Album Details
Title: To the Faithful Departed Artist: The Cranberries Release Date: 4/20/1993 Re-Released On: 5/6/1996 Label: Island UPCs: 731452423429, 731452423412, 731452424648 Genre: Rock Styles: Alternative Pop/Rock, Contemporary Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, Celtic Rock Moods: Bittersweet, Earnest, Reflective, Searching, Yearning, Cathartic, Detached, Playful, Whimsical, Amiable/Good-Natured, Angst-Ridden, Brooding, Confrontational, Earthy, Elegant, Literate, Organic, Rousing, Sophisticated, Stylish, Brash, Complex, Exuberant, Rebellious, Sensual, Cerebral, Cynical/Sarcastic, Dramatic, Plaintive, Raucous, Sentimental, Melancholy, Passionate, Theatrical Total Copies: 160 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Hollywood
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Salvation
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When You're Gone
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Free to Decide
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War Child
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Forever Yellow Skies
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The Rebels
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I Just Shot John Lennon
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Electric Blue
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I'm Still Remembering
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Will You Remember?
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Joe
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Bosnia
Additional Releases
| Year | Type | Label | Catalog # | | 1996 | CD | Island | 524234 |
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Other Editions
- No other editions were found for this album.
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Similar CDs
- No similar CDs were found for this album.
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Album Review
Departed turned out to be where the Cranberries' best intentions finally and thoroughly tripped them up. Switching producers to Bruce Fairbairn was a troubling enough move to begin with; Stephen Street's ear for the band's dynamics was note-perfect, but Fairbairn's work with arena-rock monsters like Aerosmith meant on Departed everything was scaled up accordingly. The results may have been more commercial, but they took the identity of the band with it -- that opening song "Hollywood" sounded exactly like atypical sludgefest "Zombie" was all to be expected. O'Riordan, meanwhile, decided she was a generation's spokesperson, fully taking over the songwriting, except on a couple of cuts with Noel Hogan, penning some appropriate liner notes, and running with it. Songtitles say it all -- "War Child," "I Just Shot John Lennon," complete with cheesy gun shots, and perhaps most painfully obvious at the end, "Bosnia." Then there's lead single "Salvation," which preaches against heroin addiction in a manner worthy of afterschool specials and with about as much depth. Not that good songs can't and haven't been written on these subjects, of course, but O'Riordan, lacking a truly individual or unique take on them, is not the person to be writing them. Or singing them -- her wails and yelps now run rampant, being less voice-as-instrument as it is signature calling card to be employed throughout. There are bright points -- every so often Hogan's guitar comes through at its best, and there's the retro-'50s finger-snapping "When You're Gone" and the nicely arranged "Electric Blue." Still, when compared to No Need and especially Everybody Departed completely suffers in comparison. ~ Ned Raggett, All Music Guide
Credits
| Name | Credits | | Bruce Fairbairn | Producer, Trumpet | | Dolores O'Riordan | Guitar (Electric), Whistle (Instrument), Keyboards, Mandolin, Vocals, Guitar (Acoustic) | | Fergal Lawler | Percussion, Drums | | Henry Daag | Saw | | Michael Buckley | Sax (Baritone) | | Michael Kamen | Arranger, Director | | Mike Hogan | Guitar (Bass) | | Mike Plotnikoff | Engineer | | Noel Hogan | Guitar (Acoustic), Guitar (Electric), Mandolin | | Randy Raine-Reusch | Percussion | | Richie Buckley | Sax (Tenor) | | The Cranberries | Producer |
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