Album Details
Title: 90125 Artist: Yes Release Date: 11/7/1983 Re-Released On: 10/20/2009 Label: Atco, Warner Bros., Japanese Import, Audio Fidelity Duration: 44:34 Album Type(s): lyrics/libretto UPCs: 075679012524, 4988029632241, 4943674092116, 766488363227, 780014206321 Genre: Rock Styles: Prog-Rock, Psychedelic, Contemporary Pop/Rock, Arena Rock, Album Rock, British Psychedelia, Art Rock Moods: Cerebral, Elaborate, Epic, Sophisticated, Sprawling, Ambitious, Complex, Indulgent, Searching, Theatrical, Whimsical, Difficult, Dramatic, Earnest, Freewheeling, Intense, Literate, Poignant, Refined/Mannered, Reflective, Restrained, Rousing, Self-Conscious, Trippy, Acerbic, Precious, Quirky, Urgent, Aggressive, Amiable/Good-Natured, Druggy, Exuberant, Gutsy, Hypnotic, Laid-Back/Mellow, Messy, Sparse, Stylish Total Copies: 14 Number of Discs/SwapaCD Credits: 1 |
Track Listings
-
Owner of a Lonely Heart
-
Hold On
-
It Can Happen
-
Changes
-
Cinema [Live][Instrumental]
-
Leave It
-
Our Song
-
City of Love
-
Hearts
Additional Releases
| Year | Type | Label | Catalog # | | 2009 | CD | Warner Bros. | 13527 | | 2009 | CD | Audio Fidelity | AFZ063 | | 2002 | CD | Japanese Import | 6322 | | 1984 | CD | Atco | 90125-2 |
|
|
Similar CDs
Members who requested this CD also requested:
Album Review
A stunning self-reinvention by a band that many had given up for dead, 90125 is the album that introduced a whole new generation of listeners to Yes. Begun as Cinema, a new band by Chris Squire and Alan White, the project grew to include the slick production of Trevor Horn, the new blood (and distinctly '80s guitar sound) of Trevor Rabin, and eventually the trademark vocals of returning founder Jon Anderson. His late entry insured that Rabin and Horn had a heavy influence on the sound. The album also marked the return of prodigal keyboardist Tony Kaye, whose crisp synth work on "Changes" marked the band's definitive break with its art rock roots. "Owner of a Lonely Heart" was a huge crossover hit, and its orchestral break has been relentlessly sampled by rappers ever since. The vocal harmonies of "Leave It" and the beautifully sprawling "Hearts" are additional high points, but there's nary a duff track on the album. ~ Paul Collins, All Music Guide
Credits
| Name | Credits | | Alan White | Percussion, Drums, Vocals | | Bob Wynne | Repackaging | | Chris Squire | Guitar (Bass), Bass, Vocals | | Dave Lawson | Keyboard Programming | | Elliot Roberts | Management | | Ernie Campagna | Production Coordination | | Garry Mouat | Producer, Sleeve Producer | | Gary Langan | Engineer | | Johnathon J. Jeczalik | Keyboard Programming | | Jon Anderson | Vocals | | Julian Mendelsohn | Engineer | | Keith Finney | Assistant Engineer | | Steve Hoffman | Mastering | | Stuart Bruce | Engineer | | Tony Dimitriades | Management | | Tony Kaye | Keyboards | | Trevor Horn | Producer | | Trevor Rabin | Vocals, Keyboards, Guitar | | Yes | Producer |
|
|