched his allegiance to techno and jungle for the follow-up, Earthling. While jungle is a more appropriate fit than industrial, the resulting music is nearly as awkward. Though he often gets the sound of jungle right, the record frequently sounds as if the beats were simply grafted on top of pre-existing songs. Never are the songs broken open by a new form; they are fairly conventional Bowie songs with fancy production. Fortunately, Bowie sounds rejuvenated by this new form, and songs like "Little Wonder" and "Seven Years in Tibet" are far stronger than the bulk of Outside. Still, the record falls short of its goals, and it doesn't offer enough intrigue or innovations to make Earthling anything more than an admirable effort. ~ Stephen Thomas Erlewine, All Music Guide

Name Credits Alexander McQueen Wardrobe, Cover Art Bob Ludwig Mastering Dante de Sole Studio Assistant David Bowie Wardrobe, Photography, Vocals, Guitar, Art Direction, Producer, Video Stills, Sax (Alto), Keyboards, Sampling Davide DeAngelis Computer Imaging, Design Frank Ockenfels Photography, Portrait Photography Gail Ann Dorsey Vocals, Bass Helene Andersson Make-Up Mark Plati Programming, Loops, Producer, Sample Arrangements, Sampling, Mixing, Engineer, Keyboards Matt Curry Studio Assistant Mike Garson Piano, Keyboards Reeves Gabrels Sampled Guitar, Sampling Instruments, Producer, Guitar, Sampling, Vocals, Synthesizer, Programming Zachary Alford Drums, Drum Loop, Electronic Percussion, Percussion, Drum Programming, Bass (Acoustic), Electronic Drums