Album Details
Title: Days of Open Hand Artist: Suzanne Vega Release Date: 4/1990 Re-Released On: 4/9/2007 Label: A&M Records, Universal/Spectrum Duration: 45:51 UPCs: 075021529328, 082839529327, 0082839529327, 075021529311, 075021529342 Genre: Rock Styles: Adult Alternative Pop/Rock, Contemporary Folk, Alternative/Indie Rock, Alternative Folk, College Rock Moods: Cerebral, Earnest, Soothing, Detached, Intimate, Literate, Stylish, Theatrical, Autumnal, Bittersweet, Gentle, Melancholy, Plaintive, Poignant, Reflective, Restrained, Sensual, Wistful Total Copies: 12 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Tired of Sleeping
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Men in a War
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Rusted Pipe
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Book of Dreams
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Institution Green
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Those Whole Girls (Run in Grace)
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Room off the Street
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Big Space
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Predictions
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Fifty-Fifty Chance
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Pilgrimage
Additional Releases
| Year | Type | Label | Catalog # | | 2007 | CD | Universal/Spectrum | 3952932 | | 1990 | CD | A&M Records | 75021-5293-2 |
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Other Editions
- No other editions were found for this album.
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Album Review
Suzanne Vega is a beautiful example of an artist excelling despite her limitations. While the singer-songwriter doesn't have much of a voice, she has no problem being incredibly expressive. Subtlety is the quality that defines Days of Open Hand, an album every bit as compelling as the superb Solitude Standing. Vega doesn't need to shout or preach in order to get her points across. On "Men in a War," the folk-pop-rock explorer examines the plight of disabled veterans without expressing the type of anger that Bruce Cockburn would when addressing such a subject. Restrained and understated, treasures like "Those Whole Girls (Run in Grace)," "Rusted Pipe" and "Room Off the Street" and the unsettling "Institution Green" show that for all their delicacy, Vega's songs can be quite meaty and give listeners a great deal to think about. ~ Alex Henderson, All Music Guide
Credits
| Name | Credits | | Al Brown | Viola | | Anton Sanko | Drum Programming, ?, Guitar (Electric), Synthesizer, Organ (Hammond), Tiple, Guitar, Producer, Fairlight, Guitar (Classical), Sequential Circuits | | Barry Finclair | Violin | | Bob Ludwig | Mastering | | Erik Sanko | Fretless Bass | | Frank Vilardi | Drums, ?, Percussion, Drums (Snare), Cymbals | | Frederick Zlotkin | Cello | | Geof Kern | Cover Design, Photography | | Geoff Keehn | Engineer | | George Holz | Artwork | | Glen Velez | Drums | | Hae Young Ham | Violin | | Hearn Gadbois | Dumbek | | Hugh Padgham | Mixing | | Jeff Lippay | Assistant Engineer | | Jeffrey Gold | Art Direction | | John Linnell | Accordion | | Jon Goldberger | Assistant Engineer | | Kurt Munkasci | String Sessions Supervision, String Engineer, ? | | Len Peltier | Art Direction, Design | | Marc Shulman | Guitar, Tiple, Guitar (Electric), E-Bow | | Maria Kitsopoulos | Cello | | Michael Blair | Cymbals, Drums, Tambourine, Percussion, Shaker, Marimba, Chinese Drums, Whip, Drums (Bass) | | Michael Visceglia | Fretless Bass, Bass, 5-string Bass, ? | | Patrick Dillett | Assistant Engineer | | Patrick McCarthy | Engineer | | Percy Jones | Fretless Bass | | Philip Glass | String Arrangements | | Rebecca Young | Viola | | Richard Horowitz | Ney | | Sandra Park | Violin | | Shawn Colvin | Vocals (Background) | | Suzanne Vega | Producer, Vocals (Background), Vocals, Art Direction, Fairlight, Guitar (Acoustic), Handclapping | | Tim Baker | Violin |
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