Album Details
Title: Odelay Artist: Beck Release Date: 6/18/1996 Re-Released On: 1/21/2008 Label: DGC (David Geffen Company), Mercury Duration: 51:28 Album Type(s): Greatest Hits UPCs: 4988005537713, 720642482322, 0075021017955, 0731451750625, 075021017955, 643346005119 Genre: Rock Styles: Alternative Pop/Rock, Club/Dance, Lo-Fi, Indie Rock, Alternative/Indie Rock, Dance-Rock Moods: Freewheeling, Playful, Trippy, Atmospheric, Clinical, Effervescent, Fun, Humorous, Indulgent, Ramshackle, Sprawling, Witty, Wry, Autumnal, Cerebral, Complex, Druggy, Irreverent, Laid-Back/Mellow, Lush, Relaxed, Amiable/Good-Natured, Bittersweet, Detached, Ironic, Literate, Raucous, Silly, Sophisticated, Party/Celebratory, Wistful Total Copies: 73 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Devils Haircut
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Hotwax
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Lord Only Knows
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The New Pollution
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Derelict
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Novacane
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Jack-Ass
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Where It's At
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Minus
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Sissyneck
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Readymade
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High 5 (Rock the Catskills)
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Ramshackle
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Mercury | 5175062 | | 1996 | CD | DGC (David Geffen Company) | 24823 |
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Album Review
Unlike Stereopathetic Soul Manure and One Foot in the Grave, the indie albums that followed his debut Mellow Gold by a mere matter of months, Odelay was a full-fledged, full-bodied album, released on a major label in the summer of 1996 and bearing an intricate, meticulous production by the Dust Brothers in their first gig since the Beastie Boys' Paul's Boutique. Odelay shared a similar collage structure to that 1989 masterpiece, relying on a blend of found sounds and samples, but instead of lending the album its primary colors, the Dust Brothers provided the accents, highlighting Beck's ever-changing sounds, tying together his stylistic shifts, making the leaps from the dirge-blues of "Jack-Ass" to the hazy party rock of "Where's It's At" seem not so great. Like Mellow Gold, Odelay winds up touching on a number of disparate strands -- folk and country, grungy garage rock, stiff-boned electro, louche exotica, old-school rap, touches of noise rock -- but there's no break-neck snap between sensibilities, everything flows smoothly, the dense sounds suggesting that the songs are a bit more complicated than they actually are. Most of the songs here betray Beck's roots as an anti-folk singer -- he reworks blues structures ("Devil's Haircut"), country ("Lord Only Knows," "Sissyneck"), soul ("Hotwax"), folk ("Ramshackle") and rap ("High 5 [Rock the Catskills]," "Where It's At") -- but each track twists conventions, either in their construction or presentation, giving this a vibrant, electric pulse, surprising in its form and attack. Like a mosaic, all the details add up to a picture greater than its parts, so while some of Beck's best songs are here, Odelay is best appreciated as a recorded whole, with each layered sample enhancing the allusion that came before. ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Al Hansen | Artwork, Collage | | Beck | Keyboards, Mixing, Celeste, Piano (Electric), Vocals, Bass, Producer, Drums, Clavinet, Harmonica, Engineer, Design, Organ, Guitar (Acoustic), Guitar (Electric), Percussion, Art Direction, Slide Guitar | | Bob Ludwig | Photography, Mastering | | Brian Paulson | Mixing, Producer | | Charlie Haden | Bass | | David Brown | Saxophone | | Greg Leisz | Pedal Steel | | Joey Waronker | Drums, Percussion | | Manuel Ocampo | Collage, Paintings, Artwork | | Mario Caldato, Jr. | Producer, Mixing | | Mike Boito | Trumpet, Organ | | Mike Millius | Screams | | Nitin Vadukul | Photography | | Rob Schnapf | Mixing, Producer | | Robert Fisher | Art Direction, Design | | Ross Harris | ? | | Shauna O'Brien | Production Coordination, Coordination | | The Dust Brothers | Mixing, Engineer, Producer | | Tom Rothrock | Mixing, Producer | | Zarim Osborn | Artwork, Collage |
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