Album Details
Title: Suzanne Vega Artist: Suzanne Vega Release Date: 5/1985 Label: A&M, A & M Duration: 35:37 Album Type(s): lyrics/libretto UPCs: 075021507227, 0082839507226, 075021507210, 075021507241, 082839507226, 766488122732 Genre: Rock Styles: Adult Alternative Pop/Rock, Contemporary Folk, Alternative Folk, College Rock Moods: Cerebral, Earnest, Soothing, Detached, Intimate, Literate, Stylish, Theatrical, Autumnal, Bittersweet, Gentle, Melancholy, Plaintive, Poignant, Reflective, Restrained, Sensual, Wistful Total Copies: 3 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Cracking
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Freeze Tag
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Marlene on the Wall
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Small Blue Thing
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Straight Lines
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Undertow
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Some Journey
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The Queen and the Soldier
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Knight Moves
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Neighborhood Girls
Additional Releases
| Year | Type | Label | Catalog # | | 1993 | CD | A&M | 75021-5072-2 | | 1985 | CD | A & M | 3950722 |
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Other Editions
- No other editions were found for this album.
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Album Review
Though early comparisons were made to Joni Mitchell, Suzanne Vega's true antecedents were Janis Ian and Leonard Cohen. Like Ian, she sings with a precise, frequently half-spoken phrasing that gives her lyrics an intensity that seems to suggest an unsteady control consciously held over emotional chaos. Like Cohen, Vega observes the world in poetic metaphor, her cold urban landscapes reflecting a troubled sense of love and loss. The key track is "Small Blue Thing," in which the singer pictures herself as an object "Like a marble/or an eye," "made of china/made of glass," "lost inside your pocket," and "turning in your hand." The sharply picked acoustic guitar and other isolated musical elements echo the closely observed scenes -- everything seems to be in tight close-up and sharp focus. Often, the singer seems to be using the songs to measure an emotional distance; sometimes, as in "Marlene on the Wall," she observes her own actions from a remove. In "Freeze Tag," she tells a companion, "I will be Dietrich/and you can be Dean"; in "Marlene," a poster of the aloof movie star "watches from the wall," observing the singer's succession of lovers, and she tries to emulate her heroine's persona, telling the current one, "Even if I am in love with you/all this to say, what's it to you?" The ten songs on Suzanne Vega constitute the self-analysis of a young woman who desires possession without offering commitment; no wonder that, upon its release, it was taken to heart by young women across the country and in Europe. ~ William Ruhlmann, All Music Guide
Credits
| Name | Credits | | C.P. Roth | Synthesizer | | Charles Reilly | Photography | | Darol Anger | Violin (Electric) | | Frank Christian | Guitar (Acoustic), ?, Slide Guitar | | Frank Gravis | Bass | | Geoff Keehn | Assistant Engineer | | Greg Calbi | Mastering | | John Gordon | Guitar (Electric) | | John Mahoney | Synthesizer, Programming | | Kurt Upper | Assistant Engineer | | Larry DeCarmine | Assistant Engineer | | Lenny Kaye | Producer | | Mark Isham | Synthesizer | | Matthew Vega | Photography | | Maxine Neuman | Cello | | Paul Dugan | Vertical Bass, ?, Bass | | Peter Laurence Gordon | String Arrangements | | Rhonda Schoen | Mastering | | Roger Squitero | Percussion | | Ronald K. Fierstein | Executive Producer | | Shem Guibbory | Violin | | Steve Abbaddo | Guitar, Guitar (12 String), Vocals (Background) | | Steve Addabbo | ?, Guitar (Electric), Producer, Synclavier, Guitar (Acoustic), Mixing, Vocals (Background), Engineer | | Steven Miller | Producer, Arranger | | Sue Evans | Percussion, Drums | | Suzanne Vega | Vocals, Guitar, Main Performer, Guitar (Acoustic) |
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