Album Details
Title: High Lonesome Sound Artist: Vince Gill Release Date: 6/1996 Re-Released On: 7/13/2004 Label: MCA Nashville Duration: 42:56 Album Type(s): lyrics/libretto UPCs: 008811142223, 0008811142223, 602498627143 Genre: Country Styles: Progressive Bluegrass, Contemporary Country, Bluegrass, New Traditionalist Moods: Amiable/Good-Natured, Laid-Back/Mellow, Refined/Mannered, Bittersweet, Earnest, Gentle, Reflective, Rollicking Total Copies: 51 Number of Discs/SwapaCD Credits: 1 |
Track Listings
-
One Dance with You
-
High Lonesome Sound
-
Pretty Little Adriana
-
A Little More Love
-
Down to New Orleans
-
Tell Me Lover
-
Given More Time
-
You and You Alone
-
Worlds Apart
-
Jenny Dreamed of Trains
-
High Lonesome Sound
Additional Releases
| Year | Type | Label | Catalog # | | 2004 | CD | MCA Nashville | 000278736 | | 1996 | CD | MCA Nashville | 11422 |
|
Other Editions
- No other editions were found for this album.
|
|
Similar CDs
Members who requested this CD also requested:
Album Review
Vince Gill takes off on a tour of American music on High Lonesome Sound. The title cut steps back to a time he hasn't visited in a while, drawing on his days as a bluegrass singer and guitarist to create a soaring, harmony-driven sound that applies Appalachian drive to modern country rhythms. Most of the rest of the album's journey treks in new directions. The aggressive guitar riff that opens "One Dance with You" is straight chicago blues, while the jaunty feel that enlivens "Down to New Orleans" draws on the Windy City's funky rhythms with a deft touch worthy of Little Feat -- with Lowell George, that is. "Tell Me Lover," also bearing the trace print of Little Feat, dances through a swampy groove. The arrangements by Gill and producer Tony Brown give traditional sounds a modern sheen while maintaining a distinct regional flavor. Gill gets much more room to show off his impressive guitar prowess than on his past records. A pair of small complaints are that his lyrics don't match the music (they are steeped in the modern country topical schemes) and he can overly sweeten the blues. Elsewhere, he uses the clichéd aspects of cajun music in paying homage to Louisiana's musical heritage ( r&b and New Orleans second-line rhythms aren't here and should be, because he's musically sophisticated enough to pull them off). Therefore, this album works best when he's not straining for authenticity: "Worlds Apart," "Given More Time," and "Pretty Little Adriana" leaven his tried-and-true formula into arrangements that are more progressively atmospheric than his past hits. Gill owns too many strengths to need to transform himself into Lowell George or Bonnie Raitt at this point in his career; he can leave his own mark on any music he chooses to play and -- for the most part -- does so here. ~ Michael McCall & Thom Jurek, All Music Guide
Credits
| Name | Credits | | Adam Steffey | Mandolin | | Alison Krauss | Vocal Harmony, Performer, Fiddle, Vocals | | Barry Bales | Guitar (Bass), Bass | | Bekka Bramlett | Vocals (Background), Vocal Harmony | | Bill Brunt | Art Direction, Design | | Billy Joe Walker, Jr. | Guitar (Acoustic), Guitar (Electric) | | Billy Thomas | Vocal Harmony, Vocals (Background) | | Carlos Vega | Drums | | Chris Rodriguez | Vocals (Background), Vocal Harmony | | Chuck Ainlay | Engineer, Mixing, Audio Engineer | | Dan Tyminski | Guitar (Acoustic) | | Denny Purcell | Mastering | | Gina Giglio | Hair Stylist, Make-Up | | Graham Lewis | Second Engineer, Engineer | | Jeff Geurnsey | Fiddle | | Jeff Guernsey | Fiddle | | Jeff White | Vocal Harmony, Guitar (Acoustic) | | Jerry Douglas | Dobro | | Jessie Noble | Project Coordinator, Production Coordination | | John Hughey | Guitar (Steel) | | Kim Fleming | Vocals (Background), Vocal Harmony | | Kim Richey | Vocal Harmony, Vocals (Background) | | Leland Sklar | Bass, Guitar (Bass) | | Lisa Bevill | Vocal Harmony, Vocals (Background) | | McGuire | Photography | | Nicole C. Mullen | Vocals (Background), Vocal Harmony | | Patty Loveless | Vocal Harmony, Vocals (Background) | | Pete Wasner | Hammond B3, Piano (Electric), Piano, Synthesizer, Organ (Hammond) | | Robert Ascroft | Art Direction, Design | | Robert Bailey | Vocals (Background), Vocal Harmony | | Robert Bailey, Jr. | Vocal Harmony | | Ron Block | Banjo | | Shelby Lynne | Vocal Harmony, Vocals (Background) | | Steuart Smith | Guitar (Electric), Guitar (Acoustic) | | Steve Nathan | Organ (Hammond), Synthesizer, Piano, Hammond B3 | | Tony Brown | Producer, Audio Production | | Trish Townsend | Stylist | | Vince Gill | Guitar (Electric), Vocal Harmony, Vocals, Soloist, Guitar (Acoustic), Gut String Guitar, Mandolin |
|
|