Album Details
Title: Falling Farther In Artist: October Project Release Date: 9/19/1995 Re-Released On: 2/1/2008 Label: Sbme Special Mkts., Sony Music Distribution Duration: 49:38 Album Type(s): lyrics/libretto UPCs: 074646701928, 886972458328 Genre: Rock Styles: Alternative Pop/Rock, Psychedelic, Folk-Rock, Alternative/Indie Rock Moods: Urgent, Warm, Yearning, Reflective, Sweet, Bright, Literate, Refined/Mannered, Dramatic, Earthy, Exuberant, Gentle, Organic, Wistful, Smooth, Light, Meandering, Searching, Laid-Back/Mellow, Rollicking, Intimate Total Copies: 3 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Deep as You Go
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Something More Than This
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Sunday Morning Yellow Sky
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Adam and Eve
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Johnny
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Funeral in His Heart
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After the Fall
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One Dream
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Dark Time
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Falling Farther In
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If I Could
Additional Releases
| Year | Type | Label | Catalog # | | 2008 | CD | Sbme Special Mkts. | 724583 | | 1995 | CD | Sony Music Distribution | 67019 |
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Other Editions
- No other editions were found for this album.
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Album Review
October Project's second album, like their first, is dominated by gorgeous harmonies and sweeping string arrangements. But it's also a smidge more lively than their self-titled debut -- David Sabatino's guitars are allowed let loose a little more frequently, and the comparatively energetic percussion incorporates a bit of Latin spice. The first single, "Sunday Morning Yellow Sky," combines a typically intense, soaring chorus with an unusually lighthearted jam featuring harmonica and funky guitar riffs. But the meat and potatoes of October Project are still the achingly poignant melodies, tunes so emotionally stoked one can't help but wish to hear them more clearly, or feel them more fully. That can be a bit exhausting after repeated listens, and the keyboard-heavy arrangements are occasionally overwrought, but in proper doses there is no catharsis like October Project. The band broke up after touring in support of this album. Perhaps the next project for tunesmith Emil Adler and his lyricist/playwright wife, Julie Flanders, should involve musical theater. These larger-than-life ballads (and the big voice of lead singer Mary Fahl) would suit the stage well, and would be considerably more compelling than much of the stuff on Broadway. ~ Darryl Cater, All Music Guide
Credits
| Name | Credits | | Anthony LaMarchina | Cello | | Antoine Silverman | Violin | | Craig Thatcher | Drum Programming, Drums | | David Davidson | Violin | | David Leonard | Engineer, Mixing | | David Sabatino | Vocals, Guitar (Electric), Guitar (Acoustic) | | Emil Adler | Keyboards, Vocals, Musical Direction, Piano, String Arrangements, Harmonium | | Farrell Morris | Tambourine, Tubular Bells | | Jay Joyce | Musician, Guitar | | Jim Grosjean | Viola | | John Catchings | Cello | | John Mark Painter | String Arrangements, Guitar | | John Mock | String Arrangements | | Julie Flanders | Spoken Word | | Kristin Wilkinson | Viola | | Marc Frigo | Assistant | | Marc Shulman | Guitar (Acoustic), Guitar (Electric), Tiple, Guitar | | Marina Belica | String Arrangements, Keyboards, Vocals | | Mark Ralston | Assistant | | Mary Fahl | Vocals | | Michael Caplan | A&R | | Michael Visceglia | Bass | | Mickey Raphael | Harmonica | | Nicky Lindeman | Art Direction | | Pamela Sixfin | Violin | | Pamela Springsteen | Photography | | Peter Collins | Producer | | Stephen Marcussen | Mastering | | Tim Brown | Vocals (Background) | | Urbano Sanchez | Percussion |
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