Album Details
Title: Warren Zevon Artist: Warren Zevon Release Date: 1976 Label: Asylum Duration: 37:45 UPCs: 075596060820, 755960608208 Genre: Rock Styles: Singer/Songwriter, Album Rock Moods: Cynical/Sarcastic, Acerbic, Irreverent, Quirky, Snide, Wry, Bitter, Bittersweet, Detached, Ironic, Reflective, Witty, Ambitious, Boisterous, Cathartic, Cerebral, Humorous, Intense, Intimate, Literate, Passionate, Provocative, Rousing, Sophisticated, Tense/Anxious, Aggressive, Amiable/Good-Natured, Calm/Peaceful, Earnest, Energetic, Gentle, Organic, Self-Conscious, Sentimental, Theatrical Total Copies: 0 Members Wishing: 8 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Frank and Jesse James
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Mama Couldn't Be Persuaded
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Backs Turned Looking Down the Path
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Hasten Down the Wind
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Poor, Poor Pitiful Me
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The French Inhaler
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Mohammed's Radio
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I'll Sleep When I'm Dead
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Carmelita
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Join Me in L.A.
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Desperados Under the Eaves
Additional Releases
| Year | Type | Label | Catalog # | | 1992 | CD | Asylum | 1060 |
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Album Review
Warren Zevon was a ten-year music industry veteran who had written songs for the Turtles, backed up Phil Everly, done years of session work, and been befriended by Jackson Browne by the time he cut his self-titled album in 1976 (which wasn't his debut, though the less said about 1969's misbegotten Wanted Dead or Alive the better). Even though Warren Zevon was on good terms with L.A.'s Mellow Mafia, he sure didn't think (or write) like any of his pals in the Eagles or Fleetwood Mac; Zevon's music was full of blood, bile, and mean-spirited irony, and the glossy surfaces of Jackson Browne's production failed to disguise the bitter heart of the songs on Warren Zevon. The album opened with a jaunty celebration of a pair of Old West thieves and gunfighters ("Frank and Jesse James"), and went on to tell remarkable, slightly unnerving tales of ambitious pimps ("The French Inhaler"), lonesome junkies ("Carmelita"), wired, hard-living lunatics ("I'll Sleep When I'm Dead"), and truly dastardly womanizers ("Poor Poor Pitiful Me"), and even Zevon's celebrations of life in Los Angeles, long a staple of the soft rock genre, had both a menace and an epic sweep his contemporaries could never match ("Join Me in L.A." and "Desperados Under the Eaves"). But for all their darkness, Zevon's songs also possessed a steely intelligence, a winning wit, and an unusually sophisticated melodic sense, and he certainly made the most of the high-priced help who backed him on the album. Warren Zevon may not have been the songwriter's debut, but it was the album that confirmed he was a major talent, and it remains a black-hearted pop delight. ~ Mark Deming, All Music Guide
Credits
| Name | Credits | | Billy Hinsche | Vocal Harmony | | Bob Glaub | Bass | | Bobby Keys | Saxophone | | Bonnie Raitt | Vocals, Vocal Harmony | | Carl Wilson | Vocals, Vocal Arrangement, Vocal Harmony | | David Lindley | Banjo, Fiddle, Violin | | Don Henley | Vocal Harmony, Vocals | | Fritz Richmond | Engineer | | Gary Mallaber | Drums | | Gentlemen Boys | Vocal Harmony, Vocals | | Glenn Frey | Vocal Harmony, Guitar, Vocals, Guitar (Rhythm) | | J.D. Souther | Vocals, Vocal Harmony | | Jackson Browne | Slide Guitar, Vocal Harmony, Vocals, Guitar, Producer | | Jai Winding | Piano, Keyboards, Vocals | | John Haeny | Mixing | | Jorge Calderon | Vocals, Vocal Harmony | | Kent Nebergall | Engineer | | Larry Zack | Drums | | Lindsey Buckingham | Vocals, Vocal Harmony, Guitar | | Marty David | Bass | | Ned Doheny | Guitar | | Phil Everly | Vocal Harmony, Vocals | | Richard Wachtel | Vocals, Producer, Guitar | | Rosemary Butler | Vocals, Vocal Harmony | | Roy Marinell | Bass | | Sid Sharp | ?, Strings | | Stephanie Nicks | Vocal Harmony | | Stevie Nicks | Vocals | | Waddy Wachtel | Guitar | | Warren Zevon | Vocals, Guitar, Keyboards, Vocal Harmony, Producer, Bass, Piano, Arranger |
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