Album Details
Title: On the Beach Artist: Neil Young Release Date: 7/1974 Re-Released On: 12/15/2007 Label: Warner Bros., WEA, Reprise Album Type(s): Enhanced CD-ROM UPCs: 093624849728, 093624852629, 4943674045358, 4943674058372, 075992721318, 093624849766, 4943674049868, 936248497282, 936248526296, 494367404535 Genre: Rock Styles: Country-Rock, Singer/Songwriter, Psychedelic, Folk-Rock, Album Rock Moods: Autumnal, Bittersweet, Earthy, Plaintive, Poignant, Ambitious, Brooding, Cathartic, Difficult, Pastoral, Reflective, Rustic, Searching, Acerbic, Angst-Ridden, Complex, Earnest, Eccentric, Laid-Back/Mellow, Literate, Melancholy, Messy, Nocturnal, Organic, Provocative, Quirky, Ramshackle, Rousing, Volatile, Weary, Wistful, Confrontational, Harsh, Cerebral, Meandering, Refined/Mannered, Sad, Somber, Angry, Bitter, Brash, Exuberant, Nihilistic, Self-Conscious, Aggressive, Bleak, Cynical/Sarcastic, Druggy, Eerie, Gentle, Gloomy, Intimate, Rollicking, Rowdy, Sweet, Trippy Total Copies: 0 Members Wishing: 9 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Walk On
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See the Sky About to Rain
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Revolution Blues
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For the Turnstiles
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Vampire Blues
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On the Beach
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Motion Pictures
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Ambulance Blues
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | WEA | 11671 | | 2007 | CD | WEA | 75090 | | 2004 | CD | Warner Bros. | 48526 | | 2003 | CD | Reprise | 48497 |
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Other Editions
- No other editions were found for this album.
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Album Review
Following the 1973 Time Fades Away tour, Neil Young wrote and recorded an Irish wake of a record called Tonight's the Night and went on the road drunkenly playing its songs to uncomprehending listeners and hostile reviewers. Reprise rejected the record, and Young went right back and made On the Beach, which shares some of the ragged style of its two predecessors. But where Time was embattled and Tonight mournful, On the Beach was savage and, ultimately, triumphant. "I'm a vampire, babe," Young sang, and he proceeded to take bites out of various subjects: threatening the lives of the stars who lived in L.A.'s Laurel Canyon ("Revolution Blues"); answering back to Lynyrd Skynyrd, whose "Sweet Home Alabama" had taken him to task for his criticisms of the South in "Southern Man" and "Alabama" ("Walk On"); and rejecting the critics ("Ambulance Blues"). But the barbs were mixed with humor and even affection, as Young seemed to be emerging from the grief and self-abuse that had plagued him for two years. But the album was so spare and under-produced, its lyrics so harrowing, that it was easy to miss Young's conclusion: he was saying goodbye to despair, not being overwhelmed by it. ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | Al Schmitt | Producer, Audio Production | | Ben Keith | Dobro, Guitar, Vocals (Background), Guitar (Steel), Drums, Wurlitzer, Slide Guitar, Bass, Organ, Vocals, Hand Drums | | Billy Talbot | Bass | | Bob Seidemann | Photography | | Bob Seidmann | Photography | | Crosby, David & Graham Nash | Guitar (Rhythm) | | David Briggs | Audio Production, Producer | | David Crosby | Guitar, Guitar (Rhythm), Vocals | | Gary Burden | Repackaging, Art Direction, Design | | Gary Burdon | Art Direction, Design | | George Whitsell | Guitar | | Graham Nash | Vocals, Wurlitzer | | Jenice Heo | Repackaging | | Joe Yankee | Harp, Bass, Tambourine | | John Nowland | Analog Transfer | | Levon Helm | Drums | | Mark Harman | Audio Production | | Mark Henry Harman | Producer | | Neil Young | Vocals, Guitar, Producer, Audio Production, Art Direction, Design, Banjo, Harmonica, Wurlitzer | | Ralph Molina | Vocals, Drums, Hand Drums, Vocals (Background) | | Rick Danko | Bass | | Rick Griffin | Lettering | | Rusty Kershaw | Guitar, Slide Guitar, Fiddle, Liner Notes, Violin | | Tim Drummond | Bass, Drums, Percussion | | Tim Mulligan | Digital Mastering |
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