The Blue Nile - Peace at Last

2




Album Details

Title: Peace at Last
Artist: The Blue Nile
Release Date: 6/1996
Re-Released On: 12/28/2004
Label: WEA, Warner Bros. Records
Duration: 44:53
UPCs: 093624584827, 093624584810, 093624584841, 093624584865
Genre: Rock
Styles: Dream Pop, Alternative/Indie Rock, Sophisti-Pop, College Rock
Moods: Atmospheric, Calm/Peaceful, Elegant, Intimate, Precious, Refined/Mannered, Romantic, Sensual, Soothing, Sophisticated, Stylish, Autumnal, Earnest, Melancholy, Poignant, Wistful, Gentle, Reflective, Nocturnal
Total Copies: 6
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. Happiness
  2. Tomorrow Morning
  3. Sentimental Man
  4. Love Came Down
  5. Body and Soul
  6. Holy Love
  7. Family Life
  8. War Is Love
  9. God Bless You Kid
  10. Soon

Additional Releases

YearTypeLabelCatalog #
2004CDWEA
1996CDWarner Bros. Records45848

Other Editions

  • No other editions were found for this album.

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Album Review

The members of the Blue Nile seem to have taken seriously all those articles and reviews about what audiophiles and technicians they are, and this time around they've spent a half-dozen years concocting an album that sounds like they made at least some of it in their living rooms rather than their space-age studio. They achieve the appearance of simplicity and humanity by foregrounding either an acoustic guitar or piano on most tracks, by restraining other instrumentation, by making their synthesizers sound like strings most of the time, and by using real strings on occasion. All of which makes for appropriate settings for Paul Buchanan's songs of domestic contentment. "Happiness," "Sentimental Man," "Holy Love": the titles tell the story, though they don't reveal the underlying fear that it will all go bust. ("Now that I've found peace at last," Buchanan sings to open up the album, "Tell me, Jesus, will it last?") Nor do they explain why a guy who keeps insisting that he's happy sounds so mournful. Buchanan belongs to the Bono/Peter Gabriel school of throaty emotiveness, in which sudden, arbitrary ascensions toward the falsetto signal fits of otherwise unacknowledged passion (or maybe just a sneeze coming on). In Buchanan, the singing style and the loose structure of the songs make his protestations of tranquility unconvincing. That may be what he intends, especially since they lend an implied depth to what is the Blue Nile's lightest effort yet. ~ William Ruhlmann, All Music Guide

Credits

NameCredits
Calum MalcolmEngineer
Craig Armstrong?, Orchestration
Eddie TateChoir, Chorus
Nigel ThomasMusician
Paul BuchananMusician
Paul Joseph MooreMusician
Robert BellMusician
The Blue NileProducer, Design, Cover Design